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MANSILLA+TUÑÓN ARCHITECTS

39) ROYAL COLLECTIONS MUSEUM. 2000-. The three exhibition levels –again equal yet different- hold three differentiated collections: tapestries, paintings and carriages. Each space is organised like a warehouse measuring one hundred and fifty by twenty metres, flanked by the remains of the Arab wall to the east and a monumental lattice composed of massive granite pillars to the west, opening to views above the Campo del Moro Royal Gardens. 84) RELAIS and CHÂTEAUX ATRIO. 2005-2010. The new Atrio Relais-Châ...

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MANSILLA+TUÑÓN ARCHITECTS | mansilla-tunon-architects.blogspot.com Reviews

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39) ROYAL COLLECTIONS MUSEUM. 2000-. The three exhibition levels –again equal yet different- hold three differentiated collections: tapestries, paintings and carriages. Each space is organised like a warehouse measuring one hundred and fifty by twenty metres, flanked by the remains of the Arab wall to the east and a monumental lattice composed of massive granite pillars to the west, opening to views above the Campo del Moro Royal Gardens. 84) RELAIS and CHÂTEAUX ATRIO. 2005-2010. The new Atrio Relais-Châ...

<META> KEYWORDS

1 mansilla tuñón architects

2 bibliography

3 about m t

4 circo

5 technical data

6 photographer suravia

7 quantity surveyor/technical architect

8 madrid

9 photographer luis asín

10 per se

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MANSILLA+TUÑÓN ARCHITECTS | mansilla-tunon-architects.blogspot.com Reviews

https://mansilla-tunon-architects.blogspot.com

39) ROYAL COLLECTIONS MUSEUM. 2000-. The three exhibition levels –again equal yet different- hold three differentiated collections: tapestries, paintings and carriages. Each space is organised like a warehouse measuring one hundred and fifty by twenty metres, flanked by the remains of the Arab wall to the east and a monumental lattice composed of massive granite pillars to the west, opening to views above the Campo del Moro Royal Gardens. 84) RELAIS and CHÂTEAUX ATRIO. 2005-2010. The new Atrio Relais-Châ...

INTERNAL PAGES

mansilla-tunon-architects.blogspot.com

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MANSILLA+TUÑÓN ARCHITECTS: (39) ROYAL COLLECTIONS MUSEUM. 2000-...

http://mansilla-tunon-architects.blogspot.com/2011/10/39-royal-collections-museum-2000.html

39) ROYAL COLLECTIONS MUSEUM. 2000-. The three exhibition levels –again equal yet different- hold three differentiated collections: tapestries, paintings and carriages. Each space is organised like a warehouse measuring one hundred and fifty by twenty metres, flanked by the remains of the Arab wall to the east and a monumental lattice composed of massive granite pillars to the west, opening to views above the Campo del Moro Royal Gardens.

2

MANSILLA+TUÑÓN ARCHITECTS: (58) BARRIÉ DE LA MAZA FOUNDATION. 2003-2005.

http://mansilla-tunon-architects.blogspot.com/2011/10/58-barrie-de-la-maza-foundation.html

58) BARRIÉ DE LA MAZA FOUNDATION. 2003-2005. The Pedro Barrié de la Maza Foundation is housed behind the façade of a building designed by Vigo architect Manuel Gómez Román in 1919. The project is a modern, balanced and precise response to the existing container. The fenestration arrangement both conditions and facilitates the resolution of the new office brief using criteria of 'functional flexibility and versatility'. General contractor: Constructora San José S.A. Photographer: Luis Asín.

3

MANSILLA+TUÑÓN ARCHITECTS: (23) ZAMORA MUSEUM. 1992-1996.

http://mansilla-tunon-architects.blogspot.com/2011/10/23-zamora-museum.html

23) ZAMORA MUSEUM. 1992-1996. TECHNICAL DATA. Location: Plaza de Santa Lucía, Zamora, Spain. Architects: Luis M. Mansilla and Emilio Tuñón. Client: Ministry of Culture. Collaborators: Andrés Regueiro, María Linares, Fernando García-Pino, Josefa Blanco y María Ochoa. Structural engineers: Alfonso Gómez Gaite. Mechanical engineers: J.G. Asociados. Quantity Surveyor/Technical Architect: Santiago Hernán. Completion date: 1996. Built area: 3.000 m. Main contractor: FCC Construcción.

