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Des McHugh | The son of prosperity | Guitar Lessons Online | Dublin
http://www.desmchugh.com/2011/11/the-son-of-prosperity
Jazz theory for the bewildered guitarist. Theory & Technique. The son of prosperity. This entry was posted in Hornpipes. Diatonic major scale chords →. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. You may use these. A href= title= abbr title= acronym title= b blockquote cite= cite code del datetime= em i q cite= strike strong. Des Mc Hugh on myspace. Http:/ www.classicjazzguitar.com/index.jsp. Http:/ www.dublinjazz.ie/. Proudly powered by WordPress.
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Des McHugh | Blues soloing | Guitar Lessons Online | Dublin
http://www.desmchugh.com/category/blues/blues-soloing
Jazz theory for the bewildered guitarist. Theory & Technique. Blues soloing part 6, the melodic minor scale. In this part of our series on Blues soloing, we will look at the use of the melodic minor scale when improvising over Dom7 chords. This is a very useful sound in a Jazz type blues, but it just might sound a bit out of context in a John Lee Hooker tune. For our I chord G7, (G9, G13) we [.]. Read the Rest…. Blues soloing part 5, The Bebop dominant scale. Read the Rest…. Blues soloing part 4. In blue...
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Des McHugh | Jazz lessons | Guitar Lessons Online | Dublin
http://www.desmchugh.com/category/jazz/jazz-lessons
Jazz theory for the bewildered guitarist. Theory & Technique. Practicing the three notes per string major scale patterns in 12 keys. There are 7 notes in a major scale, therefore each note appears in 7 different scales. The chart below shows the note C in seven different keys. It follows therefore that each fret will give us 7 different available major scales corresponding to the seven positions. Here is a chart [.]. Read the Rest…. Des Mc Hugh on myspace. Http:/ www.dublinjazz.ie/.
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Des McHugh | Arpeggios | Guitar Lessons Online | Dublin
http://www.desmchugh.com/category/theory-technique/arpeggios
Jazz theory for the bewildered guitarist. Theory & Technique. Here is a chart showing all the inversions of a 7th arpeggio. The column on the left starts on the root of the arpeggio, the second column starts on the 3rd, the third column starts on the 5th, and the fourth column starts on the 7th. There are 24 inversions [.]. Read the Rest…. Read the Rest…. Des Mc Hugh on myspace. Http:/ www.classicjazzguitar.com/index.jsp. Http:/ www.dublinjazz.ie/. Http:/ www.jonraney.com/. Proudly powered by WordPress.
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Des McHugh | Blues soloing part 6, the melodic minor scale. | Guitar Lessons Online | Dublin
http://www.desmchugh.com/2012/02/blues-soloing-part-6-the-melodic-minor-scale
Jazz theory for the bewildered guitarist. Theory & Technique. Blues soloing part 6, the melodic minor scale. This entry was posted in Blues. In this part of our series on Blues soloing, we will look at the use of the melodic minor scale when improvising over Dom7 chords. This is a very useful sound in a Jazz type blues, but it just might sound a bit out of context in a John Lee Hooker tune. For our I chord G7. Which is unaltered, the same formula gives us a G melodic minor G A Bb C D E F#. Based on theme...
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Des McHugh | Harmony | Guitar Lessons Online | Dublin
http://www.desmchugh.com/category/theory-technique/harmony
Jazz theory for the bewildered guitarist. Theory & Technique. Diatonic major scale chords. Des Mc Hugh on myspace. Http:/ www.classicjazzguitar.com/index.jsp. Http:/ www.dublinjazz.ie/. Http:/ www.jonraney.com/. Locoswing – Dublin Gypsy Jazz band. Proudly powered by WordPress. Based on theme: Quintus by Automattic.
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Des McHugh | Slip Jigs | Guitar Lessons Online | Dublin
http://www.desmchugh.com/category/traditional-irish-tunes/slip-jigs
Jazz theory for the bewildered guitarist. Theory & Technique. Des Mc Hugh on myspace. Http:/ www.classicjazzguitar.com/index.jsp. Http:/ www.dublinjazz.ie/. Http:/ www.jonraney.com/. Locoswing – Dublin Gypsy Jazz band. Proudly powered by WordPress. Based on theme: Quintus by Automattic.
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Des McHugh | Gypsy Jazz | Guitar Lessons Online | Dublin
http://www.desmchugh.com/category/jazz/gypsy-jazz
Jazz theory for the bewildered guitarist. Theory & Technique. Classic Gypsy Jazz diminished lick. This is a classic must know lick that sounds great when played with dominant 7 type chords. Guaranteed to confer an instant Gypsy sound to your solo. It employs a technique known as sweep picking, where the pick moves in one direction across the strings. The picking is up, down, [.]. Read the Rest…. Des Mc Hugh on myspace. Http:/ www.classicjazzguitar.com/index.jsp. Http:/ www.dublinjazz.ie/.
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Des McHugh | Blues harmony | Guitar Lessons Online | Dublin
http://www.desmchugh.com/category/blues/blues-harmony
Jazz theory for the bewildered guitarist. Theory & Technique. The 12 bar blues structure phrase 2 (bars 5-8). In our basic G blues progression, this was what phrase 2 (bars 5-8) looked like. Two bars of the IV7 chord C7, followed by two bars of G7. The first substitution is one we used in bar 2 of phrase 1, replacing the C7 with C#dim. Because diminished chords repeat [.]. Read the Rest…. The 12 bar blues structure (phrase 1, bars 1-4). Read the Rest…. Des Mc Hugh on myspace. Proudly powered by WordPress.
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Des McHugh | Scales | Guitar Lessons Online | Dublin
http://www.desmchugh.com/category/theory-technique/scales
Jazz theory for the bewildered guitarist. Theory & Technique. Blues soloing part 6, the melodic minor scale. In this part of our series on Blues soloing, we will look at the use of the melodic minor scale when improvising over Dom7 chords. This is a very useful sound in a Jazz type blues, but it just might sound a bit out of context in a John Lee Hooker tune. For our I chord G7, (G9, G13) we [.]. Read the Rest…. Blues soloing part 5, The Bebop dominant scale. Read the Rest…. Read the Rest…. There are 7 n...
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