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Laura McLardy

Line of Least Resistance. Device for Situated Gestures. Crossing the Room in One Step. If The Inside Is Nothing More Than A Fold of The Outside. Performance of walking pattern based on the layout of traditional farm gardens in the area, Wald AR (Switzerland).

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Laura McLardy | lauramclardy.com Reviews
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Line of Least Resistance. Device for Situated Gestures. Crossing the Room in One Step. If The Inside Is Nothing More Than A Fold of The Outside. Performance of walking pattern based on the layout of traditional farm gardens in the area, Wald AR (Switzerland).
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Laura McLardy | lauramclardy.com Reviews

https://lauramclardy.com

Line of Least Resistance. Device for Situated Gestures. Crossing the Room in One Step. If The Inside Is Nothing More Than A Fold of The Outside. Performance of walking pattern based on the layout of traditional farm gardens in the area, Wald AR (Switzerland).

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Laura McLardy

http://www.lauramclardy.com/index.html

Line of Least Resistance. Device for Situated Gestures. Crossing the Room in One Step. If The Inside Is Nothing More Than A Fold of The Outside. Performance of walking pattern based on the layout of traditional farm gardens in the area, Wald AR (Switzerland).

2

Laura McLardy

http://www.lauramclardy.com/_if.html

Line of Least Resistance. Device for Situated Gestures. Crossing the Room in One Step. If The Inside Is Nothing More Than A Fold of The Outside. If the Inside is Nothing More than a Fold of the Outside, 2010. Shapes to be inhabited by the body. Shelter I 'Show IV' (curated by Rebecca Loyche), MMX, Berlin, 2010 (installation view). Shelter II, bent wood held in place by scaffolding frame 'Deptford X Festival' (curated by Matthew Couper), The Old Police Station, London, 2010 (installation view).

3

Laura McLardy

http://www.lauramclardy.com/_crossing.html

Line of Least Resistance. Device for Situated Gestures. Crossing the Room in One Step. If The Inside Is Nothing More Than A Fold of The Outside. Crossing the Room in One Step, 2012. Läufer', screenprint on cotton canvas, 395 x 63 cm. Installation view at 'On/Off Moments' (curated by Amelie Wedel), Grimmuseum, Berlin, 2013. Rehearsal documentation 'Crossing the Room in One Step', UdK, Berlin, 2012.

4

Laura McLardy

http://www.lauramclardy.com/_publications.html

Line of Least Resistance. Device for Situated Gestures. Crossing the Room in One Step. If The Inside Is Nothing More Than A Fold of The Outside. Post Studio Tales', 2013/2015. Post Studio Tales was a residency-as-exhibition, in which eighteen artists articipated, that took place at District Kunst- und Kulturförderung Berlin in April 2012. Published by Textem Verlag. Points in Line #1, July 2012. Edited by Laura McLardy. Design concept by Santiago da Silva. Available via Motto Distribution. Otto E. Rö...

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cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: Critical Juncture cross-cultural collaboration conference in Kalady, India

http://cressidakocienski.blogspot.com/2015/01/critical-juncture-cross-cultural.html

Critical Juncture cross-cultural collaboration conference in Kalady, India. I was invited to speak to the negotiation of voice in the speaking of spaces, with regards to residencies and cultural exchanges. The conference took place at Sree Sankaracharya University of Sanskrit, Kalady, on 15.12.2014. The exhibition Critical Juncture is an independents project as a part of the Kochi Biennale. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism.

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: Publication: Points in Line Issue #1 on Linear Movement

http://cressidakocienski.blogspot.com/2012/07/publication-points-in-line-issue-1-on.html

Publication: Points in Line Issue #1 on Linear Movement. Http:/ www.mottodistribution.com/site/? 8216;Points in Line’. Issue 1 on Linear Movement, 2012. Edited by Laura McLardy. Contributions by Vilém Flusser, Laura McLardy, Dora Maurer, Tina Gebler and Pia Bruer,. Julia Müller, Alexandre Achour, Cressida Kocienski, Konstantin Sergiou, Heine Thorhauge Mathiasen, Daniel Fernandez Pascual, Rodrigo Maltez Novaes, Tanaz Modabber, Pedro Wirz. Graphic design by Santiago da Silva. The Institute of Immaterialism.

