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Forecasting — Courtney McClellan
http://www.courtneymcclellan.com/forecasting
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Is a performance in which I intuitively read viewer's "emotional weather." Adopting familiar language from the Weather Channel, the readings vary from incoming pressure systems to impending precipitation to anticipated temperature.
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News — Courtney McClellan
http://www.courtneymcclellan.com/news
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Attention: Distraction and the Digital Age. October 6, 2014. A series of digital artworks exploring notions, tensions and conceptions of distraction. Featuring. Fahamu Pecou, Darcy Mae, Tak Masuda, Dave Greber and Courtney McClellan. Preview: October 11, 7-10 (get tickets. Public Opening: October 16, 7-10 (free). This is not not about you. June 3, 2014. Eoretical audience,...
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Novel — Courtney McClellan
http://www.courtneymcclellan.com/novel
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Is an ongoing work inspired by a 2013 study that claims reading literary fiction improves empathy. According to the study, participants who read fiction increased their ability to infer the thoughts and emotions of others. Ask me what I am reading. Is an immersive exploration of these findings. For three months I read only fiction. While still living a typical day-...
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Documents in Conversation — Courtney McClellan
http://www.courtneymcclellan.com/documents-in-conversation
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). 2012 Photo by Ashley L. Wood. Are visual recreations of verbal discussions. After drawing a simple graph of Space and Time, I asked experts (architects, physicist, poets) to give instructions on how to improve the graph. Attempting enact those instructions, I try to take on the knowledge of the expert by drawing and re-drawing the described improvements.
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Letters to Steve Martin (HAP) — Courtney McClellan
http://www.courtneymcclellan.com/letters-to-steve-martin-howard-art-project
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). 2014 Photo by Ashley L. Wood. Copier paper, tape, stand light, sunlight bulb, Bang Snaps (gunpowder, dirt, cigarette paper), furniture polish, chalk dust, trick pen, White Out, metal yardstick. Letters to Steve Martin. A body of work,. 2014 Photo by Ashley L. Wood. 2014 Photo by Ashley L. Wood. Copier paper, tape, stand light, sunlight bulb, Bang Snaps (gunpowder, dirt, ci...
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Invitation — Courtney McClellan
http://www.courtneymcclellan.com/invitation
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). 2013 Photo by Ashley L. Wood. I sent invitations to a select audience inviting them to events in the past and the distant future. Within each, I ask the viewer to destroy the invitation. In hopes of enacting a sense of temporal displacement, the work complicates the object and space relationship. 2013 Photo by Ashley L. Wood.
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Barometer — Courtney McClellan
http://www.courtneymcclellan.com/barometer
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds).
courtneymcclellan.com
Bio — Courtney McClellan
http://www.courtneymcclellan.com/bio
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds).
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An Agreement — Courtney McClellan
http://www.courtneymcclellan.com/an-agreement
Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). Letters to Steve Martin (HAP). Letters to Steve Martin (Reynolds). 2013 Photo by Bug Davidson. An Agreement is both a contract and a script. Positioning artist and viewer as "The Receiving Party" and "the Disclosing Party," the work is a poetically edited version of a non-disclosure contract. When activated, the work becomes a verbal agreement among performers. 2013 Photo by Bug Davidson.
