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Writings Manfred Werder

2005/1 seems to occupy a pivotal position in your catalogue, marking a shift away from performance towards simply listening or paying attention to the world. Is this how you see it? Good point to start. I worked on the score of 2005/1. Of course both concerns had already been present in my work before - the first in, e.g., the performer series (1999-). And the second in ein klang und eine stille (1997/1998). And especially in the realisation practice of for one or a few performers (2001-). In September 2...

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Writings Manfred Werder | manfred-werder-archives.blogspot.com Reviews
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2005/1 seems to occupy a pivotal position in your catalogue, marking a shift away from performance towards simply listening or paying attention to the world. Is this how you see it? Good point to start. I worked on the score of 2005/1. Of course both concerns had already been present in my work before - the first in, e.g., the performer series (1999-). And the second in ein klang und eine stille (1997/1998). And especially in the realisation practice of for one or a few performers (2001-). In September 2...
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1 writings manfred werder
2 simon reynell
3 manfred werder
4 or found words
5 something occurs
6 unassignable unpredictability
7 the degré zéro
8 the world
9 statement on indeterminacy
10 gilles deleuze foucault
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writings manfred werder,simon reynell,manfred werder,or found words,something occurs,unassignable unpredictability,the degré zéro,the world,statement on indeterminacy,gilles deleuze foucault,or brecht's water yam,of the epoch,unavailability,jason kahn
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Writings Manfred Werder | manfred-werder-archives.blogspot.com Reviews

https://manfred-werder-archives.blogspot.com

2005/1 seems to occupy a pivotal position in your catalogue, marking a shift away from performance towards simply listening or paying attention to the world. Is this how you see it? Good point to start. I worked on the score of 2005/1. Of course both concerns had already been present in my work before - the first in, e.g., the performer series (1999-). And the second in ein klang und eine stille (1997/1998). And especially in the realisation practice of for one or a few performers (2001-). In September 2...

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manfred-werder-archives.blogspot.com manfred-werder-archives.blogspot.com
1

Writings Manfred Werder: La musique du silence, ou le « sonner » du monde

http://www.manfred-werder-archives.blogspot.com/2012/03/la-musique-du-silence-ou-le-sonner-du.html

La musique du silence, ou le « sonner du monde. Chine/Europe. Percussions dans la pensée. A partir du travail de François Jullien. Eds: P. Chartier / T. Marchaisse. PUF, Paris, 2005. Voici quelques réflexions d’un compositeur dont l‘oeuvre s‘opère de façon similaire à la musique décrite dans les textes de la Chine ancienne, et telle que François Jullien nous la fait découvrir : si similaire que les descriptions des surfaces sonores et des stratégies en jeu sont interchangeables. Mais l’expérience d...

2

Writings Manfred Werder: Note on stück 1998 seiten 1-4000

http://www.manfred-werder-archives.blogspot.com/2012/07/note-on-stuck-1998-seiten-1-4000.html

Note on stück 1998 seiten 1-4000. The score stück 1998. Consists of 160'000 time units written on 4000 pages. One time unit indicates a duration of 12 seconds, structured by a frequency of 6 seconds to be played by one or more musicians, and a silence of 6 seconds. Allows us to consider music to essentially consist in its condition occurring in place: a musician touches a sound source and at a time at a place produces a sound or not. This set lets the precise condition of each situation, regarding ou...

3

Writings Manfred Werder: Interview February 2004

http://www.manfred-werder-archives.blogspot.com/2012/04/interview-february-2004.html

In the preface to the score of. Stück 1998 you write the phrase “für sich, klar und sachlich. einfach.” [to itself, clear and objective. simple.]. This seems like both a performance indication and an aesthetic statement which defines your work in general. In practice, how does this statement relate to the way your music operates, and your aims as a composer? Later then in for one or a few performers. Presumably this is a consequence of the more unpredictable placing of sounds: the only direction in the s...

