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London - Under Glass*

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London - Under Glass* | londonunderglass.blogspot.com Reviews

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London Under Glass Blog

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1

London - Under Glass*: for you love

http://londonunderglass.blogspot.com/2009/06/for-you-love.html

London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. I don't wanna wait in vain for your love. Bob Marley, 'Waiting in Vain'). Posted by Theo Kapa. Labels: South Bank London. Subscribe to: Post Comments (Atom). The two of us.

2

London - Under Glass*: silhouette under the bridge

http://londonunderglass.blogspot.com/2009/06/silhouette-under-bridge.html

London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Silhouette under the bridge. Following the path as it leads toward. The darkness in the north. Weary stranger's faces show their sympathy. They've seen that hope before.

3

London - Under Glass*: dry

http://londonunderglass.blogspot.com/2009/06/dry.html

London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. You broke another mirror;. You're turning into something you are not. Don't leave me high, don't leave me dry. Radiohead, 'Dry and High', 1995). Posted by Theo Kapa.

4

London - Under Glass*: when are you gonna jump the wall between us?

http://londonunderglass.blogspot.com/2009/07/when-are-you-gonna-jump-wall-between-us.html

London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. When are you gonna jump the wall between us? I know you haven't made your mind up yet. But I would never do you wrong. I've known it from the moment that we met.

5

London - Under Glass*: the two of us

http://londonunderglass.blogspot.com/2009/06/one.html

London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. The two of us. Thinking about thinking of you. Summertime think it was June. Yeah think it was June. Laying back, head on the grass. Posted by Theo Kapa. Athos - Under Glass*.

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Athens - Under Glass*: μπαλόνια

http://athensunderglass.blogspot.com/2008/05/balloons-breaking-loose.html

Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Monday, May 19, 2008. Any minute now I'm expectin' all hell to break loose. People are crazy and times are strange. I'm locked in tight, I'm outta range. Time is on my side.

athensunderglass.blogspot.com athensunderglass.blogspot.com

Athens - Under Glass*: 8th jazz fest

http://athensunderglass.blogspot.com/2008/05/8th-jazz-fest.html

Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Thursday, May 29, 2008. I know a whoopee spot. Where the gin is cold. But the piano's hot. All That Jazz", 1979). Subscribe to: Post Comments (Atom). Walking back in time II.

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Athens - Under Glass*: French kiss in Athens

http://athensunderglass.blogspot.com/2008/05/french-kiss-in-athens.html

Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Tuesday, May 13, 2008. French kiss in Athens. Young love was kissing under bridges. Kissing in cars, kissing in cafes. And we were walking down Main Street. French kiss in A...

athensunderglass.blogspot.com athensunderglass.blogspot.com

Athens - Under Glass*: the taxi driver II

http://athensunderglass.blogspot.com/2008/04/taxi-driver-ii.html

Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Monday, April 14, 2008. The taxi driver II. I heard the screen door slam. And a big yellow taxi. Took away my old man. Dont it always seem to go. And put up a parking lot.

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Athens - Under Glass*: no direction home

http://athensunderglass.blogspot.com/2008/04/no-direction-home.html

Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Saturday, April 19, 2008. When you got nothing, you got nothing to lose. You're invisible now, you got no secrets to conceal. Bob Dylan, "Like A Rolling Stone", 1965).

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London - Under Glass*

London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Posted by Theo Kapa. Links to this post. When are you gonna jump the wall between us? I know you haven't made your mind up yet. But I would never do you wrong. Love you, mama.

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