Tim Riley is an Anglo-American who has lived in France for many years. His work can be seen in private collections in both the United States and in Europe as well as in the collections of the Ministère de la Culture in Paris. The success of this endeavour I will leave you to judge for yourselves.
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Tim Riley - sculpteur et plasticien | markschmidt.net Reviews
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Tim Riley is an Anglo-American who has lived in France for many years. His work can be seen in private collections in both the United States and in Europe as well as in the collections of the Ministère de la Culture in Paris. The success of this endeavour I will leave you to judge for yourselves.
markschmidt.net
Tim Riley - sculpteur et plasticien
http://www.markschmidt.net/gallery.html
Tim Riley - sculpteur et plasticien
http://www.markschmidt.net/biography.html
I was lucky enough to start carving wood and stone at Bryanston school, Dorset, England with Don Potter in 1970 and managed to impress the art critics of the Times and the International Herald Tribune with a Nativity in wood that I exhibited at the Fieldborne Gallery in 1978. When I came to France in 1981 the Fondation Paul Ricard chose my rose- alabaster Horse’s head for their exhibition entitled Les cinquante meilleurs sculpteurs at Bandol; the work was then bought by the French Ministère de la Culture.
Tim Riley - sculpteur et plasticien
http://www.markschmidt.net/projects.html
Large series of paintings on the theme of the cosmos in pure pigments.
Tim Riley - sculpteur et plasticien
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Tim Riley - sculpteur et plasticien
http://www.markschmidt.net/index.html
Tim Riley is an Anglo-American who has lived in France for many years. His work can be seen in private collections in both the United States and in Europe as well as in the collections of the Ministère de la Culture in Paris. The success of this endeavour I will leave you to judge for yourselves.
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Tim Riley - sculpteur et plasticien
Tim Riley is an Anglo-American who has lived in France for many years. His work can be seen in private collections in both the United States and in Europe as well as in the collections of the Ministère de la Culture in Paris. The success of this endeavour I will leave you to judge for yourselves.
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