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Liao Jiekai

Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. Some are talking about the End of History. There are others who say that we are at the End of Cinema. Do not believe any of it! And the movie industries and the movie museums around the world are celebrating the 100th anniversary of cinema; and they talk about the millions of dollars their cinemas have made; they discuss their Hollywoods and their stars -. With every new buzz of the.

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Liao Jiekai | liaojiekai.com Reviews
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Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. Some are talking about the End of History. There are others who say that we are at the End of Cinema. Do not believe any of it! And the movie industries and the movie museums around the world are celebrating the 100th anniversary of cinema; and they talk about the millions of dollars their cinemas have made; they discuss their Hollywoods and their stars -. With every new buzz of the.
<META>
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1 liao jiekai
2 press
3 works
4 untitled space
5 paradise
6 the inner city
7 red dragonflies
8 a miniature spectacle
9 brother's quarters
10 bukit orang salah
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liao jiekai,press,works,untitled space,paradise,the inner city,red dragonflies,a miniature spectacle,brother's quarters,bukit orang salah,as you were,collaborations,flying,it's only talk,near to love,links,13 little pictures,email,projector,our hearts
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Liao Jiekai | liaojiekai.com Reviews

https://liaojiekai.com

Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. Some are talking about the End of History. There are others who say that we are at the End of Cinema. Do not believe any of it! And the movie industries and the movie museums around the world are celebrating the 100th anniversary of cinema; and they talk about the millions of dollars their cinemas have made; they discuss their Hollywoods and their stars -. With every new buzz of the.

INTERNAL PAGES

liaojiekai.com liaojiekai.com
1

Liao Jiekai

http://www.liaojiekai.com/index.php/about/press

Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. As You Were" have its North American Premiere in March at CAAMfest, San Francisco.

2

Liao Jiekai

http://www.liaojiekai.com/index.php/about/CV

Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. Aomori Contemporary Art Centre, Japan. Lasalle Institute of Contemporary Art, Singapore. The Substation Gallery, Singapore. President's Young Talent Exhibition. Splendid Memories Still Flow Back Into Cosmos. Wow Really? The Substation Gallery, Singapore. AVU Gallery, Prague. As You Were (2015). CAAMfest, San Francisco. Singapore International Film Festival. SEA Arts Festival (London).

3

Liao Jiekai

http://www.liaojiekai.com/index.php/works/a-miniature-spectacle

Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. 2000, Circular Video Projection with modified projector and handycam. Format: Single Channel Video (Standard Definition). Length: 14 minutes 6 seconds on loop. Nocturnal activities in cities, a man singing karaoke and the explosion of pyrotechnics in the sky. As You Were" have its North American Premiere in March at CAAMfest, San Francisco.

4

Liao Jiekai

http://www.liaojiekai.com/index.php/works/the-inner-city

Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. 2008, Short Film. Format: Standard Definition video. Length: 18 minutes 29 seconds. As You Were" have its North American Premiere in March at CAAMfest, San Francisco.

5

Liao Jiekai

http://www.liaojiekai.com/index.php/works/untitled-space

Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. 2002, Video Installation (animated charcoal drawings with live action video). Format: Three Channel Video. Length: 6 mins 29 seconds on loop. Installation view (digital simulation). As You Were" have its North American Premiere in March at CAAMfest, San Francisco.

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Currents: Screening of Films and Videos by Half Elephant | IAKEIJ

https://iakeij.wordpress.com/2008/12/04/currents-screening-of-films-and-videos-by-half-elephant

Musings about film, art and life. Currents: Screening of Films and Videos by Half Elephant. December 4, 2008 in News. Venue: Post Museum (Back Room), 107 109 Rowell Rd, Singapore. Date/Time: Wednesday, December 10, 2008, 8:00pm – 10:00pm. Website ( http:/ halfelephant.wordpress.com. Entry fees: $8 (inclusive of 1 non-alcoholic drink), $12 (inclusive of 1 beer). The screening is a showcase of nine short films and videos from current members of Half Elephant. Many of the works transcend the traditional...

iakeij.wordpress.com iakeij.wordpress.com

Japanese Film Festival: Gaichu (Harmful Insect) by Akihiko Shiota | IAKEIJ

https://iakeij.wordpress.com/2008/08/27/japanese-film-festival-gaichu-harmful-insect-by-akihiko-shiota

Musings about film, art and life. Japanese Film Festival: Gaichu (Harmful Insect) by Akihiko Shiota. August 27, 2008 in Culture. The film reminded me of Kim Ki-duk, for the way both directors depict the female. And it reminded me of Kobayashi Masahiro’s “The Rebirth”, how the silence in the films grew like a deadly cancer lump, unknowingly, we are all trapped in the realm of the alternative world, unable to escape. Yet this is the way the world is, isn’ it? Clouds in a Shell. Remembering a Timeless Self.

iakeij.wordpress.com iakeij.wordpress.com

Filmography | IAKEIJ

https://iakeij.wordpress.com/filmography

Musings about film, art and life. The Inner City, Standard Definition Video, 18 mins. Clouds in a Shell, High Definition Video, 34 mins. Lost Zones, High Definition Video, 16 mins. Sand Wind and Dreams, 16mm film and Super8mm film transfer to. Video, 27 mins. Orange Blues, Standard Definition Video, 23 mins. Paradise, 16mm film transfer to Video, 10 mins. 5 Days, Standard Definition Video, 15 mins. Untitled Space, 3 Screen Video Installation, 6 mins. (loop). With wax, candles and albums,7 mins. (loop).

