makingthepilots.blogspot.com

Making The Pilots

A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Thursday, 28 February 2008. In the last rehearsal before the audience comes in and I say 'Yes'. Tim turns the lights off and plays Club Tropicana. Mole says 'How do we end this? Tim says 'What are we doing? Mole says 'Nothing'. This is the end. We're outside an airport. We're outside a nightclub. We're outside an airport. We're in a theatre.

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Making The Pilots | makingthepilots.blogspot.com Reviews

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A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Thursday, 28 February 2008. In the last rehearsal before the audience comes in and I say 'Yes'. Tim turns the lights off and plays Club Tropicana. Mole says 'How do we end this? Tim says 'What are we doing? Mole says 'Nothing'. This is the end. We're outside an airport. We're outside a nightclub. We're outside an airport. We're in a theatre.

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Making The Pilots | makingthepilots.blogspot.com Reviews

https://makingthepilots.blogspot.com

A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Thursday, 28 February 2008. In the last rehearsal before the audience comes in and I say 'Yes'. Tim turns the lights off and plays Club Tropicana. Mole says 'How do we end this? Tim says 'What are we doing? Mole says 'Nothing'. This is the end. We're outside an airport. We're outside a nightclub. We're outside an airport. We're in a theatre.

INTERNAL PAGES

makingthepilots.blogspot.com

1

Making The Pilots: Objects

http://www.makingthepilots.blogspot.com/2008/02/objects.html

A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Friday, 22 February 2008. Objects. They need to be set in the space. We need to know the journey they go on. I think I need to wear your shoes. Are they my shoes? Subscribe to: Post Comments (Atom). Were outside an airport. Do I look like a pilot? Someone take this text out of my hand. Can I do this without my trousers? Im in a theatre.

2

Making The Pilots: Work in Progress

http://www.makingthepilots.blogspot.com/2008/02/work-in-progress.html

A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Wednesday, 27 February 2008. Hello hello welcome to the show. It’s great to see so many familiar faces. This is The Pilots – work in progress. This is the second half. This is the second half of the show. Which we’ve been working on for the last couple of weeks. We’d appreciate any feedback you have. Book launch afterwards about another show.

3

Making The Pilots: When do we start to know it?

http://www.makingthepilots.blogspot.com/2008/02/when-do-we-start-to-know-it.html

A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Friday, 22 February 2008. When do we start to know it? Mole asks 'When do we start to know it? Subscribe to: Post Comments (Atom). Were outside an airport. Do I look like a pilot? Someone take this text out of my hand. Can I do this without my trousers? Im in a theatre. When do we start to know it? Your names not down youre not coming in.

4

Making The Pilots: I'm in a theatre

http://www.makingthepilots.blogspot.com/2008/02/preparing.html

A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Wednesday, 27 February 2008. I'm in a theatre. Are we already here. It's annoying isn't it. Did Helen say she would introduce it. No I'll introduce it. So maybe we're here. That's it the door's closed. Welcome to this thing. Welcome to The Pilots (second half). Some things you won't understand. Because we're going for page 9. I don't know you.

5

Making The Pilots: Can I do this without my trousers?

http://www.makingthepilots.blogspot.com/2008/02/can-i-do-this-without-my-trousers.html

A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Wednesday, 27 February 2008. Can I do this without my trousers? Can I do this without trousers. It’s just that I'm a bit hot. Can I do it without socks? Just in my underpants? I don’t know what that is. Subscribe to: Post Comments (Atom). Were outside an airport. Do I look like a pilot? Someone take this text out of my hand. Im in a theatre.

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outsideeyeproject.wordpress.com

Dramaturgy in Practice: Chloé Déchery | Outside Eye

https://outsideeyeproject.wordpress.com/2013/05/23/dramaturgy-in-practice-chloe-dechery

Dramaturgy in Dialogue: Tim Mrosek. Dramaturgy in Dialogue: Chloé Déchery →. May 23, 2013 · 7:49 am. Dramaturgy in Practice: Chloé Déchery. A Duet Without You. A Duet Without You. By Chloé Déchery started as an attempt to reenact a pas de deux. Without a partner. In ballet, a pas de deux. Cuntu nun mette tempu’ time takes no time in a story. Karen Christopher, working with Chloé as a mentor on A Duet Without You. Chloé Déchery will dance a pas de deux. Dramaturgy in Dialogue: Tim Mrosek. Dramaturgy in Di...

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Dramaturgy in Practice: Wealth’s Last Caprice | Outside Eye

https://outsideeyeproject.wordpress.com/2012/05/06/dramaturgy-in-practice-wealths-last-caprice

Dramaturgy in Dialogue: Gemma Paintin. Dramaturgy in Dialogue: Chris. Dugrenier →. May 6, 2012 · 8:21 pm. Dramaturgy in Practice: Wealth’s Last Caprice. Chris shows us everything she owns piled up in her house, everything itemised and catalogued on a spreadsheet that she adds to as part of the performance. Maybe a dress she bought today. Maybe some stationery she purchased on the way to the venue. We see her open up Microsoft Excel and watch her complete the latest entry in this 21. But what is left?

outsideeyeproject.wordpress.com

Outside Eye | The dramaturgical turn in contemporary performance | Page 2

https://outsideeyeproject.wordpress.com/page/2

Newer posts →. May 29, 2012 · 7:45 pm. Dramaturgy in Dialogue: Bill Aitchison. Is a performance artist and artistic director of Bill Aitchison Company. He works in and between performance, writing, video and audio, and collaborates with theatre, sound and visual artists. What does the idea of an ‘outside eye’ mean to you? How does a process evolve with an artist? Do you find the role of the dramaturg sits inside or outside of the process? How do you document the dialogue you have with the artist? 8217; I...

outsideeyeproject.wordpress.com

About | Outside Eye

https://outsideeyeproject.wordpress.com/about

I am a writer, live artist and performance maker based in Nottingham. This blog will host my research for a PhD at Loughborough University exploring the role of the dramaturg. The central research questions will be ‘What is the role of a dramaturg today? And ‘How does it function in a landscape that is becoming increasingly defined by a lack of text or conventional structures or theatrical tradition? 3 responses to “. April 12, 2012 at 4:46 pm. October 30, 2013 at 5:26 pm. Http:/ hannahsilva.wordpres...

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Making The Pilots

A live online account of the creation of a new piece of work by Reckless Sleepers at Leeds Met Studio, Lakeside Arts Centre, Nottingham and Arnolfini, Bristol 07-08. Thursday, 28 February 2008. In the last rehearsal before the audience comes in and I say 'Yes'. Tim turns the lights off and plays Club Tropicana. Mole says 'How do we end this? Tim says 'What are we doing? Mole says 'Nothing'. This is the end. We're outside an airport. We're outside a nightclub. We're outside an airport. We're in a theatre.

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