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Beautiful Things

A blog about using visual composition in photography as a means of understanding art.

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Beautiful Things | loolovesbeautifulthings.blogspot.com Reviews
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A blog about using visual composition in photography as a means of understanding art.
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Beautiful Things | loolovesbeautifulthings.blogspot.com Reviews

https://loolovesbeautifulthings.blogspot.com

A blog about using visual composition in photography as a means of understanding art.

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1

Beautiful Things: 03.16 Exposure

http://www.loolovesbeautifulthings.blogspot.com/2013/09/0316-exposure.html

Captivating insight - Composing relationships - Communicating emotion - Compelling Art. A Swashbuckling Odyssey across the Briny Deeps of Visual Composition. Sunday, 1 September 2013. Exposure, the amount of light allowed to impact photosensitive material for photographic reproduction, is often perceived to have a 'correct' role. There is an element of truth in this perception because of the technical limits set by:. What is visible;. The expected appearance of the subject. Exposure increases radially in...

2

Beautiful Things: May 2013

http://www.loolovesbeautifulthings.blogspot.com/2013_05_01_archive.html

Captivating insight - Composing relationships - Communicating emotion - Compelling Art. A Swashbuckling Odyssey across the Briny Deeps of Visual Composition. Friday, 31 May 2013. Use a wide-angle lens very close to the subject, angled to a distant object. More directional lighting, less diffused lighting. Brighter tones in the foreground, darker tones in the background. Warmer hues in the foreground, cooler hues in the background. Place relative scale markers ( e.g. Fewer planes, disconnected. Maximise t...

3

Beautiful Things: June 2013

http://www.loolovesbeautifulthings.blogspot.com/2013_06_01_archive.html

Captivating insight - Composing relationships - Communicating emotion - Compelling Art. A Swashbuckling Odyssey across the Briny Deeps of Visual Composition. Saturday, 29 June 2013. Diagonals have more freedom of direction than the Cartesian axes - verticals and horizontals - because they are released from alignment with the image frame. 1 Diagonals are dynamic. 2 Diagonals convey depth. As seen in frame dynamics. Diagonals interact with the image frame to create visual tension. For single diagonals,...

4

Beautiful Things: 02.04 Dynamic tension

http://www.loolovesbeautifulthings.blogspot.com/2013/08/0204-dynamic-tension.html

Captivating insight - Composing relationships - Communicating emotion - Compelling Art. A Swashbuckling Odyssey across the Briny Deeps of Visual Composition. Sunday, 25 August 2013. Rather than thinking of images in terms of static balance, dynamic balance or imbalance, a different conceptual approach can be used to arrange elements in a way which energises the eye and leads it from the centre of the frame outwards. Labels: 02.04.1. Dynamic tension: single object. Subscribe to: Post Comments (Atom).

5

Beautiful Things: September 2013

http://www.loolovesbeautifulthings.blogspot.com/2013_09_01_archive.html

Captivating insight - Composing relationships - Communicating emotion - Compelling Art. A Swashbuckling Odyssey across the Briny Deeps of Visual Composition. Saturday, 7 September 2013. The Calling of Saint Matthew", Contarelli Chapel, Chiesa Di San Luigi Dei Francesi, Rome. Chiaroscuro (Emphasising outline); Chiaroscuro (Secondary patterns); Exposure (High contrast). Labels: 03.16.1. Location: San Luigi dei Francesi, Via Santa Giovanna DArco, 5, 00186 Rome, Italy. Friday, 6 September 2013. Exposure, the...

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Beautiful Things

Captivating insight - Composing relationships - Communicating emotion - Compelling Art. A Swashbuckling Odyssey across the Briny Deeps of Visual Composition. Saturday, 7 September 2013. The Calling of Saint Matthew", Contarelli Chapel, Chiesa Di San Luigi Dei Francesi, Rome. Chiaroscuro (Emphasising outline); Chiaroscuro (Secondary patterns); Exposure (High contrast). Labels: 03.16.1. Location: San Luigi dei Francesi, Via Santa Giovanna DArco, 5, 00186 Rome, Italy. Friday, 6 September 2013. Exposure, the...

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