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Auf Der Anderen Seite (The Edge of Heaven) | IAKEIJ

https://iakeij.wordpress.com/2008/11/11/auf-der-anderen-seite-the-edge-of-heaven

Musings about film, art and life. Auf Der Anderen Seite (The Edge of Heaven). November 11, 2008 in Culture. Watching “The Edge of Heaven” this evening had reaffirmed by quintisential inability to appreciate movie properly. I cannot stop analyzing it, questioning it and breaking it down into pieces, the tragedy of a filmmaker; how I wish I can watch a film without thinking about how it was made. Overall, it is a well made film. But not in my top ten. Certainly worth a watch though.🙂. Clouds in a Shell.

iakeij.wordpress.com iakeij.wordpress.com

Japanese Film Festival: Naomi Kawase’s “Birth/Mother” | IAKEIJ

https://iakeij.wordpress.com/2008/08/31/japanese-film-festival-naomi-kawases-birthmother

Musings about film, art and life. Japanese Film Festival: Naomi Kawase’s “Birth/Mother”. August 31, 2008 in Culture. As a whole, I welcome the change, and I certainly feel that it is for the better, and hope that Naomi Kawase will continue making these very personal yet infinitely universal documentaries that reaches straight into the deepest reachest of human relationships and emotions. Clouds in a Shell. Remembering a Timeless Self. Comments feed for this article. Leave a Reply Cancel reply.

iakeij.wordpress.com iakeij.wordpress.com

Screening of Clouds in a Shell @ 5th Short Cuts | IAKEIJ

https://iakeij.wordpress.com/2008/08/08/screening-of-clouds-in-a-shell-5th-short-cuts

Musings about film, art and life. Screening of Clouds in a Shell @ 5th Short Cuts. August 8, 2008 in Culture. The following Question and Answer is transcribed by Stefan S. a film writer and critic in Singapore. It is taken from his blog in the link. Perhaps the filmmakers can introduce themselves and the films? My film was made in August last year, and it was what I thought about family. [To Jiekai] I thought there was some strange homoerotic tension between the two guys in your short? I looked at it mor...

halfelephant.wordpress.com halfelephant.wordpress.com

“Nowhere Islnad” is selected in Official selection of U frame international Academic Video festival | Halfelephant

https://halfelephant.wordpress.com/2008/07/12/nowhere-islnad-is-selected-in-official-selection-of-u-frame-international-academic-video-festival

An artist and filmmaker collective based in the Asia Pacific. 8220;Nowhere Islnad” is selected in Official selection of U frame international Academic Video festival. July 12, 2008 in Exhibitions. U FRAME international Academic Video Festival. 8220;Nowhere Island” is selected in Fiction section and will show in Portugal from Oct 1st to 5th and will show in Spain afterward as well. Detail will announce. Chia Pi Chao (Phoebe). Comments feed for this article. July 12, 2008 at 3:32 pm. Enter your comment here.

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Singapore Biennale 2008 “Wonder”: A Critical First Look | IAKEIJ

https://iakeij.wordpress.com/2008/09/12/singapore-biennale-2008-wonder-a-critical-first-look

Musings about film, art and life. Singapore Biennale 2008 “Wonder”: A Critical First Look. September 12, 2008 in Contemporary Art. Where did the criminals once stand? Where were the lawyers? I pictured invisible eyelines bouncing around the room, and my imagination faltered and collapsed, and I am back into the dark and empty space, staring at the video and the lamp. How do you draw the line between them and video art? 8220;Maggots”, 2004, Sculptural Installation, by Pham Ngoc Duong. Clouds in a Shell.

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Week of the Omni Buses: “Tokyo” and “Tickets” | IAKEIJ

https://iakeij.wordpress.com/2008/10/29/week-of-the-omni-buses-tokyo-and-tickets

Musings about film, art and life. Week of the Omni Buses: “Tokyo” and “Tickets”. October 29, 2008 in Culture. Another observation is how the three segments can be shot with different formats. Michel used regular 35mm, Leos used video (HD, SD and handphone), while Bong uses 35mm cinemascope. Knowing the content of each segment, I kind of understand why each directors chose their specific format. Perhaps one can also revisit Osamu Dazai’s “No longer Human”, but of course the film is way m...Bong’s &#...

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Japanese Film Festival: Live with Naomi Kawase + Embracing & KyaKaRaBaA + Shara Sojyu + Mogari No Mori | IAKEIJ

https://iakeij.wordpress.com/2008/08/31/japanese-film-festival-live-with-naomi-kawase-embracing-kyakarabaa-shara-sojyu-mogari-no-mori

Musings about film, art and life. Japanese Film Festival: Live with Naomi Kawase Embracing and KyaKaRaBaA Shara Sojyu Mogari No Mori. August 31, 2008 in Culture. Okay, enough of ugly Singaporean style complaining – I just cant shrug off my roots, can I? Clouds in a Shell. Remembering a Timeless Self. Comments feed for this article. September 11, 2008 at 4:31 pm. The Mourning Forest « throwfurther. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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Liao Jiekai

Remembering a Timeless Self. Clouds in a Shell. As Winter Escapes Me. Before the Wedlock House. Something from the Ocean. Some are talking about the End of History. There are others who say that we are at the End of Cinema. Do not believe any of it! And the movie industries and the movie museums around the world are celebrating the 100th anniversary of cinema; and they talk about the millions of dollars their cinemas have made; they discuss their Hollywoods and their stars -. With every new buzz of the.

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