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Collating session Issue 1, New York. Screenprinting Issue 1 covers, Brooklyn. Collating LTTR #3, New York. Collating LTTR V, Los Angeles, 2006. Screenprinting at Space 1026, Philadelphia. Screenprinting pillows for A Wave of New Rage Thinking installation, 2006. Issue 4 Editorial meeting, 2005. Positively Nasty Editorial Retreat, 2006. Issue 4 Editorial meeting, 2005. Collating Tara Mateik multiple for LTTR #1, New York. A WAVE OF NEW RAGE THINKING, 2005. Collating LTTR #2, New York.

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Collating session Issue 1, New York. Screenprinting Issue 1 covers, Brooklyn. Collating LTTR #3, New York. Collating LTTR V, Los Angeles, 2006. Screenprinting at Space 1026, Philadelphia. Screenprinting pillows for A Wave of New Rage Thinking installation, 2006. Issue 4 Editorial meeting, 2005. Positively Nasty Editorial Retreat, 2006. Issue 4 Editorial meeting, 2005. Collating Tara Mateik multiple for LTTR #1, New York. A WAVE OF NEW RAGE THINKING, 2005. Collating LTTR #2, New York.

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LTTR | lttr.org Reviews

https://lttr.org

Collating session Issue 1, New York. Screenprinting Issue 1 covers, Brooklyn. Collating LTTR #3, New York. Collating LTTR V, Los Angeles, 2006. Screenprinting at Space 1026, Philadelphia. Screenprinting pillows for A Wave of New Rage Thinking installation, 2006. Issue 4 Editorial meeting, 2005. Positively Nasty Editorial Retreat, 2006. Issue 4 Editorial meeting, 2005. Collating Tara Mateik multiple for LTTR #1, New York. A WAVE OF NEW RAGE THINKING, 2005. Collating LTTR #2, New York.

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lttr.org

1

Events | LTTR

http://www.lttr.org/events

March 26, 2008. The Dead, Absent, and Fictitous. February 23, 2008. A one day event at PS1. January 19, 2007. Exile of the Imaginary: Radical Read-In at the Generali Foundation. December 18, 2006. Issue 5 Positively Nasty release in New York City. December 8, 2006. Issue 5 Positively Nasty release in Los Angeles. May 7, 2006. Hot Topic at CCS Bard. March 11, 2006. When Artists Say We at Artists Space. December 4, 2005. Issue 4 release in Los Angeles at Sundown Salon. December 2, 2005. September 24, 2005.

2

About | LTTR

http://www.lttr.org/about-lttr

Dedicated to sustainable change, queer pleasure, and critical productivity. LTTR is a feminist genderqueer artist collective with a flexible project oriented practice. LTTR produces an annual independent art journal, performance series, events, screenings and collaborations. The group was founded in 2001 with an inaugural issue titled Lesbians to the Rescue, followed by Listen Translate Translate Record, Practice More Failure, Do You Wish to Direct me? You can leave a message using the contact form below.

3

Index of contributors | LTTR

http://www.lttr.org/journal/index

Enter name to filter results. Enter keywords to filter results. Please Rebel Act Now. Swift Path to Glory (The Outlaw Series). Untitled (New York Piers), circa 1976. Untitled (New York Piers), circa 1975-1986. Tools for the Revolution. Andrea Geyer and Sharon Hayes. Notes on Cambio de Lugar Change of Place Ortswechsel. MESH: THE TALE OF THE HERMAPHRODITE. Thieves with Tiny Eyes (excerpts). The Buckle of Isis, AKA: bloody string. My Crotch Circa 1805. Diplomacy: an inner/personal battle. Mom and Her Wife.

4

Dress to Kill, Fight to Win | LTTR

http://www.lttr.org/journal/1/dress-to-kill-fight-to-win

LTTR #1 - LESBIANS TO THE RESCUE. Dress to Kill, Fight to Win. Does it matter what I’m wearing, what I look like, how I wear my body? Isn’t all activism imperfect, constantly under revision, and isn’t that why we continue doing it? 2007 2016 LTTR and contributing artists.