4

MANSILLA+TUÑÓN ARCHITECTS: (83) LALÍN TOWN HALL. 2004-2011.

http://mansilla-tunon-architects.blogspot.com/2011/10/83-lalin-town-hall-2004-2011.html

83) LALÍN TOWN HALL. 2004-2011. In the heart of this transformation, architecture widens its vision, regarding the definition of space as only a small part of its assignment: the construction of artificial environments, of the atmosphere in which the actions of mankind unfold. This is a kind of mobilization of the world in which the main tool is the negotiation between the parts, and the aim is the creation of scenarios of wills that will encourage collective identity. All in all, this is a matter of con...

5

MANSILLA+TUÑÓN ARCHITECTS: (43) MUSEU. 1999.

http://mansilla-tunon-architects.blogspot.com/2011/10/46-museu-1999.html

43) MUSEU. 1999. The first of July 1999. Five trucks transported five letters from. To Castellón. The five letters had been built in white reinforced concrete, in the city of. The language of the particular. The language of the universal. The continuous and accelerating frictions between. The language of the particular. The language of the universal. TECHNICAL DATA. Photographer: Luis Asín.

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artedeximena.wordpress.com

I. Modernismo | Arte de Ximena

https://artedeximena.wordpress.com/arte-contemporaneo/modernismo

Esculturas S. XX. Introducción: Aspectos formales y esferas del arte. 10 Las Vanguardias Históricas. 13 Cubismo y Esculturas. 17 Dadaísmo: Suiza y Alemania. 20 Arquitectura entre 1918 – 1940. Arquitectura S.XX (Segunda Parte). 80 Arte Pop, Arte Minimal y Arte Conceptual. Arte pre-hispanico de las antillas. Historia del Arte – 1968 al Presente. Seminario de Historia del Arte I and II. Plataforma de la Arquitectura. The Internet Public Library. El museo del barrio NY. Museo de Arte Contemporáneo de PR.

artedeximena.wordpress.com

Malevich | Arte de Ximena

https://artedeximena.wordpress.com/arte-contemporaneo/i-las-vanguardias-historicas/suprematismo/malevich

Esculturas S. XX. Introducción: Aspectos formales y esferas del arte. 10 Las Vanguardias Históricas. 13 Cubismo y Esculturas. 17 Dadaísmo: Suiza y Alemania. 20 Arquitectura entre 1918 – 1940. Arquitectura S.XX (Segunda Parte). 80 Arte Pop, Arte Minimal y Arte Conceptual. Arte pre-hispanico de las antillas. Historia del Arte – 1968 al Presente. Seminario de Historia del Arte I and II. Plataforma de la Arquitectura. The Internet Public Library. El museo del barrio NY. Museo de Arte Contemporáneo de PR.

artedeximena.wordpress.com

1.3 Cubismo y Esculturas | Arte de Ximena

https://artedeximena.wordpress.com/arte-contemporaneo/i-las-vanguardias-historicas/cubismo-y-esc

Esculturas S. XX. Introducción: Aspectos formales y esferas del arte. 10 Las Vanguardias Históricas. 13 Cubismo y Esculturas. 17 Dadaísmo: Suiza y Alemania. 20 Arquitectura entre 1918 – 1940. Arquitectura S.XX (Segunda Parte). 80 Arte Pop, Arte Minimal y Arte Conceptual. Arte pre-hispanico de las antillas. Historia del Arte – 1968 al Presente. Seminario de Historia del Arte I and II. 13 Cubismo y Esculturas. Plataforma de la Arquitectura. The Internet Public Library. El museo del barrio NY.

artedeximena.wordpress.com

1.5 Suprematismo | Arte de Ximena

https://artedeximena.wordpress.com/arte-contemporaneo/i-las-vanguardias-historicas/suprematismo

Esculturas S. XX. Introducción: Aspectos formales y esferas del arte. 10 Las Vanguardias Históricas. 13 Cubismo y Esculturas. 17 Dadaísmo: Suiza y Alemania. 20 Arquitectura entre 1918 – 1940. Arquitectura S.XX (Segunda Parte). 80 Arte Pop, Arte Minimal y Arte Conceptual. Arte pre-hispanico de las antillas. Historia del Arte – 1968 al Presente. Seminario de Historia del Arte I and II. Plataforma de la Arquitectura. The Internet Public Library. El museo del barrio NY. Museo de Arte Contemporáneo de PR.

artedeximena.wordpress.com

Introducción: Aspectos formales y esferas del arte | Arte de Ximena

https://artedeximena.wordpress.com/arte-contemporaneo/introduccion-aspectos-formales-y-esferas-del-arte

