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London - Under Glass*London Under Glass Blog
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London Under Glass Blog
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London - Under Glass* | londonunderglass.blogspot.com Reviews
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London Under Glass Blog
London - Under Glass*: for you love
http://londonunderglass.blogspot.com/2009/06/for-you-love.html
London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. I don't wanna wait in vain for your love. Bob Marley, 'Waiting in Vain'). Posted by Theo Kapa. Labels: South Bank London. Subscribe to: Post Comments (Atom). The two of us.
London - Under Glass*: silhouette under the bridge
http://londonunderglass.blogspot.com/2009/06/silhouette-under-bridge.html
London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Silhouette under the bridge. Following the path as it leads toward. The darkness in the north. Weary stranger's faces show their sympathy. They've seen that hope before.
London - Under Glass*: dry
http://londonunderglass.blogspot.com/2009/06/dry.html
London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. You broke another mirror;. You're turning into something you are not. Don't leave me high, don't leave me dry. Radiohead, 'Dry and High', 1995). Posted by Theo Kapa.
London - Under Glass*: when are you gonna jump the wall between us?
http://londonunderglass.blogspot.com/2009/07/when-are-you-gonna-jump-wall-between-us.html
London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. When are you gonna jump the wall between us? I know you haven't made your mind up yet. But I would never do you wrong. I've known it from the moment that we met.
London - Under Glass*: the two of us
http://londonunderglass.blogspot.com/2009/06/one.html
London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. The two of us. Thinking about thinking of you. Summertime think it was June. Yeah think it was June. Laying back, head on the grass. Posted by Theo Kapa. Athos - Under Glass*.
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Athens - Under Glass*: μπαλόνια
http://athensunderglass.blogspot.com/2008/05/balloons-breaking-loose.html
Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Monday, May 19, 2008. Any minute now I'm expectin' all hell to break loose. People are crazy and times are strange. I'm locked in tight, I'm outta range. Time is on my side.
Athens - Under Glass*: 8th jazz fest
http://athensunderglass.blogspot.com/2008/05/8th-jazz-fest.html
Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Thursday, May 29, 2008. I know a whoopee spot. Where the gin is cold. But the piano's hot. All That Jazz", 1979). Subscribe to: Post Comments (Atom). Walking back in time II.
Athens - Under Glass*: French kiss in Athens
http://athensunderglass.blogspot.com/2008/05/french-kiss-in-athens.html
Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Tuesday, May 13, 2008. French kiss in Athens. Young love was kissing under bridges. Kissing in cars, kissing in cafes. And we were walking down Main Street. French kiss in A...
Athens - Under Glass*: the taxi driver II
http://athensunderglass.blogspot.com/2008/04/taxi-driver-ii.html
Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Monday, April 14, 2008. The taxi driver II. I heard the screen door slam. And a big yellow taxi. Took away my old man. Dont it always seem to go. And put up a parking lot.
Athens - Under Glass*: no direction home
http://athensunderglass.blogspot.com/2008/04/no-direction-home.html
Athens - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Saturday, April 19, 2008. When you got nothing, you got nothing to lose. You're invisible now, you got no secrets to conceal. Bob Dylan, "Like A Rolling Stone", 1965).
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London Undercurrents | unearthing women's voices north and south of the river
Unearthing women's voices north and south of the river. Des res, N1. August 11, 2015. Poor people. The poor. Even in today’s hard times, Joolz reflects, these words still don’t have the same meaning in modern, gentrified Islington as they did back in the days of The Workhouse. I’ve been researching what it must have been like for women residing in north London Workhouses in the 18. It does however throw the grim reality of life in Workhouses that weren’t so cheery, into stark relief. Poor people. Was lau...
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London - Under Glass*
London - Under Glass*. The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression. In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson. Posted by Theo Kapa. Links to this post. When are you gonna jump the wall between us? I know you haven't made your mind up yet. But I would never do you wrong. Love you, mama.
LondonUndergound.com | London Undergound, London
Take a great short break in. The London Hotel Map. Check out the amazing new. London hotel map - wow. Regalos exclusivos de LondonTown.com. Reservas inmediatas con el hotel. Whats on in London today? What's going on today. For all business development enquiries.
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