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martautsler.com

Marta Utsler

I am an abstract painter and the medium I use is primarily acrylic. Because my procedures are unplanned, I build up the paint with layers to create surface texture, altering and adding what is most es

http://www.martautsler.com/

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Marta Utsler | martautsler.com Reviews
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I am an abstract painter and the medium I use is primarily acrylic. Because my procedures are unplanned, I build up the paint with layers to create surface texture, altering and adding what is most es
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1 marta utsler
2 work
3 news
4 open studio
5 biography
6 links
7 spring exhibitions
8 past group exhibitions
9 website by otherpeoplespixels
10 coupons
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Marta Utsler | martautsler.com Reviews

https://martautsler.com

I am an abstract painter and the medium I use is primarily acrylic. Because my procedures are unplanned, I build up the paint with layers to create surface texture, altering and adding what is most es

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martautsler.com martautsler.com
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Marta Utsler

http://martautsler.com/links.html

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Marta Utsler

http://martautsler.com/section/188834.html

Black and White with Red. 24 x 16 in. (61 x 41 cm). 32 x 32 in. (81 x 81 cm). 20 x 30 in. (50 x 76 cm). 58 x 34 in. (147 x 86 cm). 58 x 34 in. (147 x 86 cm). 16 x 24 in. (41 x 61 cm). Through So Many Dangers, We Arrived in Latium (Vergil). 24 x 36 in. (61 x 91cm). 52 x 46 in. (132 x 116.8 cm). 34 x 34 in. (86 x 86 cm). Light Breaks on the Island Sea. 35 x 35 in. (88 x 88 cm). Far Side of Grey. 24 x 24 in. (61 x 61 cm). 28 x 28 in. (71.1 x 71.1 cm). Castle in the Air. 12 x 16 in. (30 x 40 cm). 7 1/8 x 8 1...

3

Marta Utsler

http://martautsler.com/news.html

Visitors are now welcome to the Open Studio for a presentation of abstract work, including works on paper, wood and canvas in a range of sizes. The Open Studio enables visitors to talk to, and purchase original contemporary abstract art directly from, the artist. For more information or an appointment please call: 44 07758 335417.

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I am an abstract painter and the medium I use is primarily acrylic. Because my procedures are unplanned, I build up the paint with layers to create surface texture, altering and adding what is most essential to the development of the work. Through this editing process an application may be rejected because it might become unrelated to the whole of the piece, forcing me to probe new approaches to modify an existing idea.

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