Facilitating conversation and action about the ways creativity can transform museums and cultural organizations, shaping more compelling narratives and create deeper, more inclusive community connections.
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Linda Norris - Working With Me | lindabnorris.com Reviews
https://lindabnorris.com
Facilitating conversation and action about the ways creativity can transform museums and cultural organizations, shaping more compelling narratives and create deeper, more inclusive community connections.
lindabnorris.com
Listening to Communities - Linda Norris
http://www.lindabnorris.com/listening-to-communities.html
Looking for ways to strengthen your programs. Or make your exhibitions more compelling for your. Community surveys, facilitated community listening sessions, and prototyping add an important dimension of research and provide fresh perspectives for exhibit and program development. The Harriet Beecher Stowe Center. Talking with middle-school students, we discovered that many young people really don’t care about technology in museums—they want to see the real thing. In one-on-one conversatio...
Shaping Professional Practice - Linda Norris
http://www.lindabnorris.com/strengthening-professional-practice.html
How can staff at museums learn new skills? Test out new ways of thinking? Museum colleagues can benefit from thoughtful, fast-paced and engaging professional development sessions. 8203; Case study:. As a project manager for AASLH’s StEPs program, I coordinated the development of six curricula, webinars, provided train-the-trainer sessions for museum service organizations from coast to coast, and developed a webinar on Telling a Good Story. Professional Development Seminars for Connecticut museums;.
Writing & Speaking - Linda Norris
http://www.lindabnorris.com/writing-and-speaking.html
With Rainey Tisdale, I am the co-author of Creativity in Museum Practice,. For Latvian Museums, sponsored by the Baltic Museological Association, the Latvian Art Academy and the Latvian Ministry of Culture/. Keynote, Saskatchewan Museum Association. Panel member, Mistakes Were Made, American Alliance of Museums. Keynote, Association of Midwest Museums. Creativity in Museum Practice, Helzel Colloquium, John F. Kennedy University Museum Studies Program, San Francisco, CA, with Rainey Tisdale. I welcome opp...
Shaping Compelling Narratives - Linda Norris
http://www.lindabnorris.com/shaping-compelling-narratives.html
What are your community stories. How can you make an impact by sharing those stories? Today museum visitors and cultural tourists seek out compelling narratives- stories that strongly connect us to lives and places different than their own. In exhibitions and historic sites, a thoughtful interpretive planning process can help you shape engaging narratives using the power of objects, place and imagination. Have enriched my own professional practice and helped sharpen my commitment to compelling narratives.
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uncatalogedmuseum.blogspot.com
The Uncataloged Museum: October 2014
http://uncatalogedmuseum.blogspot.com/2014_10_01_archive.html
Wednesday, October 29, 2014. Curating Oral History in Montreal. Several months ago, one of my mentees for this year, Catherine Charlebois of the Center for Montreal History, shared her experiences collecting oral histories. She continues the story with this long-delayed (from my end entirely) follow-up post on making those histories work in the exhibition itself. How to tell the stories using exhibition design? How to tell the stories using testimonies? In contrast, when you ended up in the neighbourhood...
uncatalogedmuseum.blogspot.com
The Uncataloged Museum: April 2015
http://uncatalogedmuseum.blogspot.com/2015_04_01_archive.html
Saturday, April 25, 2015. This past week, in Kyiv, Ukraine, I had the opportunity to walk through two quite incredible exhibits at the National Art Museum of Ukraine, with deputy director Yuliya Vaganova. I'll combine the two into this one post but both deserve deep attention on their own. Encourage that conversation. In part, the introductory label says,. The second exhibition, Spetsfond,. Fundamentally, I realized that these exhibits are both about power. On the one hand, they both share the horrib...
