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Saturday, 4 June 2011. Mark Leckey pumps up the volume at the Serpentine. The tremors of bass that reverberated through the Serpentine Gallery prior to the show were telling of things to come. Likened to the romping thuds of an imminent T-Rex in Jurassic Park, it was what we could hear and feel, rather than what we could see, that sparked a wave of excitable conversation (though it’s a shame we didn't have bowls of Jell-O with us). Hmm, maybe that's a bit rich. The point is, with BigBoxActionStatue.

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London Art Review | londonartreview.blogspot.com Reviews
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Saturday, 4 June 2011. Mark Leckey pumps up the volume at the Serpentine. The tremors of bass that reverberated through the Serpentine Gallery prior to the show were telling of things to come. Likened to the romping thuds of an imminent T-Rex in Jurassic Park, it was what we could hear and feel, rather than what we could see, that sparked a wave of excitable conversation (though it’s a shame we didn't have bowls of Jell-O with us). Hmm, maybe that's a bit rich. The point is, with BigBoxActionStatue.
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London Art Review | londonartreview.blogspot.com Reviews

https://londonartreview.blogspot.com

Saturday, 4 June 2011. Mark Leckey pumps up the volume at the Serpentine. The tremors of bass that reverberated through the Serpentine Gallery prior to the show were telling of things to come. Likened to the romping thuds of an imminent T-Rex in Jurassic Park, it was what we could hear and feel, rather than what we could see, that sparked a wave of excitable conversation (though it’s a shame we didn't have bowls of Jell-O with us). Hmm, maybe that's a bit rich. The point is, with BigBoxActionStatue.

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London Art Review: December 2010

http://londonartreview.blogspot.com/2010_12_01_archive.html

Monday, 20 December 2010. Saatchi Gallery's Newspeak: British Art Now - Part Two - When multiplying two negatives does not make a positive. Wherever you want to place the blame, be it winter, the recession, or British stereotype, the Saatchi Gallery's second installment of British art has a cynical feel. The next few installments of LAR will take a look at this attitude through a few focused reviews. Supported by Hamilton's opposite placed. S stage - a crosswalk of black and white tiled keys - and is hig...

2

London Art Review: Mark Leckey pumps up the volume at the Serpentine

http://londonartreview.blogspot.com/2011/06/mark-leckey-pumps-up-volume-at.html

Saturday, 4 June 2011. Mark Leckey pumps up the volume at the Serpentine. The tremors of bass that reverberated through the Serpentine Gallery prior to the show were telling of things to come. Likened to the romping thuds of an imminent T-Rex in Jurassic Park, it was what we could hear and feel, rather than what we could see, that sparked a wave of excitable conversation (though it’s a shame we didn't have bowls of Jell-O with us). Hmm, maybe that's a bit rich. The point is, with BigBoxActionStatue.

3

London Art Review: July 2009

http://londonartreview.blogspot.com/2009_07_01_archive.html

Saturday, 25 July 2009. ARTeFact o' the Week! Learning about the world, one artwork at a time. Studio Job's Robber Baron table lamp, 2006. First things first. Did some insane couple really name their son 'Studio Job'? Is this the necessary stroke of genius that ensures a kid will grow up to be rich and famous? Unfortunately, this isn't the case. Well maybe we should name our children Art Mogul or Ty Coon, but the success of this is yet to be proven. (Hieronymus Bosch? On to the art. As we have seen.

4

London Art Review: Victoria & Albert: Telling Tales - Fantasy and Fear in Contemporary Design

http://londonartreview.blogspot.com/2009/07/victoria-albert-telling-tales-fantasy.html

Friday, 24 July 2009. Victoria and Albert: Telling Tales - Fantasy and Fear in Contemporary Design. Presents us with a variety of such designer pieces, every one of which contributes to the question of art or design. The exhibition addresses this through a number of European designers' works, all of which are related to a theme of story telling that has been divided into three subgenres. Frolicking through The Forest Glade. Maarten Baas's Sculpt wardrobe, 2007:. Tord Boontje's The Fig Leaf wardrobe, 2008:.

5

London Art Review: Saatchi Gallery - Abstract America: New Painting and Sculpture

http://londonartreview.blogspot.com/2009/07/saatchi-gallery-abstract-america-new.html

Friday, 17 July 2009. Saatchi Gallery - Abstract America: New Painting and Sculpture. Kristen Baker's The Raft of Perseus. The 'abstract' genre does not encompass all of the works on display in Charles Saatchi's latest exhibition, but that does not prove to be an issue in this highly entertaining contemporary art gallery. The gallery displays an array of media, which constantly refreshes the mind and reengages the viewer. Gallery 2 introduces you to the San Francisco born artist, Aaron Young, whose perfo...

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London Art Review

Saturday, 4 June 2011. Mark Leckey pumps up the volume at the Serpentine. The tremors of bass that reverberated through the Serpentine Gallery prior to the show were telling of things to come. Likened to the romping thuds of an imminent T-Rex in Jurassic Park, it was what we could hear and feel, rather than what we could see, that sparked a wave of excitable conversation (though it’s a shame we didn't have bowls of Jell-O with us). Hmm, maybe that's a bit rich. The point is, with BigBoxActionStatue.

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