5

I want a president. | LTTR

http://www.lttr.org/journal/5/i-want-a-president

LTTR #5 - Positively Nasty. I want a president. Untitled (New York Piers), circa 1976. 2007 2016 LTTR and contributing artists.

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asil-themiddleofnowhere.blogspot.com

the middle of now + here: April 2007

http://asil-themiddleofnowhere.blogspot.com/2007_04_01_archive.html

The middle of now here. I believe truth has only one face: that of a violent contradiction". - Georges Bataille. Monday, April 30, 2007. Monday, April 30, 2007. Subscribe to: Posts (Atom). Curt bozif and others. The royal art lodge. View my complete profile.

fkw-journal.de

EDITIONEN

http://www.fkw-journal.de/index.php/fkw/pages/view/edition

Wir führen eine anonymisierte Nutzungsstatistik. Bitte lesen Sie die Datenschutz-Informationen. Um mehr zu erfahren. Linolschnitt auf Zerkall-Bütten. 20er Auflage, je 61 x 43,5 cm. 320 € pro Blatt. Bestelladresse: bettina.van-haaren@gmx.de. Entstand als künstlerischer Beitrag zu FKW Nr. 60 (2016). Nähere Informationen zur Künstlerin und ein Essay zur Edition. Von Maike Christadler sind in dieser Ausgabe zu finden. MY BODY, YOUR CHOICE? SHIRT INTERVENTIONS, Hannah Fitsch, Berlin. DESIRE, Sigrid Sandmann.

kristinask.net

self organising as a feminist strategy?

http://www.kristinask.net/Feminism.html

An ongoing research project in a collaboration between Kirsten Forkert and Kristina Ask. On Friday March 23th we will open up a discussion on questions around self-organising as a feminist strategy. Greater New York TM (New York, USA). Brainstormers Report (New York, USA). Malmöfriakvinnouniversitetet (Malmö, Sweden). Let Us Speak Now Feminist Video Archive (Copenhagen, Denmark). Lesbians To The Rescue (New York, USA). SubRosa (Pittsburgh/Chicago, USA). Art Workers Coalition (New York, USA).

upynotanup.wordpress.com

noviembre | 2010 | UPYNOTANUP

https://upynotanup.wordpress.com/2010/11

El Hombre que Salió de la Tarta. The Bruce High Quality Foundation. The pavilion of postcontemporary curating. The Power 10 (Art Review). MANIFESTA 8 ES MÁS! PARALELOS Y OTRAS HISTORIAS. 20 noviembre 2010, 17:34. Filed under: 2010 MANIFESTA 8. Etiquetas: 2010 MANIFESTA 8. El pasado jueves se inauguró en el Centro Párraga de Murcia. VIDEOARTWORLD. Capturando los rayos del sol norafricano. Que se engloba en programación de los eventos Paralelos de Manifesta 8. Y de Zineb Sedira. 11 noviembre 2010, 10:11.

upynotanup.wordpress.com

diciembre | 2010 | UPYNOTANUP

https://upynotanup.wordpress.com/2010/12

El Hombre que Salió de la Tarta. The Bruce High Quality Foundation. The pavilion of postcontemporary curating. The Power 10 (Art Review). Francis Alÿs en Dominó. 15 diciembre 2010, 9:40. Filed under: 2010 PAC MURCIA. Mi participación propone retroalimentar la historia de Dominó Caníbal y consiste en coordinar varias lecturas críticas del proyecto a partir del archivo fotográfico de las intervenciones anteriores. Entre ellos se encuentra el propio comisario de la muestra, Cuauhtemoc Medina (curador e inst...

lgbtalktalktalk.blogspot.com

LGBTalkTalkTalk: Launch of ONE Offs: DROP OUTS - Monday November 15, 2010 7:00-9:00PM in Los Angeles

http://lgbtalktalktalk.blogspot.com/2010/10/launch-of-one-offsdrop-out-monday.html

