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SHANE DE LANGE: VISCOSITY, CHAOS AND THE EVERYDAY PRACTICE OF PAINTING

http://nilfunct.blogspot.com/2008/03/viscosity-chaos-and-everyday-practice.html

VISCOSITY, CHAOS AND THE EVERYDAY PRACTICE OF PAINTING. Written by Shane de Lange. Subscribe to: Post Comments (Atom). Grey Areas (Part 2). Grey Areas (Part 1). The Same Subject Continued. Writing and Indifference, Upending the Order of Otherness. Between the System and the Struggle. The Desert of the Real. Viscosity, Chaos, and the Everyday Practice of Painting. Lost in the Post. Thomas and Jena Barry.

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SHANE DE LANGE: GREY AREAS (PART 2)

http://nilfunct.blogspot.com/2014/01/grey-areas-part-2.html

GREY AREAS (PART 2). 8220;Any one who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light”. Perhaps Subotzky’s most recognisable series to date is his 2004 student thesis project, which he completed for his honors degree at Michaelis. This debut, titled Die Vier Hoeke. After Die Vier Hoeke. Inverting all previous archetypes for his next project titled Ponte City. Has a monumental ai...

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SHANE DE LANGE: UNTO THIS LAST

http://nilfunct.blogspot.com/2012/06/unto-this-last.html

To speak a language is to take on a world, a culture.". From shoe repairs to editorial, Ijusi is an experimental magazine first published in the early years following South Africa’s first democratic elections circa 1994. From the beginning Ijusi posed an important question: “What makes me South African, and what does that ‘look’ like? Walker released the first issue of Ijusi. Reaching the end of its second decade, Ijusi magazine, now accompanied by the Ijusi portfolios, has turned into a canonical body o...

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SHANE DE LANGE: THE SAME SUBJECT CONTINUED [AFTER HUME]:

http://nilfunct.blogspot.com/2013/09/font-face-font-family-arialfont-face.html

THE SAME SUBJECT CONTINUED [AFTER HUME]:. 8220;The name is the end of discourse.”. What is in a name, other than signifying cancellation? 8220;When you cut into the present the future leaks out.”. 8220;Who’s the parasite and who’s the host? Written by Shane de Lange. Subscribe to: Post Comments (Atom). Grey Areas (Part 2). Grey Areas (Part 1). The Same Subject Continued. Writing and Indifference, Upending the Order of Otherness. Between the System and the Struggle. The Desert of the Real. Lost in the Post.

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SHANE DE LANGE: WRITING AND INDIFFERENCE, UPENDING THE ORDER OF OTHERNESS

http://nilfunct.blogspot.com/2011/07/writing-and-indifference-upending-order.html

WRITING AND INDIFFERENCE, UPENDING THE ORDER OF OTHERNESS. Venerated Villain (Kenosi)", 2011. Bound by the Moon, 2011. Morgue Boss (Rock Phex)", 201 1. Dead Demon Rider I", 2011. Loyal to None", 2011. Written by Shane de Lange. Subscribe to: Post Comments (Atom). Grey Areas (Part 2). Grey Areas (Part 1). The Same Subject Continued. Writing and Indifference, Upending the Order of Otherness. Between the System and the Struggle. The Desert of the Real. Viscosity, Chaos, and the Everyday Practice of Painting.

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SHANE DE LANGE: GHOSTLY DEMARCATIONS

http://nilfunct.blogspot.com/2010/06/ghostly-demarcations.html

Based in Cape Town, and represented by the SMAC gallery in Stellenbosch, Anton Karstel’s work tinkers with the perceived loyalties and presumed modalities that are strewn over the scarred socio-political landscape of South Africa. From this foundation, Karstel deals with the idea of the ‘post-‘, ghostly in his conceptual approach to historical conventions and cultural dictates, always throwing curveballs at the establishment, leaving one wondering where his loyalties lie. By focusing on ideological signi...

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SHANE DE LANGE: SHADOW FOLLOWING MEMORY

http://nilfunct.blogspot.com/2006/11/shadow-following-memory.html

How would you like to die"? I don’t think I would like that very much at all". (Tom Waits in an interview with Vanity Fair). While serendipity is central to Yssel’s work, he also makes recourse to a more controlled and objective use of symmetry, balance and harmony. For Yssel, the lyrics of Tom Waits exemplify these oscillating influences, which Waits expresses as follows:. Creatively they’re astonishing. The way they draw, you know? In this way, Yssel explores traditional Cartesian dualism, focusing on ...

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SHANE DE LANGE: TRADITION AND TRANSITION

http://nilfunct.blogspot.com/2008/05/tradition-and-transition.html

Written by Shane de Lange. Subscribe to: Post Comments (Atom). Grey Areas (Part 2). Grey Areas (Part 1). The Same Subject Continued. Writing and Indifference, Upending the Order of Otherness. Between the System and the Struggle. The Desert of the Real. Viscosity, Chaos, and the Everyday Practice of Painting. Lost in the Post. Thomas and Jena Barry.

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SHANE DE LANGE: GREY AREAS (PART 1)

http://nilfunct.blogspot.com/2013/10/grey-areas_3098.html

GREY AREAS (PART 1). If liberty means anything at all, it means the right to tell people what they do not want to hear.”. Sabelo Mlangeni (b. 1980, Driefontein, Mpumalanga) is a Johannesburg-based photographer focusing primarily on perceptions of queerness and gay culture within the backwaters of rural South Africa. He moved to Johannesburg in 2001 to study Advanced Photography at the Market Photo Workshop, completing his studies in 2004. His first solo show titled Invisible Women. Rural backdrops displa...