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By George | Accents from countries both real and imaginary.Accents from countries both real and imaginary.
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Accents from countries both real and imaginary.
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By George | Accents from countries both real and imaginary. | madeleinegeorge.wordpress.com Reviews
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Accents from countries both real and imaginary.
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By George | Accents from countries both real and imaginary. | Page 2
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Accents from countries both real and imaginary. A Train between Broadway-Nassau and Canal Street. Two middle-aged ladies–one Eileen Fisher, one Ann Taylor–headed home on the crowded train. Work friends. Eileen Fisher Lady: It’s allowed to sleep at the opera. Ann Taylor Lady: Oh, really? Eileen Fisher Lady: Of course. Ann Taylor Lady: You sleep at the opera? Eileen Fisher Lady: Not always. Not so much anymore but I used to do it invariably. During one performance of. Rosencrantz and Guildenstern Are Dead.
September | 2012 | By George
https://madeleinegeorge.wordpress.com/2012/09
Accents from countries both real and imaginary. A Train between Fulton and 14th Street. Sixtysomething guy with flyaway white wisps around his mostly bald head and sixtysomething lady with short silver ringlets sit down extremely close to me on a nearly empty subway car, the lady’s lumpy Strand totebag full of groceries resting half on my lap. They speak nearly simultaneously, overlapping each other with every other word. Ringlets: What happened to your nose, you did something to your nose? Ringlets: Suz...
A Train between 14th Street and Jay Street-Borough Hall | By George
https://madeleinegeorge.wordpress.com/2010/05/13/a-train-between-14th-street-and-jay-street-borough-hall
Accents from countries both real and imaginary. A Train between 14th Street and Jay Street-Borough Hall. Vague, abstracted middle-aged couple, late 40s/early 50s. He: zipped-up leather bomber jacket, pressed dark jeans, loafers; she: beige leather car coat, wool skirt, tights, knee-high boots, lots and lots of loose, limp hair. Both brooding, utterly unsmiling. They sit without speaking for some time, eyes fixed in different directions. Then:. He: We’re not going to smoke pot when we get there. He reache...
September | 2013 | By George
https://madeleinegeorge.wordpress.com/2013/09
Accents from countries both real and imaginary. Gym Locker Room, 14th Street and 4th Avenue. Two twentysomething girls with ponytails suiting up to work out. Racerback Sports Bra: It’s just sad because in the beginning it was so romantic, he really like. Me, he like. Me And now he like, hates me. Very sweet and sympathetic and encouraging). That really sucks. But maybe all it is is that he like, never actually cared about you, and now he’s finally being honest about that. Astor Place and Broadway.
November | 2013 | By George
https://madeleinegeorge.wordpress.com/2013/11
Accents from countries both real and imaginary. Astor Place and Broadway. Diner, dinner rush. Diner Guy–meaty, thick black hair–and Dancer–willowy, peroxide blonde, his regular customer. He: light Greek accent. She: light Russian accent. He sits down opposite her in her booth, mid-hamburger deluxe. Diner Guy: So how old are you? Diner Guy: Right, spot on. You’re still a young girl. Not me. I used to be able to wash four cars in a row, now I wash one car I’m like whew. Diner Guy: You had the split pea?
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THE PAVILION PROJECT: THE TOURIST
http://pavilionproject.blogspot.com/2011/01/tourist.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Thursday, January 6, 2011. Alfie remembers that Paul Bettany once played Chaucer, which means Alfie’s seen “A Knight’s Tale,” which means he’s seen everything. I still remember when he told us, “I love repetition”—who knew you were allowed say a thing like that? He was just on Who Wants To Be a Millionaire. 8212;the emphasis is meant to fall on the first word of that question, but one can’t help shifting it to the second. Old friend of mine,...
THE PAVILION PROJECT: TRUE GRIT
http://pavilionproject.blogspot.com/2011/01/true-grit.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Sunday, January 16, 2011. 8220;You must pay for everything in this world; there is nothing free except the grace of God.”. No shit, I’m broke, and oh so thirsty (“He loves to pull a cork”). I love those frontier towns in Westerns, a broad dirt road fronted by saloon, movie palace, savory pie shop. 8220;You do not varnish your opinions.”. But when did every poet up and decide that sex could only be referred to as “fucking”? 8217;s goth teen)?
THE PAVILION PROJECT: THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER (3D)
http://pavilionproject.blogspot.com/2011/01/chronicles-of-narnia-voyage-of-dawn.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Sunday, January 9, 2011. THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER (3D). The chronic, indeed. Lady two rows back, loudly, to her date: “This feels more 3-D than Avatar. Who wants to have depth, or be smart? I just want to feel what I feel. The place-where-feeling-contends must be, as one by now expects, a world-within-this-one. Going from this land into that. 8220;In your world I have another name,” he purrs. The Law isn’...
