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ONETO TEN GOES ONE TO ONE. CONTACT SHEET - SCREENSHOT. DIE KOPIE DER KOPIE. OBSESSIONS OF THE NIGHT. Neverwhere" in Galerie Ferdinanda Baumanna. Artists: Janine Schranz und Mara Novak. Both techniques allow little control with abandon to the whims of their chosen materials, the artists re-discover the singular quality of analogue photographic process from the position of a digital native. Text from Nika Kupyrova. EDITION room to scale. 110 x 130 cm. Vitrinenrahmung 7 cm tiefe. ONETO TEN GOES ONE TO ONE.

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ONETO TEN GOES ONE TO ONE. CONTACT SHEET - SCREENSHOT. DIE KOPIE DER KOPIE. OBSESSIONS OF THE NIGHT. Neverwhere in Galerie Ferdinanda Baumanna. Artists: Janine Schranz und Mara Novak. Both techniques allow little control with abandon to the whims of their chosen materials, the artists re-discover the singular quality of analogue photographic process from the position of a digital native. Text from Nika Kupyrova. EDITION room to scale. 110 x 130 cm. Vitrinenrahmung 7 cm tiefe. ONETO TEN GOES ONE TO ONE.

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2 news

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9 raum reflektieren 1

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maranovak | maranovak.com Reviews

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ONETO TEN GOES ONE TO ONE. CONTACT SHEET - SCREENSHOT. DIE KOPIE DER KOPIE. OBSESSIONS OF THE NIGHT. Neverwhere" in Galerie Ferdinanda Baumanna. Artists: Janine Schranz und Mara Novak. Both techniques allow little control with abandon to the whims of their chosen materials, the artists re-discover the singular quality of analogue photographic process from the position of a digital native. Text from Nika Kupyrova. EDITION room to scale. 110 x 130 cm. Vitrinenrahmung 7 cm tiefe. ONETO TEN GOES ONE TO ONE.

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maranovak.com

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REPETUUM MOBILE - maranovak

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KUNST IM ÖFFENTLICHEN RAUM 2. HOME, SWEET HOME! KUNST IM ÖFFENTLICHEN RAUM 1. OBSESSIONS OF THE NIGHT. DIE KOPIE DER KOPIE. Link to video with sound on vimeo. KUNST IM ÖFFENTLICHEN RAUM 2. HOME, SWEET HOME! KUNST IM ÖFFENTLICHEN RAUM 1. OBSESSIONS OF THE NIGHT. DIE KOPIE DER KOPIE.

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DES MALENS WEGEN - maranovak

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KUNST IM ÖFFENTLICHEN RAUM 2. HOME, SWEET HOME! KUNST IM ÖFFENTLICHEN RAUM 1. OBSESSIONS OF THE NIGHT. DIE KOPIE DER KOPIE. Des malens wegen, 2011. KUNST IM ÖFFENTLICHEN RAUM 2. HOME, SWEET HOME! KUNST IM ÖFFENTLICHEN RAUM 1. OBSESSIONS OF THE NIGHT. DIE KOPIE DER KOPIE.

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maranovak

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OBJECTS - maranovak

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KUNST IM ÖFFENTLICHEN RAUM 2. HOME, SWEET HOME! KUNST IM ÖFFENTLICHEN RAUM 1. OBSESSIONS OF THE NIGHT. DIE KOPIE DER KOPIE. Link to the vimeo video. KUNST IM ÖFFENTLICHEN RAUM 2. HOME, SWEET HOME! KUNST IM ÖFFENTLICHEN RAUM 1. OBSESSIONS OF THE NIGHT. DIE KOPIE DER KOPIE.

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NACH DEN GESETZEN... - maranovak

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KUNST IM ÖFFENTLICHEN RAUM 2. HOME, SWEET HOME! KUNST IM ÖFFENTLICHEN RAUM 1. OBSESSIONS OF THE NIGHT. DIE KOPIE DER KOPIE. Nach den Gesetzen des Traums geschaffen, 2013. Fünf Werke, die nicht auf einem weißen Sockel präsentiert sind, jedoch wie in Ausstellungen üblich, mit einem Informationskärtchen versehen werden. Auf den jeweiligen Kärtchen stehen der Name der Künstlerin, die Zeitspanne oder die jeweilige Nacht der Ideenfindung, der Titel und der Zusatz nach den Gesetzten des Traums geschaffen.

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Glühwürmchen

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Jeder kennt Glühwürmchen zumindest aus Film und Fernsehen. Doch kaum jemand weiß etwas Näheres über sie. Glühwürmchen sind in Wirklichkeit keine Würmer, sondern Käfer. Sie gehören zur Familie der Lampyridae. Da sie keine Würmer sind, werden sie im deutschen Sprachgebrauch manchmal richtigerweise Leuchtkäfer genannt. Cathy Keifer – Fotolia.com. Glühwürmchen leuchten meist in Schüben und blinkenden Mustern. Jede Art hat Ihre einzigartigen Mustern. Diese Muster sind ein optisches Signal um potenziel...Weibl...

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ONETO TEN GOES ONE TO ONE. CONTACT SHEET - SCREENSHOT. DIE KOPIE DER KOPIE. OBSESSIONS OF THE NIGHT. Neverwhere" in Galerie Ferdinanda Baumanna. Artists: Janine Schranz und Mara Novak. Both techniques allow little control with abandon to the whims of their chosen materials, the artists re-discover the singular quality of analogue photographic process from the position of a digital native. Text from Nika Kupyrova. EDITION room to scale. 110 x 130 cm. Vitrinenrahmung 7 cm tiefe. ONETO TEN GOES ONE TO ONE.

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