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Laurence Figgis

Should these bagatelles/ offend thee Corpus/ sink thee to thy solvent heart/ and colour not/ the monage is is naked-not/ his suit is void/ and thou has't nothing here/ to dread or scorn. Bad Retail: A Romantic Fiction (excerpt). Jan 22, 2018. These quilted snatches are viewed as past moments of clarity,…. Where Dalí Meets Disney. Jul 08, 2016. In 1945, after a chance encounter with Disney at a cocktail party…. Jun 02, 2016. I come to myself in a ditch, glass raining down through…. Jul 01, 2015.

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Laurence Figgis | laurencefiggis.co.uk Reviews
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Should these bagatelles/ offend thee Corpus/ sink thee to thy solvent heart/ and colour not/ the monage is is naked-not/ his suit is void/ and thou has't nothing here/ to dread or scorn. Bad Retail: A Romantic Fiction (excerpt). Jan 22, 2018. These quilted snatches are viewed as past moments of clarity,…. Where Dalí Meets Disney. Jul 08, 2016. In 1945, after a chance encounter with Disney at a cocktail party…. Jun 02, 2016. I come to myself in a ditch, glass raining down through…. Jul 01, 2015.
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1 corp’rate day
2 drawings
3 exhibitions
4 after after
5 human shaped
6 anykent
7 hugs n fun fun
8 menu
9 corp'rate day
10 in corp’rate day
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Laurence Figgis | laurencefiggis.co.uk Reviews

https://laurencefiggis.co.uk

Should these bagatelles/ offend thee Corpus/ sink thee to thy solvent heart/ and colour not/ the monage is is naked-not/ his suit is void/ and thou has't nothing here/ to dread or scorn. Bad Retail: A Romantic Fiction (excerpt). Jan 22, 2018. These quilted snatches are viewed as past moments of clarity,…. Where Dalí Meets Disney. Jul 08, 2016. In 1945, after a chance encounter with Disney at a cocktail party…. Jun 02, 2016. I come to myself in a ditch, glass raining down through…. Jul 01, 2015.

INTERNAL PAGES

laurencefiggis.co.uk laurencefiggis.co.uk
1

Men and Bits of Paper Whirled by the Cold Wind |

http://www.laurencefiggis.co.uk/shows/men-and-bits-of-paper-whirled-by-the-cold-wind

Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. Men and Bits of Paper Whirled by the Cold Wind. The Shed, Westerton, 27th-28th September, 2008. 8216;Men and Bits of Paper’ (exhibition flyer), 2008, designed by Lynn Hynd.

2

Father Perspective, Mother Space |

http://www.laurencefiggis.co.uk/shows/father-perspective-mother-space

Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. Father Perspective, Mother Space. Limoncello, London, 27th July, 2010. Father Perspective, Mother Space’, exhibition installation views (showing work by Laurence Figgis and Lynn Hynd).

3

No Line No Wave |

http://www.laurencefiggis.co.uk/no-line-no-wave

Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. No Line No Wave. Graven Images, Glasgow, 11th December 2014 30th January 2015. No Line, No Wave, 2014, (exhibition flyer).

4

The Mundane Shell |

http://www.laurencefiggis.co.uk/shows/the-mundane-shell

Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. The Glasgow Print Studio, Glasgow, 11th 27th April, 2008. The Mundane Shell (exhibition flyer), 2008. The Mundane Shell (installation views of exhibition at the Glasgow Print Studio), 2008.

5

The Brass Cage |

http://www.laurencefiggis.co.uk/works/the-brass-cage

Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. Silence: A Semiotics of (In)Significance. No Line No Wave. Continue Without Losing Consciousness. Father Perspective, Mother Space. Men and Bits of Paper. Selected works in series. Even or Perhaps (documentation of performance with Jack Figgis at DCA, Dundee), 2014. Campf’s House Style, 2010, digital print, pencil, and collage on paper, 42 x 57 cm.

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Friends | Sophie Macpherson

http://www.sophiemacpherson.net/links

Drawings, posters and other. Tahani Nadim- ducktapes.net. Muscles of Joy (read here. Transmission Gallery, Glasgow. Glasgow Independent Studios Project Space. Electra Productions, London. 42 Carlton Place, Glasgow.

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Lynn Hynd - Glasgow based Artist

http://lynnhynd.co.uk/links.html

Site by deFreeze Ltd. Mean Sea Level Kate Foster.

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Websites « Rod Jamieson

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CV | Jane Topping

http://janetopping.co.uk/cv

The View from Cockforest. The View from Cockforest. Solo Exhibition, Patricia Fleming Projects, Glasgow 2016. Patricia Fleming Projects, Glasgow 2013. There’s Some on Her Palm and in the Crook of Her Arm. Nomi’s Kitchen, Glasgow 2011. Glasgow Project Room, Trongate 103, Glasgow 2010. Intermedia, C.C.A., Glasgow 2009. Glasgow School of Art, Renfrew Street, Glasgow 2006. They Are the We of Me. Gallery of Modern Art, Glasgow 2005. Look, For Your Information. Western General Hospital, Edinburgh 2003. Institu...

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Laurence Ferrari et d'L. Inscription à : Articles (Atom). Collection d'L - or. Collection d'L - or and diamants. La CHICsk8 - dernière création. D'L and Adriana Karembeu. D'L and Ivana Trump. D'L and Nathalia Vadianova. Les people and d'L. D'L and la presse.

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Mot de passe :. J'ai oublié mon mot de passe. Plus d'actions ▼. S'abonner à mon blog. Création : 29/03/2012 à 04:10. Mise à jour : 29/03/2012 à 04:43. Laurence Ferrari dans la campagne sur TF1. L'intitulé en dit long sur la nouvelle émission politique participative de TF1, animée par Laurence Ferrari, sa reine du 20 heures . Parole , au singulier, sous-entend le respect de celui qui la porte. C'est mieux qu'une promesse, qui n'engage, dit-on, que celui. Ou poster avec :. Posté le jeudi 29 mars 2012 04:43.

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Laurence Figgis

Should these bagatelles/ offend thee Corpus/ sink thee to thy solvent heart/ and colour not/ the monage is is naked-not/ his suit is void/ and thou has't nothing here/ to dread or scorn. Bad Retail: A Romantic Fiction (excerpt). Jan 22, 2018. These quilted snatches are viewed as past moments of clarity,…. Where Dalí Meets Disney. Jul 08, 2016. In 1945, after a chance encounter with Disney at a cocktail party…. Jun 02, 2016. I come to myself in a ditch, glass raining down through…. Jul 01, 2015.

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Democracy depends on citizens having reliable, accurate facts put in a meaningful context. Journalism does not pursue truth in an absolute or philosophical sense, but it can pursue it in a practical sense. This process begins with the professional discipline of assembling and verifying facts.

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Laurence Fish | Jazz Pianist

1985) is a Netherlands based jazz pianist, originally from London, England. He has always been drawn to music and aware of its power to move and inspire people whenever there’s enough depth. Although a jazz specialist, his experience in diverse musical styles and his versatility have lead him to perform in a wide variety of venues over Europe. As well as currently teaching Jazz Piano Harmony at The Hague Conservatory, he continues to play in different settings and with different ensembles. August 23, 2014.

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