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The Man Without a Past - Touching Cinema

http://touchingcinema.com/the-man-without-a-past

The Man Without a Past. Keeping in mind the importance of the production design as stated above this article looks at its influence in Aki Kaurismäki’s The Man Without a Past. A highly recognizable world of pokerfaced characters, sparing visuals and stylised settings. Wilson defines Akiland. In this vein, this article investigates the importance of the production design and its execution in The Man Without a Past. The Man Without a Past. Is a story of an anonymous man who on his arrival to Helsinki is be...

touchingcinema.com

Caramel - Touching Cinema

http://touchingcinema.com/caramel

Lebanese Nadine Labaki is one of the emerging female directors from the Middle East. Her film Caramel. Questioning these new, wider representations of the Middle East this article looks at the ways the female space is represented in Caramel. In order to tackle the representations of female of space and place in Caramel. It is essential to get an overview of what characterises Lebanese cinema and to define, how Caramel. This is interesting as Caramel. A beauty salon is emblematically a space of transforma...

touchingcinema.com

The Past - Touching Cinema

http://touchingcinema.com/the-past

Asghar Farhadi is a director. When it comes to representing family dynamics from various characters’ different, subjective viewpoints. His critically acclaimed films. Given the focus on family, interpersonal stories and strong emotions, this article analyses the film as a contemporary melodrama. It examines possible similarities, both thematic and formal, with the classical melodramas of the 1930s, 1940s and 1950s but also how. This idea of melodrama as a cultural text with hidden meanings is interesting...

touchingcinema.com

De tu ventana a la mía - Touching Cinema

http://touchingcinema.com/de-tu-ventana-a-la-mia

De tu ventana a la mía. Gary Grant]. This is the beginning of Paula Ortiz’s poetic debut film De tu ventana a la mía. 2011) Taking into consideration these two modes of voice-over, this article looks at the ways embodied feelings are represented through characters and through mise-en-scène. Do female existential questions remain atemporal despite the epochs and ages? To what extent the existential feelings are affected by the surrounding factors? As Luisa’s utterance of her wanting to live. The female se...

touchingcinema.com

About Elly - Touching Cinema

http://touchingcinema.com/about-elly

Did someone enter the site that was said not to be safe? Or did she drown while trying to rescue the little boy? Given the unexpected incident and the following shock, About Elly. How does the setting describe the characters? How is the ‘private sphere’ represented in the film? The fact that the story is set in Iran is not relevant (Heidmann, 2011). In the same way the story of About Elly. Could be take place anywhere in the world. Farhadi claims that he has no need to make a film about. Aitken, S.C&...

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Requiem - Touching Cinema

http://touchingcinema.com/requiem

This article looks at the representations of a deterioration of a person in Hans Christian Schmid’s Requiem. Is based on true events, on a true exorcism case in Germany. A student Anneliese Michel was suffering from visions that the doctors diagnosed as epilepsy but the local priesthood categorised as a devil’s possession. She was subjected to exorcism for months and finally died at her parents’ home from malnutrition (Buß, 2006). However, while based on a true story, Requiem. Buß, C. (March 2, 2006)...

touchingcinema.com

Yella/ Barbara - Touching Cinema

http://touchingcinema.com/yella-barbara

Surprised the critics since it was the first Berlin School film that was set in the historical past, something that the movement as well as Petzold had critically eschewed (Fisher, 2013). His recent film, Phoenix. 2014) is also set in the historical past, concentrating on the Holocaust and its aftermath. However, as Petzold himself has noted Phoenix. That is set in the post-wall period and Barbara. And above all, both become character studies where the past merely colours the story. Likewise, in Barbara.

36bandb.co.uk

Number 36 Bed and Breakfast - Oxford

http://36bandb.co.uk/breakfast

Offers available for 3 nights or more. Breakfast is served in the garden room between 7.30 and 9.00 am. Choice of tea, coffee and toast. Selection of cereal and homemade granola. Natural yoghurt, seeds and fresh fruit. Homemade jams and marmalade. Our delicious cooked options include:. Porridge served with caramelised cinnamon apple. Full English breakfast: fried egg, bacon, sausage, tomato, mushroom. Vegetarian breakfast: fried egg, tomato, mushroom, baked beans, veggie sausage. Find us on Trip advisor.

36bandb.co.uk

Number 36 Bed and Breakfast - Oxford

http://36bandb.co.uk/cancellation-conditions

Offers available for 3 nights or more. If the booking is cancelled less than 7 days before arrival then a charge equal to the first night of the stay will be made. If the booking is cancelled less than 2 days before arrival then a charge equal to the full booking amount will be made. If the booking is cancelled 7 or more days before arrival then a charge equal to 5 per room booked will be made. In the event of a no show or booking reduction (after arrival date) the full cost of the booking is charged.