louiselavarack.com.au

Louise Lavarack

Dimensions variable (overall 6x10 metres). A temporary installation in the water beside Lorne Pier, the buoyant panel floated undulating in slow motion, gently bunching and spreading as swells rolled through. Its woven zigzag pattern echoed the rippling ocean waters extending to the horizon, while phosporescent lettering glowed ethereally across the surface at night. Exhibited in 'Sculpture Trail' at Lorne Sculpture Biennale 2014 (March 2014). Supported by an Arts Victoria Arts Development Project Grant.

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Louise Lavarack | louiselavarack.com.au Reviews

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Dimensions variable (overall 6x10 metres). A temporary installation in the water beside Lorne Pier, the buoyant panel floated undulating in slow motion, gently bunching and spreading as swells rolled through. Its woven zigzag pattern echoed the rippling ocean waters extending to the horizon, while phosporescent lettering glowed ethereally across the surface at night. Exhibited in 'Sculpture Trail' at Lorne Sculpture Biennale 2014 (March 2014). Supported by an Arts Victoria Arts Development Project Grant.

<META> KEYWORDS

1 adrift

2 polyethylene

3 photo stephen thurston

4 over the barricade

5 with peter burke

6 dimensions variable

7 photo samira ghasempour

8 tree hug blitz

9 duration 8 hours

10 photo louise lavarack

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adrift,polyethylene,photo stephen thurston,over the barricade,with peter burke,dimensions variable,photo samira ghasempour,tree hug blitz,duration 8 hours,photo louise lavarack,triage,my work,ebb flow,page 1,louise lavarack,profile,statement,news,projects

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Louise Lavarack | louiselavarack.com.au Reviews

https://louiselavarack.com.au

Dimensions variable (overall 6x10 metres). A temporary installation in the water beside Lorne Pier, the buoyant panel floated undulating in slow motion, gently bunching and spreading as swells rolled through. Its woven zigzag pattern echoed the rippling ocean waters extending to the horizon, while phosporescent lettering glowed ethereally across the surface at night. Exhibited in 'Sculpture Trail' at Lorne Sculpture Biennale 2014 (March 2014). Supported by an Arts Victoria Arts Development Project Grant.

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louiselavarack.com.au

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Louise Lavarack

http://www.louiselavarack.com.au/index/index/index/6

Notes on my practice. Mine is a spatial practice in which I explore the poetic potential of our relationship with landscape and place. My works are intended to activate and re-mystify our connection with the more-than-human-world, to transfigure our experience of it. I often use repeated sculptural components arranged to draw the viewer into and through the field of a work. Thus the viewer enters both a physical space. Deep creative enquiry and research-based discipline underpin her practice. Download La...

2

Profile | Louise Lavarack

http://www.louiselavarack.com.au/about/profile

Notes on my practice. Mine is a spatial practice in which I explore the poetic potential of our relationship with landscape and place. My works are intended to activate and re-mystify our connection with the more-than-human-world, to transfigure our experience of it. I often use repeated sculptural components arranged to draw the viewer into and through the field of a work. Thus the viewer enters both a physical space. Deep creative enquiry and research-based discipline underpin her practice. Download La...

3

Louise Lavarack

http://www.louiselavarack.com.au/about/news

Prize for Saltwater Community Centre. After more than a year in construction, my design for the brickwork at the new Saltwater Community Centre in Point Cook has finally been realised. Officially opened in July 2016, the building received two important prizes at the 2016 Victorian Architecture Awards, the Melbourne Prize and the Prize for Sustainable Architecture. The video made by Cobie Orger was commissioned by Wyndham City Council to document my contribution to this great outcome. Award for 'Ebb Flow'.

4

Adrift | Louise Lavarack

http://www.louiselavarack.com.au/index/index/view/1/47

Dimensions variable (overall 6x10 metres). A temporary installation in the water beside Lorne Pier, the buoyant panel floated undulating in slow motion, gently bunching and spreading as swells rolled through. Its woven zigzag pattern echoed the rippling ocean waters extending to the horizon, while phosporescent lettering glowed ethereally across the surface at night. Exhibited in 'Sculpture Trail' at Lorne Sculpture Biennale 2014 (March 2014). Supported by an Arts Victoria Arts Development Project Grant.

5

Statement | Louise Lavarack

http://www.louiselavarack.com.au/about/statement

There is currently no information to view in this section. Please visit again soon. M 0408 034 632.

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Links - Caroline Baum

http://www.carolinebaum.com.au/links.html

Things I like, favourites, talented friends . TeganBennett Daylight: www.teganbennett.daylight.com. Ailsa Piper: www.ailsapiper.com. Charlotte Wood: www.charlottewood.com.au. Shona Wilson: www.shonawilson.com. Lizzie Buckmaster Dove: www.lizziebuckmasterdove.com. Louise Lavarack: www.louiselavarack.com.au. Sherman Contemporary Art: sherman-scaf.org.au. Arts , dance, books and community. Culture Bank Wollongong: www.culturebank.org.au. Sydney Writers Festival: www. swf.org.au. Oleana: www.oleana.no.

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Asymp; Leave a comment. Asymp; Leave a comment. Asymp; Leave a comment. The problem of Religious intolerance in Jakarta. Asymp; Leave a comment. Most of those Islamic hardliners are part of the FPI (the Islamic Defenders Front) and are pushing for the implementation of Islamic-based laws, which would include the interdiction to practice other religions. SBY didn’t pronounce himself. He called for more tolerance between religion but didn’t mention the event of the Bekasi Church. I went there to cover the ...

louiselavarack.com.au

Louise Lavarack

Dimensions variable (overall 6x10 metres). A temporary installation in the water beside Lorne Pier, the buoyant panel floated undulating in slow motion, gently bunching and spreading as swells rolled through. Its woven zigzag pattern echoed the rippling ocean waters extending to the horizon, while phosporescent lettering glowed ethereally across the surface at night. Exhibited in 'Sculpture Trail' at Lorne Sculpture Biennale 2014 (March 2014). Supported by an Arts Victoria Arts Development Project Grant.

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