LORNASYLVESTER.COM

Lorna Sylvester

Shrouded in copper and then cremated these birds are forever preserved. The form of the bird becomes both its urn and its shadow, referencing what once was. Copper, dead pigeon. Exploring the temporal and the visceral, these funerary pieces both entomb and enshrine the subject. The dead animal matter used is intrinsic to the narrative of the work. The physical presence of the remains serve to heighten the absence of life. Porcelain, dead animals. Lead, mirrors, wood. From whence we came.

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Lorna Sylvester | lornasylvester.com Reviews

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Shrouded in copper and then cremated these birds are forever preserved. The form of the bird becomes both its urn and its shadow, referencing what once was. Copper, dead pigeon. Exploring the temporal and the visceral, these funerary pieces both entomb and enshrine the subject. The dead animal matter used is intrinsic to the narrative of the work. The physical presence of the remains serve to heighten the absence of life. Porcelain, dead animals. Lead, mirrors, wood. From whence we came.

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1 work

2 upcoming exhibitions

3 blog

4 menu

5 lorna sylvester

6 alchemy

7 dust

8 dead weight

9 burial

10 work in progress

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Lorna Sylvester | lornasylvester.com Reviews

https://lornasylvester.com

Shrouded in copper and then cremated these birds are forever preserved. The form of the bird becomes both its urn and its shadow, referencing what once was. Copper, dead pigeon. Exploring the temporal and the visceral, these funerary pieces both entomb and enshrine the subject. The dead animal matter used is intrinsic to the narrative of the work. The physical presence of the remains serve to heighten the absence of life. Porcelain, dead animals. Lead, mirrors, wood. From whence we came.

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lornasylvester.com

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Upcoming Exhibitions — Lorna Sylvester

http://lornasylvester.com/upcoming

CAMPANOLOGY @North Cabin, The Control Room, Redcliffe Bridge, Bristol. Tue, Aug 4, 2015. Tue, Aug 11, 2015. Another Club Present PRACTICED PLACE. Thu, Jun 18, 2015. Sat, Jun 20, 2015. Another Club Present PRACTICED PLACE. Thu, Jun 18, 2015 6:00pm Sat, Jun 20, 2015 6:00pm. Curated by Dace Kruger. Featuring work by: Alyssia White, Lorna Sylvester, Emily Leonard, Alannah Hughes, Georgina Hampton Wale, Demi Insall, Naomi Greeves, Alana Barnett. Loft 6d, The Old Malthouse, Little Ann Street, Bristol, BS2 9EB.

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Dead Weight — Lorna Sylvester

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Dust — Lorna Sylvester

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Alchemy — Lorna Sylvester

http://lornasylvester.com/copperbirds

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Burial — Lorna Sylvester

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Archive | Arts Development

https://bccad.wordpress.com/home-2/the-control-room/archive

The Arts Development Team looks forward to welcoming Rising to The Control Room as soon as permission has been granted to access the building. The residency is currently on hold due to necessary maintenance. Rising Artists will each produce work and invite a collaborating artist to respond. The Control Room is set to be a hive of creativity and visual delights for the public. Aoife Barrett and Monika Rycerz from Unit 10, Bedminster and their three month project. Threshold: From Behind the Scenes. The Roa...

bristolcitycouncilcreativespace.wordpress.com

The Control Room | Bristol Creative Spaces Project

https://bristolcitycouncilcreativespace.wordpress.com/the-control-room

Bristol Creative Spaces Project. Creatives making use of disused space. Katy Connor explores the interplay of vast and microscopic, through a series of digital works that consider the body’s spatial positioning by both medical and geo-locational technologies. Connor’s current work explores processes of translation, through microscopy, modeling and 3D print; prompted by images of her blood seen through an Atomic Force Microscope, which resemble satellite vistas over distant terrain. Http:/ www.spikeis...

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Shrouded in copper and then cremated these birds are forever preserved. The form of the bird becomes both its urn and its shadow, referencing what once was. Copper, dead pigeon. Exploring the temporal and the visceral, these funerary pieces both entomb and enshrine the subject. The dead animal matter used is intrinsic to the narrative of the work. The physical presence of the remains serve to heighten the absence of life. Porcelain, dead animals. Lead, mirrors, wood. From whence we came.

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