uncatalogedmuseum.blogspot.com
The Uncataloged Museum: What, Me Worry? Crowdsourcing Teenage Memories
http://uncatalogedmuseum.blogspot.com/2015/07/what-me-worry-crowdsourcing-teenage.html
Thursday, July 9, 2015. What, Me Worry? It's sometimes tricky to figure out the starting place for collecting memories for an exhibition project. Do newspaper press releases work? What about the Facebook page? The museum staff's own network? How do you figure out who will be a great interview and what topics really resonate, given the constraints of time and money? How can we approach it more creatively? But then, where to find people to talk to? And how to get them to share? We've received dozens of res...
uncatalogedmuseum.blogspot.com
The Uncataloged Museum: We Are Not Separate from Politics: AAM and Beyond
http://uncatalogedmuseum.blogspot.com/2015/05/we-are-not-separate-from-politics-aam.html
Monday, May 4, 2015. We Are Not Separate from Politics: AAM and Beyond. S always a whirl of competing priorities. Which session do I go to? Do I skip a session in favor of catching up with a colleague? Where do I find the best fried chicken (in the case of Atlanta) What museum do I want to make sure I see? And most importantly, how do I make sense of it all? What's rising to the top for me? One of my very first stops in Atlanta was the National Center for Civil and Human Rights. These are American issues...
uncatalogedmuseum.blogspot.com
The Uncataloged Museum: Re-Engaging Your Community
http://uncatalogedmuseum.blogspot.com/2015/07/re-engaging-your-community.html
Friday, July 3, 2015. Today's post is from another of my mentees this year, Shakia Gullette. Here, she shares her experiences in the work of rebuilding her museum's community connections. Over the last two years, my museum, t he Banneker- Douglass Museum,. Step One- Test the waters. Step Two- Accept or Reject. In the end it worked out for us and for our community lender. We were able to reconnect the legacy of Alex Hayley and Kunte Kinte. What were some of your pitfalls? Subscribe to: Post Comments (Atom).
uncatalogedmuseum.blogspot.com
The Uncataloged Museum: I ♥ Maps
http://uncatalogedmuseum.blogspot.com/2015/08/i-maps.html
Wednesday, August 12, 2015. I ♥ Maps. The summer I graduated from college, my friend Jane and I drove cross-country and back. I don't even remember using a guidebook but what I do remember are a whole set of AAA Trip-Tiks that guided us across the country, showing us scenic routes and interesting places to explore (which must explain the visit to Wall Drug. An exhibit at the Brooklyn Historical Society). Here's a bit of what's come across my virtual desk:. Check out Spotify's Interactive Music Map. Large...
uncatalogedmuseum.blogspot.com
The Uncataloged Museum: Still Wondering if History Museums should Talk about Tough Issues?
http://uncatalogedmuseum.blogspot.com/2015/07/still-wondering-if-history-museums.html
Monday, July 13, 2015. Still Wondering if History Museums should Talk about Tough Issues? I've been in the museum field a long time. This past year has felt like a time of real change in the way we're thinking and talking about museums and their social responsibilities. From #museumsrespondtoFerguson. To debates about whether we're ready to tell the s tories of what the Confederate flag symbolizes,. To in Ukraine, the debates and legislation about de-communisation. What does this mean? Why the flag now?
Our Collective Memory | CityStories
https://raineytisdale.wordpress.com/2013/04/22/our-collective-memory
Laquo; City Symphony. Our Collective Memory Part 2. April 22, 2013 by raineytisdale. All week I have been trying to look at the events unfolding here in Boston through the lens of city museums. Boston doesn’t have a proper city museum. If Boston did have a proper city museum, I would’ve wanted it this week to open wide its doors to the city for solace and reflection ( many existing museums in Boston did in fact do so. The city that survived the Molasses Flood and the Big Dig. I caught the Green Line at A...
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Linda Norris - Working With Me
What do I bring to our collaboration? I’m passionate about my work and want to work with museums and cultural organizations that are passionate about change. I focus on the connection between communities and museums; and the ways that museums can strengthen that connection through building our own creative muscles, shaping compelling narratives, and building active connections to communities.
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