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Marginalia | hi, i'm lesia. welcome to my blog – here you'll find a collection of my thoughts on art, as well as insight into processes developing in my work.

hi, i'm lesia. welcome to my blog - here you'll find a collection of my thoughts on art, as well as insight into processes developing in my work.

http://lesiamstudio.wordpress.com/

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Marginalia | hi, i'm lesia. welcome to my blog – here you'll find a collection of my thoughts on art, as well as insight into processes developing in my work. | lesiamstudio.wordpress.com Reviews

https://lesiamstudio.wordpress.com

hi, i'm lesia. welcome to my blog - here you'll find a collection of my thoughts on art, as well as insight into processes developing in my work.

INTERNAL PAGES

lesiamstudio.wordpress.com lesiamstudio.wordpress.com
1

The Welland Campus: In Context – L. M. | Marginalia |

https://lesiamstudio.wordpress.com/2015/07/01/the-welland-campus-in-context

Hi, I'm Lesia. Welcome to my blog – here you'll find a collection of thoughts on landscape, art, and insight into processes developing in my work. Find me on Instagram. Follow L. M. Marginalia on WordPress.com. The Welland Campus: In Context. July 1, 2015. July 8, 2015. The campus ‘park’ most often functions as a. Laurie Olin, Exceptional Grounds. The landscapes of institutions , in siteLINES, VIII/no.12 (Spring 2003), pp. 3-10. Http:/ www.welland.ca/Community/Live.asp. The Welland Campus: In Context.

2

Spaces of Negotiation – L. M. | Marginalia |

https://lesiamstudio.wordpress.com/2015/06/27/spaces-of-negotiation

Hi, I'm Lesia. Welcome to my blog – here you'll find a collection of thoughts on landscape, art, and insight into processes developing in my work. Find me on Instagram. Follow L. M. Marginalia on WordPress.com. June 27, 2015. June 28, 2015. The truth is that all gardens are transitory more like our lives,. Less like architecture: we build them to give an illusion of permanence. In this way too they resemble our lives. Neighborhood that is rapidly gentrifying. Residents in the neighborhood are predomi...

3

Diversity within Linearity – L. M. | Marginalia |

https://lesiamstudio.wordpress.com/2015/07/01/diversity-within-linearity

Hi, I'm Lesia. Welcome to my blog – here you'll find a collection of thoughts on landscape, art, and insight into processes developing in my work. Find me on Instagram. Follow L. M. Marginalia on WordPress.com. July 1, 2015. Grumbach, Antoine. The Promenades of Paris. Trans. By Marlene Barsoum and Helene Lipstadt. Oppositions 10 (1977), pp. 60-67. Brownfields as Social Sites. The Welland Campus: In Context →. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

4

Mapmaking – L. M. | Marginalia |

https://lesiamstudio.wordpress.com/2015/02/10/mapmaking

Hi, I'm Lesia. Welcome to my blog – here you'll find a collection of thoughts on landscape, art, and insight into processes developing in my work. Find me on Instagram. Follow L. M. Marginalia on WordPress.com. February 10, 2015. Landscapes in art and poetry are almost always studies of the interior. They are, in essence, maps of states of mind. Landscapes have come to describe interiority of thought; they are used in metaphor to give further weight to experience. There’s Only Make →. Notify me of new co...

5

Hiatus, revisited – L. M. | Marginalia |

https://lesiamstudio.wordpress.com/2015/02/10/hiatus-revisited

Hi, I'm Lesia. Welcome to my blog – here you'll find a collection of thoughts on landscape, art, and insight into processes developing in my work. Find me on Instagram. Follow L. M. Marginalia on WordPress.com. February 10, 2015. February 10, 2015. Returning after a long hiatus. I left off in Brooklyn, shortly after Banff — almost 11 months ago. Touching ground again, I am looking for an entry point into the time that has passed. I’m back from Canada now — great sky country. The great lakes, siren song.

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TOTAL PAGES IN THIS WEBSITE

9

LINKS TO THIS WEBSITE

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/393291-CBIT-Peace.html

Silently, the river. Path from the Woods. Site in the Woods. Path to the Small House. I was surprised to find the path from the camp in the woods to the Cave and Basin hot spring readily used. Once a walk many internees took en route to daily labour, today these paths are dedicated to ski culture in Banff. Research is underway to link this project with several cultural organizations in Canada.

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/388676-Light.html

Silently, the river. The paintings in this series reflect the quality of light that is specific to Vermont in the winter. The paintings document the light at different times of the day. I had three large windows in my second floor studio that overlooked Johnson during my residency at the Vermont Studio Center. The contrast between the cool, winter light from the snow and the shingle style homes are part of what I love about this landscape.

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/388636-Old-Growth.html

Silently, the river.

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/418193-Schenk-Woodman.html

Silently, the river. Tom leader placeholder on previous page}.

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/388685-Joie-de-Vivre.html

Silently, the river. Joie de Vivre I. Joie de Vivre II.

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/388679-The-Poetic-Diaries.html

Silently, the river. During my residency at the Vermont Studio Center I began a project titled The Poetic Diaries. This piece pays homage to my grandmother's life. When she passed in early 2013 I found a collection of photographs from her wedding day, her first dates with my grandfather and her life in rural Saskatchewan. Charcoal, graphite, paper. Charcoal, graphite, paper. Charcoal on destressed paper. Charcoal on destressed paper. Charcoal on destressed paper.

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/388697-Native-Plants.html

Silently, the river.

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/309470.html

Silently, the river.

lesiamokrycke.com lesiamokrycke.com

LESIA MOKRYCKE

http://lesiamokrycke.com/section/388637-Rain.html

Silently, the river. White sewing thread and thermoplastic adhesive. 16' x 10' x 23'. White sewing thread and thermoplastic adhesive. 16' x 10' x 23'. Thermoplastic adhesive, white thread. 16' x 10' x 23'. White sewing thread and thermoplastic adhesive. 16' x 10' x 23'.

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TOTAL LINKS TO THIS WEBSITE

17

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Landscape: Landform and Planting. Landscape: acoustic ecology and the industrial site. Landscape: the meadow in pattern and color. Cathedral Woods multimedia video installation. My practice includes both large-scale public art projects as well as more intimate drawings, painting and sculpture. Through my work I explore how people interact with the space and scale of the city. I am interested in the interrelation between art, architecture and the environment.

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Marginalia | hi, i'm lesia. welcome to my blog – here you'll find a collection of my thoughts on art, as well as insight into processes developing in my work.

Hi, i'm lesia. welcome to my blog – here you'll find a collection of my thoughts on art, as well as insight into processes developing in my work. Find me on Instagram. Follow Marginalia on WordPress.com. The Welland Campus: In Context. July 1, 2015. July 8, 2015. The campus ‘park’ most often functions as a. Laurie Olin, Exceptional Grounds. The landscapes of institutions , in siteLINES, VIII/no.12 (Spring 2003), pp. 3-10. Http:/ www.welland.ca/Community/Live.asp. The Welland Campus: In Context. Grumbach,...

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