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LyndseaK

Thursday, April 30, 2009. MELANIE PULLEN: Ace Gallery. Pullens, Headlights Flare. Plexi Face Mount 2004. Pullen, Red Stockings. C-Print, Plexi Face Mount 2005. C-Print, Plexi Face Mount 2005. 3 of my images: week 8. These photographs are about textures and marks that have been left behind either naturally (rust) or man made (graffiti). They mimic the human condition which is flawed and transient. Sunday, April 26, 2009. ANNETTE MESSAGER: The Hayward Gallery; Southbank Centre. Saturday, April 25, 2009.

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LyndseaK | lyndseak.blogspot.com Reviews

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Thursday, April 30, 2009. MELANIE PULLEN: Ace Gallery. Pullens, Headlights Flare. Plexi Face Mount 2004. Pullen, Red Stockings. C-Print, Plexi Face Mount 2005. C-Print, Plexi Face Mount 2005. 3 of my images: week 8. These photographs are about textures and marks that have been left behind either naturally (rust) or man made (graffiti). They mimic the human condition which is flawed and transient. Sunday, April 26, 2009. ANNETTE MESSAGER: The Hayward Gallery; Southbank Centre. Saturday, April 25, 2009.

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5 no comments

6 personal kill #13

7 robert gober

8 untitled

9 edgerton

10 bullet through balloons

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LyndseaK | lyndseak.blogspot.com Reviews

https://lyndseak.blogspot.com

Thursday, April 30, 2009. MELANIE PULLEN: Ace Gallery. Pullens, Headlights Flare. Plexi Face Mount 2004. Pullen, Red Stockings. C-Print, Plexi Face Mount 2005. C-Print, Plexi Face Mount 2005. 3 of my images: week 8. These photographs are about textures and marks that have been left behind either naturally (rust) or man made (graffiti). They mimic the human condition which is flawed and transient. Sunday, April 26, 2009. ANNETTE MESSAGER: The Hayward Gallery; Southbank Centre. Saturday, April 25, 2009.

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lyndseak.blogspot.com

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LyndseaK: BORIS SAVELEV: Michael Hoppen Gallery

http://lyndseak.blogspot.com/2009/04/boris-savelev-michael-hoppen-gallery.html

Tuesday, April 21, 2009. BORIS SAVELEV: Michael Hoppen Gallery. Mutlti-layered pigment print on gesso coated aluminum, ed. of 3. The environment in this photograph is mysterious, as the land seems to be destroyed in the background, it is a sea of dirt and concrete. Two human figures grace the scene and stand in opposition to one another, separated by a black pole. They both appear to be waiting for something, yet not necessarily the bus. Multi layered pigment print on gesso layered aluminum, ed. of 3.

2

LyndseaK: 3 of my images: week 7

http://lyndseak.blogspot.com/2009/04/3-of-my-images-week-7.html

Saturday, April 25, 2009. 3 of my images: week 7. These photographs are about the passage of light and the illumination of objects. Aesthetically they are concerned with texture, color and rhythm. Each is shot with a macro lens which confines the object itself, or fragments it. At the same time the viewer is confined to the space with little depth of field. In this way the fragmented objects take precedence and allow the viewer to focus on their subtle details. Subscribe to: Post Comments (Atom).

3

LyndseaK: ANNETTE MESSAGER: The Hayward Gallery; Southbank Centre

http://lyndseak.blogspot.com/2009/04/annette-messager-hayward-gallery.html

Sunday, April 26, 2009. ANNETTE MESSAGER: The Hayward Gallery; Southbank Centre. Annette Messager: The Messengers at The Hayward marks the first major UK retrospective of this celebrated French artist. Subscribe to: Post Comments (Atom). Australian Centre for Photography. List of International Galleries. Photo Criticim/Theory Book List. Susan Sontag on Photography Exerpt. Barbara Irwin- Found Art Sculpture. Joseph Cornell-Found Object Boxes. MELANIE PULLEN: Ace Gallery. 3 of my images: week 8. View my co...

4

LyndseaK: March 2009

http://lyndseak.blogspot.com/2009_03_01_archive.html

Monday, March 30, 2009. 3 of my images: week 4. Hese three photographs concern public versus private. They keep something inside while keeping something else out. They are literal and metaphorical divisions or separations between public and private realms. I think they may also allude to property and ownership, claiming value or worth to whatever is kept inside. Saturday, March 21, 2009. EDWARD WESTON, ALFRED STIEGLITZ, IMOGEN CUNNINGHAM: Bruce Silverstein Gallery. Clouds, Death Valley. Emmet Edith and M...

5

LyndseaK: Interesting Photos-Body as Object

http://lyndseak.blogspot.com/2009/04/interesting-photos-body-as-object.html

Thursday, April 16, 2009. Interesting Photos-Body as Object. A friend of mine emailed me these photographs, however he forgot the name of the artist, so I am waiting to hear back from him. I thought they were great examples of the body as object-a mound of flesh, a contortion of limbs, etc. Subscribe to: Post Comments (Atom). Australian Centre for Photography. List of International Galleries. Photo Criticim/Theory Book List. Susan Sontag on Photography Exerpt. Barbara Irwin- Found Art Sculpture.

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Thursday, April 30, 2009. MELANIE PULLEN: Ace Gallery. Pullens, Headlights Flare. Plexi Face Mount 2004. Pullen, Red Stockings. C-Print, Plexi Face Mount 2005. C-Print, Plexi Face Mount 2005. 3 of my images: week 8. These photographs are about textures and marks that have been left behind either naturally (rust) or man made (graffiti). They mimic the human condition which is flawed and transient. Sunday, April 26, 2009. ANNETTE MESSAGER: The Hayward Gallery; Southbank Centre. Saturday, April 25, 2009.

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