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LINDA HAINS

Wednesday, October 7, 2009. Sunday, October 4, 2009. Thursday, October 1, 2009. Tuesday, September 29, 2009. Connecting the beauty of nature with the beauty of art involves the capturing of the essence of meaning and beauty. Moreover, Art exposure and experience guides the individual to a pleasant aesthetic moment, a sense of wonder. I am interested in bringing the aliveness of life into the painting. The body tracings were live. The marks changed the meaning. The drawings became abstract.

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LINDA HAINS | lindahains.blogspot.com Reviews
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Wednesday, October 7, 2009. Sunday, October 4, 2009. Thursday, October 1, 2009. Tuesday, September 29, 2009. Connecting the beauty of nature with the beauty of art involves the capturing of the essence of meaning and beauty. Moreover, Art exposure and experience guides the individual to a pleasant aesthetic moment, a sense of wonder. I am interested in bringing the aliveness of life into the painting. The body tracings were live. The marks changed the meaning. The drawings became abstract.
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1 linda hains
2 action overtakes choice
3 posted by
4 no comments
5 labels theory
6 artist and teacher
7 investigating and listening
8 nature and art
9 new painting
10 1 comment
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LINDA HAINS | lindahains.blogspot.com Reviews

https://lindahains.blogspot.com

Wednesday, October 7, 2009. Sunday, October 4, 2009. Thursday, October 1, 2009. Tuesday, September 29, 2009. Connecting the beauty of nature with the beauty of art involves the capturing of the essence of meaning and beauty. Moreover, Art exposure and experience guides the individual to a pleasant aesthetic moment, a sense of wonder. I am interested in bringing the aliveness of life into the painting. The body tracings were live. The marks changed the meaning. The drawings became abstract.

INTERNAL PAGES

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1

LINDA HAINS: New Painting

http://lindahains.blogspot.com/2009/08/blog-post.html

Friday, August 21, 2009. This is a new painting I just completed in August 2009. Subscribe to: Post Comments (Atom). View my complete profile. My notes on Richard Tuttle. Welcome to my blog.

2

LINDA HAINS: Investigating and listening

http://lindahains.blogspot.com/2009/10/investigating-and-listening.html

Thursday, October 1, 2009. Subscribe to: Post Comments (Atom). View my complete profile.

3

LINDA HAINS: Action overtakes choice

http://lindahains.blogspot.com/2009/10/action-overtakes-choice.html

Wednesday, October 7, 2009. Subscribe to: Post Comments (Atom). View my complete profile.

4

LINDA HAINS: My notes on Richard Tuttle

http://lindahains.blogspot.com/2009/08/my-notes-on-richard-tuttle.html

Sunday, August 23, 2009. My notes on Richard Tuttle. Subscribe to: Post Comments (Atom). View my complete profile. My notes on Richard Tuttle. Welcome to my blog.

5

LINDA HAINS: New Painting

http://lindahains.blogspot.com/2009/08/new-painting.html

Monday, August 24, 2009. September 30, 2013 at 9:51 AM. This comment has been removed by the author. Subscribe to: Post Comments (Atom). View my complete profile. My notes on Richard Tuttle. Welcome to my blog.

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Linda Hains - Paintings

http://www.lindarusso.com/painting1.html

Paintings - page one. Click on image larger view).

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Linda Hains - Drawings

http://www.lindarusso.com/drawing1.html

Drawings - page one. Click on image larger view).

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Linda Hains - Yantras

http://www.lindarusso.com/yantras.html

Click on image for a larger view). A Yantra is a Tantric symbol for cosmic unity.

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Linda Hains - Paintings

http://www.lindahains.com/painting1.html

Paintings - page one. Click on image larger view).

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Linda Hains - Drawings

http://www.lindahains.com/drawing1.html

Drawings - page one. Click on image larger view).

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Linda Hains - Exhibition, Sundances and Palms, Univ. of Texas

http://www.lindahains.com/exhibitions1.html

Exhibition — Sundances and Palms. Glass Gallery, Univ. of Texas, Fall 2008. Click to see previous exhibition, Linda Hains-Recent Works. May 5 - June 10, 2005. Community Fine Arts Center / Rock Springs, Wyoming.

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Linda Hains - statement, bio

http://www.lindahains.com/artsta.html

Artist Statement / Biography. I began painting as a child - coloring everything in sight. I went through coloring books, crayons and watercolors as fast as could be. As I grew older the world came more into my awareness. I continued to create as much as I could all the time - just whatever came into mind. Working mostly on the floor, I use the square format as a dance space. I place my body in the square and feel the movement wander. I am very interested in improvisation, the surprise of letting ...Float...

lindarusso.com lindarusso.com

Linda Hains - statement, bio

http://www.lindarusso.com/artsta.html

Artist Statement / Biography. I began painting as a child - coloring everything in sight. I went through coloring books, crayons and watercolors as fast as could be. As I grew older the world came more into my awareness. I continued to create as much as I could all the time - just whatever came into mind. Working mostly on the floor, I use the square format as a dance space. I place my body in the square and feel the movement wander. I am very interested in improvisation, the surprise of letting ...Float...

lindahains.com lindahains.com

Linda Hains - Yantras

http://www.lindahains.com/yantras.html

Click on image for a larger view). A Yantra is a Tantric symbol for cosmic unity.

lindarusso.com lindarusso.com

Linda Hains - Exhibition, Sundances and Palms, Univ. of Texas

http://www.lindarusso.com/exhibitions1.html

Exhibition — Sundances and Palms. Glass Gallery, Univ. of Texas, Fall 2008. Click to see previous exhibition, Linda Hains-Recent Works. May 5 - June 10, 2005. Community Fine Arts Center / Rock Springs, Wyoming.

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LINDA HAINS

Wednesday, October 7, 2009. Sunday, October 4, 2009. Thursday, October 1, 2009. Tuesday, September 29, 2009. Connecting the beauty of nature with the beauty of art involves the capturing of the essence of meaning and beauty. Moreover, Art exposure and experience guides the individual to a pleasant aesthetic moment, a sense of wonder. I am interested in bringing the aliveness of life into the painting. The body tracings were live. The marks changed the meaning. The drawings became abstract.

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