4

Writings Manfred Werder: Interview 2013

http://www.manfred-werder-archives.blogspot.com/2013/10/interview-2013.html

2005/1 seems to occupy a pivotal position in your catalogue, marking a shift away from performance towards simply listening or paying attention to the world. Is this how you see it? Good point to start. I worked on the score of 2005/1. Of course both concerns had already been present in my work before - the first in, e.g., the performer series (1999-). And the second in ein klang und eine stille (1997/1998). And especially in the realisation practice of for one or a few performers (2001-). In September 2...

5

Writings Manfred Werder: Statement on Indeterminacy

http://www.manfred-werder-archives.blogspot.com/2013/06/statement-on-indeterminacy-february-2010.html

Une « époque ne préexiste pas aux énoncés qui l'expriment, ni aux visibilités qui la remplissent. Indeterminacy happens as intrinsic unavailability ( Unverfügbarkeit. Of world, and the occurrence of scores such as Cages 4'33". Is beautiful evidence of the efforts to be made in order to trace this unavailability. These efforts remain residing somewhere in the scores as evidence ( énoncé. Language oscillates between power and unavailability. A score reflects this structure. Trace elements of a world.

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Manfred Werder: -

http://manfred-werder.blogspot.com/2013/07/blog-post_4009.html

For one or a few performers (2001-). Manfred [dot] werder [at] bluewin [dot] ch. Simple template. Powered by Blogger.

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Manfred Weiß | regisseur | autor

Stücke libretti übersetzungen. Verschaffen Sie sich einen Überblick über meine Arbeiten als Regisseur und Autor. Wenn Sie eine Vorstellung anschauen möchten, hilft Ihnen der » Kalender. Falls Ihnen die Informationen nicht ausreichen, Sie Fragen haben oder Kritik äußern möchten, schreiben Sie mir oder rufen Sie mich an. » Kontakt. Danke für Ihr Interesse und auf ein baldiges Wiedersehen! Manfred Weiß impressum.

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Writings Manfred Werder

2005/1 seems to occupy a pivotal position in your catalogue, marking a shift away from performance towards simply listening or paying attention to the world. Is this how you see it? Good point to start. I worked on the score of 2005/1. Of course both concerns had already been present in my work before - the first in, e.g., the performer series (1999-). And the second in ein klang und eine stille (1997/1998). And especially in the realisation practice of for one or a few performers (2001-). In September 2...

manfred-werder-bibliography.blogspot.com manfred-werder-bibliography.blogspot.com

Selected Bibliography

Taku Sugimoto: Manfred Werder 杉本拓 duo. Korean translation by orolo). In: the ear reader. Ana Cecilia Medina: Partituras para escuchar el sonar del mundo. In: LLEOM laboratorio de literaturas extendidas y otras materialidades, México D.F., January 2014. Nicolás Carrasco Díaz: Prólogo. In: Desplazamientos: indicaciones en los bordes / Textos, entrevistas, partituras. Will Montgomery: Five Ways of Looking at Manfred Werder. III, Oxford, February 2012. Yuko Zama: Silence, Environment, Performer. In: Contempo...

manfred-werder-discography.blogspot.com manfred-werder-discography.blogspot.com

Discography Manfred Werder

Manfred Werder Taku Sugimoto. Slubmusic 21, 2015. By Toshiya Tsunoda and Manfred Werder. Erstwhile Records 071, 2014. 2 ausführende seiten 392-406. Futow 007, CDr/flac, 2014. Actualized by Mitsuteru Takeuchi and Manfred Werder. Recording document of concert at Guggenheim House Kôbe, April 30, 2013. 5 ausführende seiten 22-29. Copy For Your Records CFYRT09, 2013. Actualized by and (Santiago Astaburuaga, Nicolás Carrasco Díaz, Sebastián Jatz, Álvaro Ortega, and Edén Carrasco). Actualized by Anett Németh.

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early scores

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