Saturday, October 23, 2010. Launch of ONE Offs: DROP OUTS - Monday November 15, 2010 7:00-9:00PM in Los Angeles. ONE Archives and Onya Hogan-Finlay present the launch of a new feminist and LGBTQ cultural series this fall. ONE Offs: DROP OUTS. November 15 from 7:00-9:00 PM. What happens when an artist drops out of the art world? What has driven thousands of women to gather at a separatist music festival in Michigan for the past 35 years? Michigan Womyn’s Music Festival. And the legacy of American artist.

upynotanup.wordpress.com

enero | 2012 | UPYNOTANUP

https://upynotanup.wordpress.com/2012/01

El Hombre que Salió de la Tarta. The Bruce High Quality Foundation. The pavilion of postcontemporary curating. The Power 10 (Art Review). 8220;PIELES”: Exposición fotográfica en el Real Jardín Botánico de Madrid. 17 enero 2012, 13:01. Filed under: 2012 PIELES. Es a través de esas “pieles”, donde la captura de tan elevadas texturas y contrastes cromáticos, el tratamiento de los detalles y las dimensiones aportadas por Juan Muguruza. Es así como Juan Muguruza. Cuya trayectoria profesional se ha desarrollad...

upynotanup.wordpress.com

marzo | 2011 | UPYNOTANUP

https://upynotanup.wordpress.com/2011/03

El Hombre que Salió de la Tarta. The Bruce High Quality Foundation. The pavilion of postcontemporary curating. The Power 10 (Art Review). MIRAR HACIA ARRIBA Y ENCONTRAR PALOMITAS FLOTANDO. 4 marzo 2011, 17:19. Filed under: 2011-2013 CONCURSO NEINVER. Etiquetas: 20 Pop Corns (5x4). Santiago de Compostela, 1978) ha ganado el concurso de ideas convocado por NEINVER para dotar a su nuevo centro outlet de Galicia de una pieza escultórica. Su proyecto. 20 Pop Corns (5×4). 20 Pop Corns (5×4). Según el artista l.

upynotanup.wordpress.com

mayo | 2011 | UPYNOTANUP

https://upynotanup.wordpress.com/2011/05

El Hombre que Salió de la Tarta. The Bruce High Quality Foundation. The pavilion of postcontemporary curating. The Power 10 (Art Review). 20 Pop Corns (5 X 4). 3 mayo 2011, 15:29. Filed under: 2011-2013 CONCURSO NEINVER. El artista gallego Rubén Ramos Balsa. Inaugura mañana 4 de mayo de 2011,. 20 Pop Corns (5 X 4),. Instalación escultórica que dará la bienvenida a los visitantes del nuevo centro Coruña The Style Outlets en Culleredo. Imagen: Retrato de Rubén Ramos Balsa. Santiago de Compostela, 2011.

upynotanup.wordpress.com

julio | 2013 | UPYNOTANUP

https://upynotanup.wordpress.com/2013/07

El Hombre que Salió de la Tarta. The Bruce High Quality Foundation. The pavilion of postcontemporary curating. The Power 10 (Art Review). Rodrigo Martín Freire: una ventana al arte. 11 julio 2013, 9:51. Filed under: 2011-2013 CONCURSO NEINVER. Acaban de leer la descripción de la escultura de PVC y aluminio que da la bienvenida a los visitantes del centro comercial Sevilla The Style Outlets. Comprometida con la promoción del arte contemporáneo, produjo este proyecto de Rodrigo Martín Freire. Líder en gest...

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Collating session Issue 1, New York. Screenprinting Issue 1 covers, Brooklyn. Collating LTTR #3, New York. Collating LTTR V, Los Angeles, 2006. Screenprinting at Space 1026, Philadelphia. Screenprinting pillows for A Wave of New Rage Thinking installation, 2006. Issue 4 Editorial meeting, 2005. Positively Nasty Editorial Retreat, 2006. Issue 4 Editorial meeting, 2005. Collating Tara Mateik multiple for LTTR #1, New York. A WAVE OF NEW RAGE THINKING, 2005. Collating LTTR #2, New York.

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