Esculturas S. XX. Introducción: Aspectos formales y esferas del arte. 10 Las Vanguardias Históricas. 13 Cubismo y Esculturas. 17 Dadaísmo: Suiza y Alemania. 20 Arquitectura entre 1918 – 1940. Arquitectura S.XX (Segunda Parte). 80 Arte Pop, Arte Minimal y Arte Conceptual. Arte pre-hispanico de las antillas. Historia del Arte – 1968 al Presente. Seminario de Historia del Arte I and II. Introducción: Aspectos formales y esferas del arte. Plataforma de la Arquitectura. The Internet Public Library.

artedeximena.wordpress.com

Esculturas S. XX | Arte de Ximena

https://artedeximena.wordpress.com/arte-contemporaneo/esculturas-s-xx

Esculturas S. XX. Introducción: Aspectos formales y esferas del arte. 10 Las Vanguardias Históricas. 13 Cubismo y Esculturas. 17 Dadaísmo: Suiza y Alemania. 20 Arquitectura entre 1918 – 1940. Arquitectura S.XX (Segunda Parte). 80 Arte Pop, Arte Minimal y Arte Conceptual. Arte pre-hispanico de las antillas. Historia del Arte – 1968 al Presente. Seminario de Historia del Arte I and II. Esculturas S. XX. Plataforma de la Arquitectura. The Internet Public Library. El museo del barrio NY. Museum of Modern Art.

mansilla-tunon-bibliography.blogspot.com

MANSILLA+TUÑÓN BIBLIOGRAPHY: EL MUSEO SU GESTIÓN Y SU ARQUITECTURA

http://mansilla-tunon-bibliography.blogspot.com/2012/05/el-museo-su-gestion-y-su-arquitectura.html

183; ABOUT M T. EL MUSEO SU GESTIÓN Y SU ARQUITECTURA. El Museo su gestión y su arquitectura. Ediciones Arte y Estética, Madrid 2012. Edited by Juan Miguel Hernández de León.

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Los invitamos a visitar nuestro nuevo sitio web. Para visualizar en condiciones óptimas este sitio y otros diseñados por el Grupo Añoranzas, recomendamos la Resolucion 1280 x 1024 pixeles. Quien quiera dejar sus comentarios, esta es nuestra dirección: mansilla-newsletter@hotmail.com. Nueva dirección de nuestro Portal:. JOVEN APUÑALADO EN LA VÍA PÚBLICA. 122 ANIVERSARIO - PROGRAMA OFICIAL. Este 21 de enero, Gobernador Mansilla celebra sus 122 Años de su Fundación. Programa Oficial de Actos:. Que el confli...

mansilla-tunon-architects.blogspot.com

MANSILLA+TUÑÓN ARCHITECTS

39) ROYAL COLLECTIONS MUSEUM. 2000-. The three exhibition levels –again equal yet different- hold three differentiated collections: tapestries, paintings and carriages. Each space is organised like a warehouse measuring one hundred and fifty by twenty metres, flanked by the remains of the Arab wall to the east and a monumental lattice composed of massive granite pillars to the west, opening to views above the Campo del Moro Royal Gardens. 84) RELAIS and CHÂTEAUX ATRIO. 2005-2010. The new Atrio Relais-Châ...

mansilla-tunon-bibliography.blogspot.com

MANSILLA+TUÑÓN BIBLIOGRAPHY

183; ABOUT M T. Architecture and Urbanism 502. Four practices in Madrid. June 2012, Tokio, Japan. El Croquis nº 161. Mansilla Tuñón 1992-2012. El Escorial, Spain, 2012. Http:/ www.elcroquis.es/. ADA EDITA Tokyo Co. Ltd. Zagreb, Croatia, 2011. Http:/ www.oris.hr/. M T FROM RULES TO CONSTRAINS. Luis M. Mansilla Emilio Tuñón. From Rules to Constrains. Edited by Giancarlo Valle. Princeton School of Architecture. Lars Müller Publishers, Zurich, 2012. EL MUSEO SU GESTIÓN Y SU ARQUITECTURA. Cátedra Blanca, UPV.

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CIRCO

9th series) EL DOBLE DEL MUNDO. 8th series) LA LIBERTAD DE LOS FRAGMENTOS. 7th series) LA CASA DEL AIRE. 6th series) JAIA LORE ARTEAN. 5th series) BOLETÍN TÉCNICO. 4th series) EL CORAZÓN DEL TIEMPO. 3rd series) EL CURSO DE LAS COSAS. 2nd series) LA CADENA DE CRISTAL. Subscribe to: Posts (Atom).