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Monday, 15 June 2015. Praxitella:Reading/Writing the Verisimilitude of the Other. Multiple empathetic identifications, an always potentially violating, interpolating gaze and an understanding of its historicity mark the author’s encounter with Wyndham Lewis’ Praxitella. In the spirit of ‘being true to the complexities of exploration-expression’, how can writing, a technology of articulation, reproduce the affective resonances that constitute this encounter? The work possible then, but what makes. I must ...

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Monday, 15 June 2015. Praxitella:Reading/Writing the Verisimilitude of the Other. Multiple empathetic identifications, an always potentially violating, interpolating gaze and an understanding of its historicity mark the author’s encounter with Wyndham Lewis’ Praxitella. In the spirit of ‘being true to the complexities of exploration-expression’, how can writing, a technology of articulation, reproduce the affective resonances that constitute this encounter? The work possible then, but what makes. I must ...
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Monday, 15 June 2015. Praxitella:Reading/Writing the Verisimilitude of the Other. Multiple empathetic identifications, an always potentially violating, interpolating gaze and an understanding of its historicity mark the author’s encounter with Wyndham Lewis’ Praxitella. In the spirit of ‘being true to the complexities of exploration-expression’, how can writing, a technology of articulation, reproduce the affective resonances that constitute this encounter? The work possible then, but what makes. I must ...

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LAUREN DE SA NAYLOR: Praxitella:Reading/Writing the Verisimilitude of the Other

http://www.laurendesanaylor.blogspot.com/2015/06/praxitellareadingwriting-verisimilitude.html

LAUREN DE SA NAYLOR. Monday, 15 June 2015. Praxitella:Reading/Writing the Verisimilitude of the Other. Multiple empathetic identifications, an always potentially violating, interpolating gaze and an understanding of its historicity mark the author’s encounter with Wyndham Lewis’ Praxitella. In the spirit of ‘being true to the complexities of exploration-expression’, how can writing, a technology of articulation, reproduce the affective resonances that constitute this encounter? I must ask the painting wh...

2

LAUREN DE SA NAYLOR: February 2014

http://www.laurendesanaylor.blogspot.com/2014_02_01_archive.html

LAUREN DE SA NAYLOR. Monday, 10 February 2014. Lauren de Sa Naylor. Subscribe to: Posts (Atom). Relations between things, innermost not-yet. Lauren de Sa Naylor. View my complete profile. 160;    . Simple template. Powered by Blogger.

3

LAUREN DE SA NAYLOR: April 2015

http://www.laurendesanaylor.blogspot.com/2015_04_01_archive.html

LAUREN DE SA NAYLOR. Tuesday, 28 April 2015. Speaking of the material/psychical condition of parenting and its corresponding responsibility/investment into the more or less intertwined relationship between ‘it’ and the responsibility/investment in the processes of making (selfhood/things). Motherhood myths nevertheless seep into this borderspace; one feels the other within and knows the presence of the third other, and yet the latter is subjugated in favour of the former, affectively. One is not supp...

4

LAUREN DE SA NAYLOR: February 2015

http://www.laurendesanaylor.blogspot.com/2015_02_01_archive.html

LAUREN DE SA NAYLOR. Sunday, 22 February 2015. Matrixial Borderspace(s): Reading Bracha Ettinger. Lauren de Sa Naylor. Subscribe to: Posts (Atom). Relations between things, innermost not-yet. Lauren de Sa Naylor. View my complete profile. Matrixial Borderspace(s): Reading Bracha Ettinger. Simple template. Powered by Blogger.

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LAUREN DE SA NAYLOR: May 2015

http://www.laurendesanaylor.blogspot.com/2015_05_01_archive.html

LAUREN DE SA NAYLOR. Tuesday, 12 May 2015. Neither folded not disintegrated, my body is flat on the ground, and the figure looms over me. 11.5.15. What happens in this scene of violation is not a physical collapse. There is no pain and there is no physical trauma that I know of: I know nothing of what is happening beyond the rush of fear that is all the more intense for its immediacy and lack of context. With an annihilative desire that is limitless. I think, why does he go on pulverizing me?

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Monday, 15 June 2015. Praxitella:Reading/Writing the Verisimilitude of the Other. Multiple empathetic identifications, an always potentially violating, interpolating gaze and an understanding of its historicity mark the author’s encounter with Wyndham Lewis’ Praxitella. In the spirit of ‘being true to the complexities of exploration-expression’, how can writing, a technology of articulation, reproduce the affective resonances that constitute this encounter? The work possible then, but what makes. I must ...

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