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: Screening: Centralia at South Kiosk

http://cressidakocienski.blogspot.com/2014/07/screening-centralia-at-south-kiosk.html

Screening: Centralia at South Kiosk. On the 19th of August I'll be screening Unorganized North Algoma. In Centralia - one of the Summer Screen series at South Kiosk gallery, London. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Explores the use of digital techniques for. Architecture - TORONTO O[S]R. The Office for Spatial Research). Long Winter First T...

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: UPCOMING

http://cressidakocienski.blogspot.com/2012/11/upcoming.html

I'll be teaching an undergraduate Architecture design lab in the University of Sheffield next week. The Institute of Immaterialism. And experimental publishing platform, was launched with Erik Martinson, and featured a screening and Cyranoids Acting Masterclass from Lucy Pawlak. More things will happen soon. March 2013 I'll be performing as part of FADO. S emerging artist series. I'll be curating New Toronto Works next summer, with Francisco-Fernando Granados. The institute of immaterialism. Currently wo...

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: FORTHCOMING: FILM WORK

http://cressidakocienski.blogspot.com/2013/02/forthcoming-film-work.html

All The Things That Burned Were Made Of Wood. I am very grateful the Toronto Arts Council for funding my forthcoming film work in Unorganized North Algoma district. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Explores the use of digital techniques for. Architecture - TORONTO O[S]R. The Office for Spatial Research). 2012 - 2014 Pleasure Dome. Critical ...

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: DAAR: common assembly at M HKA, Antwerp

http://cressidakocienski.blogspot.com/2013/10/i-have-just-finished-re-edit-of-2011.html

DAAR: common assembly at M HKA, Antwerp. I have just finished a re-edit of the 2011 DAAR collective film common assembly. For the group show Meeting Points. At Museum van Hedendaagse Kunst Antwerpen. Http:/ www.muhka.be/en/toont/event/3182/MEETING-POINTS. Is a multidisciplinary contemporary arts festival focusing on the contextualised presentation of art from the Arab World. The 7th edition of. The artists are: Lawrence Abu Hamdan. Kayfa ta and Haytham El-Wardany. Edgar Morin and Jean Rouch. 1961) His bo...

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: Notes from Diyarbakir

http://cressidakocienski.blogspot.com/2013/05/notes-from-diyarbakir.html

I'm currently in residence in Diyarbakir, SE Turkey, with Anadolu Kültür and the British Council in Turkey. More information and blog on link below:. Http:/ www.britishcouncil.org/turkey-arts-projects-artist-residency-in-diyarbakir.htm. Http:/ notesfromdiyarbakir.blogspot.com/. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Architecture - TORONTO O[S]R.

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: The Institute of Immaterialism // Lucy Pawlayk

http://cressidakocienski.blogspot.com/2013/03/the-institute-of-immaterialism-lucy.html

The Institute of Immaterialism / Lucy Pawlayk. And The Institute of Immaterialism. Present: Arriving Without Leaving (Guaranteed Happy Ending). Researching critical distance in augmented reality, a live videoconference event co-hosted by Fogo Island Arts and Art Metropole, Toronto. Wednesday March 27, 2013. 6:30pm - 9.00pm Toronto / 8.00pm - 10.00pm Fogo. Art Metropole, 1490 Dundas Street West. Fogo Island Arts, The Film House, Highway 334 - Suite 100. The institute of immaterialism. Mapping and represen...

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: RG 74-13 Transfer 1987-00624 - single channel projection

http://cressidakocienski.blogspot.com/2012/10/centre-single-channel-projection.html

RG 74-13 Transfer 1987-00624 - single channel projection. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Explores the use of digital techniques for. Architecture - TORONTO O[S]R. The Office for Spatial Research). Currently working with Northern Ontario and Tbilisi, Georgia. With architect Suzanne Harris-Brandts. 2013 Board of Directors for Images Festival.

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: RG 74-13 Transfer 1987-00624 - Installation view

http://cressidakocienski.blogspot.com/2012/10/rg-74-13-transfer-1987-00624.html

RG 74-13 Transfer 1987-00624 - Installation view. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Explores the use of digital techniques for. Mapping and representation that deal with social, cultural and political issues. The majority of our research deals with representing migrant agency in the city. With architects Nishat Awan and Phil Langley. Curator...

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Laura McLardy

Line of Least Resistance. Device for Situated Gestures. Crossing the Room in One Step. If The Inside Is Nothing More Than A Fold of The Outside. Performance of walking pattern based on the layout of traditional farm gardens in the area, Wald AR (Switzerland).

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