THE PAVILION PROJECT: THE FIGHTER
http://pavilionproject.blogspot.com/2011/01/fighter.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Thursday, January 13, 2011. I love the episodes when they go to the movies on Seinfeld. Some drama, tonight, because the wrong time was listed on the web, but the ticket girl: “We don’t control that, they control that in, like, Virginia.”. I shoot back a withering look. The fight over customer service is worth having—a way to confirm our mutual commitments—but don’t try to win. Remember when Jerry realizes he’s Even Steven? The problem with ...
THE PAVILION PROJECT: BURLESQUE
http://pavilionproject.blogspot.com/2011/01/burlesque.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Sunday, January 2, 2011. Just when you think nothing could be better than life’s four fingers inside you—here comes the thumb. Pop sensation Christina Aguilera plays a country girl who comes to Los Angeles to find love and sing and dance at a burlesque-themed burlesque club, which maybe is the sort of place where people in L.A. still like to go? I was in the Castro when Ray of Light. And looking unexpectedly fulsome and depraved. Everything ...
THE PAVILION PROJECT: October 2010
http://pavilionproject.blogspot.com/2010_10_01_archive.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Tuesday, October 26, 2010. It’s Yom Kippur, I’m hungover, Bill and I put away a brace of beers,. You’re never supposed to say how it feels to be a Jew, it feels so amazingly great, that’s the big secret, though of course there’s kind of an edge to it too. Let my stumblings stand—if God wants to smite me, bring it on, I’m in Boston, I’m sitting in Fenway Park. I wonder where Affleck’s track suit from Good Will Hunting. Not that he’s warm.
THE PAVILION PROJECT: TRON: LEGACY (3D)
http://pavilionproject.blogspot.com/2011/01/tron-legacy-3d.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Thursday, January 13, 2011. 8220;Use the levels! Okay, I’ll try! I need a word, first, for what I so fucking am—not “stoned,” as though in the proverbial village square, not “baked,” but raw, not “high” but somehow the more perfectly attuned to the axes of that cold, glowy grid. They shatter like car windowglass. Culture, the ultimate family business. And how does the son report the intervening three decades to the dad who missed them? Our m...
THE PAVILION PROJECT: August 2010
http://pavilionproject.blogspot.com/2010_08_01_archive.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Saturday, August 28, 2010. THE TWILIGHT SAGA: ECLIPSE. It’s a dick move, but every tenth movie or so I force the bored girl selling tickets to make eye contact—it’s easy, you just hold onto your cash for a beat through the moment you’d normally hand it over. She looks up, you meet her eyes, she smiles and thinks, in spite of herself, this twelve dollars standing before me is full of surprises. 8220;How do we learn to covet, Clarice? If quick...
THE PAVILION PROJECT: September 2010
http://pavilionproject.blogspot.com/2010_09_01_archive.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Thursday, September 30, 2010. Its only essential genre, whose crux is the tug between shot and montage, the gaze and the blink. Pure decadence to make Luke, the leader of the House of Pirates dance crew, their videographer as well. 8220;You’re a filmmaker,” gushes his anima, when he shows her the rough cut of his labor of love. Yeah, but their abdomens hail from the beginning of time, he python, she anaconda—if Eat Pray Love. But Zoltar just...
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Madeleine Gardiner - Madeleine Gardiner
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Läget just nu med Eddan är: 4 gångarter finns och fungerar något sånär. Allmänt så behöver Edda (och även jag för den delen) jobba med att kunna slappna av och länga sig, ibland blir det lite styttigt och Edda kortar ihop sig, Mål: Länga sig. Tölten är flott och fin vissa stunder, Edda har otroligt lätt för att samla sig och sätta sig men ibland tappar vi skjutkraft och står nästan och trampar på stället. Mål: Tempo. Ett annat dilemma är att Edda är lite för tjock, sommaren har sina pros and cons. Dessut...
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Madeleine Gauffin – En till WordPress-webbplats. Att våga växla ner. Mobil: 0730695355 eller Madeleinegauffin@yahoo.se. Onlinekurser i personlig utveckling. Att våga växla ner. Livsdrömmar - vad gör man med dem? Väntar du på prinsen eller prinsessan? 14 juli, 2016. Känner du att din partner vill kontrollera ditt beteende i något avseende för att själv bli trygg? Blir hans/hennes osäkerhet på sig själv formulerat som ditt problem pga något du gör, säger, inte gör, inte säger? Tack för ditt mail. Du kan in...
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By George | Accents from countries both real and imaginary.
Accents from countries both real and imaginary. 1 Train between 66th Street and 72nd Street. Two immaculate white guys, both late twenties, in crisp, early-spring outerwear. They stand very close together, holding the bar. I have to take two naps a day these days because there’s so much going on. Take two naps a day. Pea Coat: I don’t but I would if I could. Scarf: I took a little nap in the opera back there. True, I’m a. But I don’t have a choice, it’s my truth. Scarf: It is your truth. Diner Guy: Right...
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