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MARYCATHERINEMORONEY.COM

Biography

A wonderful smoky mezzo quality. Was acclaimed for her handling of a comic role with sparkling humor and fortissimo sneezes in the role of Berta for Dayton Opera’s. Il Barbiere di Siviglia. Following her success in Dayton, she returned to New York, where she performed as a part of. The fully-staged world premiere of Xenakis’. For the opening of Columbia University’s Miller Theatre’s 20. In addition, she traveled to Bolivia as the Alto Soloist in Mozart’s. The **** of Lucretia. And Zita ( Gianni Schicchi.

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CONTACTS AT MARYCATHERINEMORONEY.COM

Mary Moroney

6222 ●●●●●a Ave

Cin●●●ati , Ohio, 45224

United States

1.51●●●●6993
ma●●●●●●●●●●●●@yahoo.com

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Mary Moroney

6222 ●●●●●a Ave

Cin●●●ati , Ohio, 45224

United States

1.51●●●●6993
ma●●●●●●●●●●●●@yahoo.com

View this contact

Mary Moroney

6222 ●●●●●a Ave

Cin●●●ati , Ohio, 45224

United States

1.51●●●●6993
ma●●●●●●●●●●●●@yahoo.com

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Biography | marycatherinemoroney.com Reviews
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A wonderful smoky mezzo quality. Was acclaimed for her handling of a comic role with sparkling humor and fortissimo sneezes in the role of Berta for Dayton Opera’s. Il Barbiere di Siviglia. Following her success in Dayton, she returned to New York, where she performed as a part of. The fully-staged world premiere of Xenakis’. For the opening of Columbia University’s Miller Theatre’s 20. In addition, she traveled to Bolivia as the Alto Soloist in Mozart’s. The **** of Lucretia. And Zita ( Gianni Schicchi.
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1 marycatherine moroney
2 mezzo soprano
3 resumé
4 media
5 repertoire
6 oresteia
7 anniversary season
8 requiem
9 madame de haltière
10 cendrillon
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marycatherine moroney,mezzo soprano,resumé,media,repertoire,oresteia,anniversary season,requiem,madame de haltière,cendrillon,female chorus,hoffmann,contact information,mezzo@marycatherinemoroney com,deutsch/français
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Biography | marycatherinemoroney.com Reviews

https://marycatherinemoroney.com

A wonderful smoky mezzo quality. Was acclaimed for her handling of a comic role with sparkling humor and fortissimo sneezes in the role of Berta for Dayton Opera’s. Il Barbiere di Siviglia. Following her success in Dayton, she returned to New York, where she performed as a part of. The fully-staged world premiere of Xenakis’. For the opening of Columbia University’s Miller Theatre’s 20. In addition, she traveled to Bolivia as the Alto Soloist in Mozart’s. The **** of Lucretia. And Zita ( Gianni Schicchi.

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1

Biography

http://www.marycatherinemoroney.com/Biography.html

A wonderful smoky mezzo quality. Was acclaimed for her handling of a comic role with sparkling humor and fortissimo sneezes in the role of Berta for Dayton Opera’s. Il Barbiere di Siviglia. Following her success in Dayton, she returned to New York, where she performed as a part of. The fully-staged world premiere of Xenakis’. For the opening of Columbia University’s Miller Theatre’s 20. In addition, she traveled to Bolivia as the Alto Soloist in Mozart’s. The Rape of Lucretia. And Zita ( Gianni Schicchi.

2

Media

http://www.marycatherinemoroney.com/Media.html

Every single role is handled with great musicality, fine acting and stunning voice. Kudos to.the comic pair of servants, Berta and Ambrogio, as sung by Mary Catherine Moroney and Matthew Alan Troillett. Briggle gave them special ploys - Berta sneezed fortissimo at regular intervals while Ambrogio yawned. They never descended into the customary slapstick but moved through the action with sparkling humor. ". Review of Dayton Opera's "Il Barbiere di Siviglia," by Burt Saidel. Agnus Dei" - G. Rossini,.

3

Repertoire

http://www.marycatherinemoroney.com/Repertoire.html

Denotes pieces performed publicly. I have dreamt *. Ah, Michele don’t you know *. Saint of Bleecker Street. Augusta, how can you turn away? From Ballad of Baby Doe. Hence, Iris hence away *. Scenes of horror, scenes of woe *. Près de ramparts de Seville *. Connais-tu le pays *. Va laisse couler mes larmes *. Ces lettres (Letter Scene). Amour viens aider *. Mon coeur s’ouvre á ta voix *. From Samson et Dalila. Furibondo spira il vento. Nel pur ardor *. Che farò senza Euridice *. From Orfeo ed Euridice.

4

Biographie

http://www.marycatherinemoroney.com/Biographie.html

A wonderfully smoky mezzo quality. US phone: (001) 513-560-6993.

5

Resumé

http://www.marycatherinemoroney.com/Resum_.html

UNDER CONSTRUCTION - THANK YOU FOR YOUR PATIENCE. Il Barbiere di Siviglia. The Rape of Lucretia. Peabody Chamber Opera 2007. La Voix de la Mére. Peabody Mainstage Opera 2007. AVR Role Presentation 2007. Fairbanks Summer Arts Fest. 2006. Fairbanks Summer Arts Fest. 2006. A Little Night Music. Peabody Mainstage Opera 2006. Peabody Musical Theatre 2005. 110 in the Shade. Peabody Musical Theatre 2005. World premiere) Peabody Mainstage Opera 2005. Peabody Opera Potpourri 2004. DePauw University Opera 2004.

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A wonderful smoky mezzo quality. Was acclaimed for her handling of a comic role with sparkling humor and fortissimo sneezes in the role of Berta for Dayton Opera’s. Il Barbiere di Siviglia. Following her success in Dayton, she returned to New York, where she performed as a part of. The fully-staged world premiere of Xenakis’. For the opening of Columbia University’s Miller Theatre’s 20. In addition, she traveled to Bolivia as the Alto Soloist in Mozart’s. The Rape of Lucretia. And Zita ( Gianni Schicchi.

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