MARIONBORGELT.COM

Marion Borgelt | Artist

A lexicon of symbols and motifs, at once archetypal and personal, distinguishes the imagery of Borgelt’s work. Drawing on experience with a wide range of materials, including bees-wax, canvas, felt, glass, pigment, stainless steel, wood, stone and organic matter, she hones her ideas to the demands of a given site, mediating the creative intervention with originality and sensitivity. Style="border: 0px solid #000000; padding: 0px; margin: 0px". Title=" Moon’s Ghost. Title=" Moon’s Ghost. Westfield, Sydney...

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Marion Borgelt

985 ●●●●e St

Wat●●●loo , NSW, 2017

AU

61.4●●●●7212

ma●●●●@marionborgelt.com

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Marion Borgelt

985 ●●●●e St

Wat●●●loo , NSW, 2017

AU

61.4●●●●7212

ma●●●●@marionborgelt.com

View this contact

Marion Borgelt

985 ●●●●e St

Wat●●●loo , NSW, 2017

AU

61.4●●●●7212

ma●●●●@marionborgelt.com

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Marion Borgelt | Artist | marionborgelt.com Reviews

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A lexicon of symbols and motifs, at once archetypal and personal, distinguishes the imagery of Borgelt’s work. Drawing on experience with a wide range of materials, including bees-wax, canvas, felt, glass, pigment, stainless steel, wood, stone and organic matter, she hones her ideas to the demands of a given site, mediating the creative intervention with originality and sensitivity. Style=border: 0px solid #000000; padding: 0px; margin: 0px. Title= Moon’s Ghost. Title= Moon’s Ghost. Westfield, Sydney...

<META> KEYWORDS

1 marion borgelt

2 large scale projects

3 exhibition works

4 installations

5 archive

6 essays

7 rarr; navigate

8 find it

9 lune lumina

10 title= lune lumina

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Marion Borgelt | Artist | marionborgelt.com Reviews

https://marionborgelt.com

A lexicon of symbols and motifs, at once archetypal and personal, distinguishes the imagery of Borgelt’s work. Drawing on experience with a wide range of materials, including bees-wax, canvas, felt, glass, pigment, stainless steel, wood, stone and organic matter, she hones her ideas to the demands of a given site, mediating the creative intervention with originality and sensitivity. Style="border: 0px solid #000000; padding: 0px; margin: 0px". Title=" Moon’s Ghost. Title=" Moon’s Ghost. Westfield, Sydney...

INTERNAL PAGES

marionborgelt.com

1

So Near So Far | Marion Borgelt

http://www.marionborgelt.com/2013/11/so-near-so-far-2

So Near So Far. 17 October 16 November 2013. Marion Borgelt’s latest exhibition is an exploration of duality and the ever-shifting power dynamics of nature and the universe. So Near, So Far. Encompasses opposites in tandem, drawing on humanity’s struggle to understand and define the natural world. It is an encapsulation of the artist’s oeuvre, demonstrating a continued fascination with familiar themes. So Near, So Far. Excerpts from essay by Mia Pinjuh, May 2013.

2

Strobe Series Nos. 7 & 8, 101 Miller St | Marion Borgelt

http://www.marionborgelt.com/2008/01/mirvac-installation

Strobe Series Nos. 7 & 8. Site specific commission, 101 Miller Street, North Sydney). Commissioner: Glen Bowden for Mirvac. Glenis Israel writes: "At first glance the. Paintings give the illusion that they have been airbrushed or spray-painted but actually Borgelt is displaying her considerable painting skill, gently blending colours with wide brushes creating an optical illusion. They are displaying a recurrence of the painting techniques of the. Series revisits the exploration of optical effects of.

3

Essays | Marion Borgelt

http://www.marionborgelt.com/essays

Full Circle Red Review. So Near So Far (Andrew Frost). Borgelt: It just keeps getting better. So Near So Far (Exhibition Essay). To See a World in a Grain of Sand. The Western Australian 2012. Catalogue essay for 2011 exhibition Heartbeat. Marion Borgelt’s Universal Nature. Marion Borgelt: Mind and Matter. Marion Borgelt: Mind and Matter – A 15 Year Survey. By Dr Janet McKenzie. Recycled Library: Altered Books. Marion Borgelt’s Flight from Nhill. By Laura Murray Cree. Prayer on a G String. ANU ACT" onMou...

4

Liquid Light: Horizontal Triptych Nos. 3 & 4, 20 Bond St | Marion Borgelt

http://www.marionborgelt.com/2014/01/liquid-light-horizontal-triptych-nos-3-4

Liquid Light: Horizontal Triptych Nos. 3 & 4. Site-specific commission for 20 Bond Street, Sydney).

5

Large Scale Projects | Marion Borgelt

http://www.marionborgelt.com/large-scale-projects

101 Collins St" title=" Candescent Moon. 101 Collins St" onMouseOver="$('#popout0').fadeIn(500);" onMouseOut="$('#popout0').fadeOut(500)" href="http:/ www.marionborgelt.com/2012/01/candescent-moon/". 101 Collins St" title=" Candescent Moon. 101 Collins St" style="border: 0px solid #000000; padding: 0px; margin: 0px". Man’s Destiny Resides in the Sole. Bata Shoe Museum, Toronto. Man’s Destiny Resides in the Sole. Bata Shoe Museum, Toronto" title=" Man’s Destiny Resides in the Sole. ANU ACT" title=" Pulse.

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Sydney Designer Yan Pothin for Soma timelines his passion with couture

http://somadesign.com.au/about-us

Sewing Original Modern Aesthetics. Sydney based Designer Yan Pothin first made a name for himself as a young designer in the mid 1980’s. After moving to Brisbane and whilst in his first year studying Fashion Design at Mount Gravatt TAFE, he was selected to show his designs in the student category of the televised prestigious Queensland Fashion Industry Awards (The RAQ Awards) in 1987 (view). Moving back to Sydney in the early 90’s he launched his first mainstream clothing label, Bosswana Australia (view).

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Blog - Emily Copp Jewellery and Objects

http://emilycopp.com/blog

A CALL TO THE BENCH from Artisan source book. January 24, 2016. A big thank you to Artisan source book. I always love to hear about the journeys artisans take to pursue their passions as everyone has a unique experience, sometimes quite diverse and unexpected. Our next artisan, Emily Copp has travelled extensively and done a variety of jobs, culminating in her finding a true passion for contemporary jewellery and object design. The passion shines through in her responses to our questions. I was blown awa...

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Marion Borgelt | Artist

A lexicon of symbols and motifs, at once archetypal and personal, distinguishes the imagery of Borgelt’s work. Drawing on experience with a wide range of materials, including bees-wax, canvas, felt, glass, pigment, stainless steel, wood, stone and organic matter, she hones her ideas to the demands of a given site, mediating the creative intervention with originality and sensitivity. Style="border: 0px solid #000000; padding: 0px; margin: 0px". Title=" Moon’s Ghost. Title=" Moon’s Ghost. Westfield, Sydney...

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