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Lift Gamma Gain - The Colorist & Color Grading Forum | liftgammagain.com Reviews

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Film & Digital Colorist, Color Correction, and Color Grading Forum

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Type your search terms above and press return to see the search results. Blog sobre mi trabajo como DIT y colorista, sobre digital workflows, posproducción y color grading. Por Manuel López. Proceso de finalización y color del documental Modernos. Modernos. Teatro de vanguardia en Canarias. El documental fue rodado usando dos cámaras, la Blackmagic Cinema Camera. La primera que presentó BMD, a juicio de los entendidos la mejor de su gama a día de hoy) junto con una Canon 7D. Ahora sí, ya con toda la.

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Monitores de referencia de bajo coste, experiencias con su calibración – digitalfrozen

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Type your search terms above and press return to see the search results. Blog sobre mi trabajo como DIT y colorista, sobre digital workflows, posproducción y color grading. Por Manuel López. Monitores de referencia de bajo coste, experiencias con su calibración. Ya he calibrado tres de los monitores que recomiendo para color grading de bajo coste: los LCD Eizo CG243W. Y el plasma Panasonic TX-P42VT30. Cuando escribí mi artículo anterior. O el más profesional LightSpace. El plasma no tiene software propio...

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Uso de Direct link para la corrección de color de un telefilme – digitalfrozen

http://digitalfrozen.com/2014/05/uso-de-direct-link-para-la-correccion-de-color-de-un-telefilme

Type your search terms above and press return to see the search results. Blog sobre mi trabajo como DIT y colorista, sobre digital workflows, posproducción y color grading. Por Manuel López. Uso de Direct link para la corrección de color de un telefilme. Para la finalización de una película para televisión (80 min) he usado la combinación de Premiere Pro con SpeedGrade mediante Direct Link. O sea sin conformado. Pero dadas las limitaciones actuales de Direct Link me encontré con varios problemas:. Bien e...

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Adobe – digitalfrozen

http://digitalfrozen.com/tag/adobe

Type your search terms above and press return to see the search results. Blog sobre mi trabajo como DIT y colorista, sobre digital workflows, posproducción y color grading. Por Manuel López. All posts tagged “ Adobe. Sustitución de cielos usando After Effects. SpeedGrade, crónica de una muerte anunciada? Hace unos meses configuré mi primera DIT Station. O estación de trabajo para la descarga, almacenamiento, control y gestión de los ficheros de las cámaras de cine digital. Tarea muy importante en la ...

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Trabajos como colorista – digitalfrozen

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Type your search terms above and press return to see the search results. Blog sobre mi trabajo como DIT y colorista, sobre digital workflows, posproducción y color grading. Por Manuel López. Mi primer trabajo de colorista en un largometraje ha sido para El Clan. En el verano de 2013 corregí el filme Las Cartas de Malex. Del director Carlos Reyes Lima, película que relata el viaje iniciático que hacen sus personajes hasta descubrir el desenlace de un turbio asesinato ocurrido en Las Palmas en los años cin...

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camera raw – digitalfrozen

http://digitalfrozen.com/tag/camera-raw

Type your search terms above and press return to see the search results. Blog sobre mi trabajo como DIT y colorista, sobre digital workflows, posproducción y color grading. Por Manuel López. All posts tagged “ camera raw. Raw o no raw…. La primera cámara de Canon enfocada al cine digital, con su sensor 4K super35 y montura PL, pero sin embargo no contempla una opción raw. Ni siquiera la afamada Alexa. De importación para Premiere Pro y After Effects, todavía en fase beta (Windows y Mac OS X), más un pequ...

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