Encoding and decoding an artistic message. Data visualization and audio mapping. Audio signal processing and sound spatialization. Narrativity in a multimedia concert. I Could Have Chosen the Other Title.
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Narrativity in Multimedia Composition | masters.thesis.constantinbasica.com Reviews
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Encoding and decoding an artistic message. Data visualization and audio mapping. Audio signal processing and sound spatialization. Narrativity in a multimedia concert. I Could Have Chosen the Other Title.
masters.thesis.constantinbasica.com
3.4 I Could Have Chosen the Other Title
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I Could Have Chosen the Other Title. For me and another Me from a parallel universe. Communicating with yourself from a parallel universe can be very dangerous please don't try this at home! The placement of this piece in the middle of the concert had the purpose of balancing the strong messages between the first two pieces and the one afterwards. I Could Have Chosen the Other Title. Is still a piece with deep connotations, but has a. Is over, my projection detaches from my images and becomes.
3.1 Introduction
http://masters.thesis.constantinbasica.com/3-1_introduction.html
Narrativity in a multimedia concert. Was a story-concert with five independent. It took place in the Forum of the Academy for Music and Theatre in Hamburg on the 5. The decisions we make reflect most upon our true selves. Whether it is embracing a profession or opting for what to eat every day, each decision has a smaller or greater impact on our lives and personalities. Some of the choices we make are a result of profound judgment, while many others do not seem of much importance. Our instinct of conser...
2.1 Introduction
http://masters.thesis.constantinbasica.com/2-1_introduction.html
In the desire of creating something new and original, numerous connections have been made among media platforms. Different terms intermedia, transmedia. And multimedia have been assigned to define the employment of multiple media when transmitting a message. Was first introduces by Dick Higgins of the Fluxus movement,. Who noticed that: “Much of the best work being produced today seems to fall between media” ( Higgins cited in Visel, 2005. Therefore, new combinations were born by pairing old mediums.
Acknowledgements
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I owe a great debt of gratitude to Prof. Georg Hajdu for being by my side during my initiation journey in electronic music, algorithmic composition and multimedia techniques. In the past three years he has helped me integrate these new elements into my own thinking and showed me new ways of understanding composition. I would like to thank him for his patience and professional advices.
3.2 Hide and Seek
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For geographically-displaced cello and guitar. Computers, internet and video games are offering children nowadays a digital childhood. Besides the obvious benefits, there are also many dangers implied. The border between real and virtual becomes more and more transparent. Even the traditional outdoor entertainment is being replaced by immersive online games. To be viewed and gives the impression of a 3D space, while sounds. Around the concert hall between 16 individually controlled loudspeakers. The cell...
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Constantin Basica: Compositions
http://www.constantinbasica.com/p/compositions.html
For flute, tenor saxophone, violin, violoncello, and conductor. For flutist, clarinetist, violist, performer, commentator, electronics, and video. Chapter 31, pages 415-926. For string octet and video. The Odd Story of the Five Stubborn Insects. For reed quintet and reactive video. Silent Song of the Soulful Sinusoids. Performative audiovisual installation for soprano). A Basic Piece in Constant Beat. For drum set, acoustic guitar, double bass, electronics and video). Restore Failed With Errors. Storm ov...
Constantin Basica: Electronic
http://www.constantinbasica.com/p/electronic.html
If some kind of intelligent life form would find the Voyager Golden Record that we sent in space and their audio playing device would "translate" everything by default in Bohlen-Pierce scale, then. (2010). Two Person You Don't Know Yet (2009). ZKM (Center for Art and Media). Karlsruhe, Germany (2009). Player 1: Dario Quinones. Player 2: Constantin Basica. A Place Where the Dots Become Circles (2008). 2011 © Constantin Basica. Template images by Ollustrator.
Constantin Basica: Acoustic
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For flute, tenor saxophone, violin, violoncello, and conductor. Center for Computer Research in Music and Acoustics, Stanford University. May 28, 2016. Wilfrido Terrazas, flute. Omar López, tenor saxophone. Julíán Martínez Vázquez, violin. Natalia Pérez-Turner, violoncello. Ludwig Carrasco, conductor. Confetti Cannot Become Snow (2007). For flute/piccolo, clarinet/bass clarinet, piano, percussion, violin/viola, and violoncello). University of Music Lübeck, Germany (2007). Violin I: Mihaela Dobrescu.
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Narrativity in Multimedia Composition
Encoding and decoding an artistic message. Data visualization and audio mapping. Audio signal processing and sound spatialization. Narrativity in a multimedia concert. I Could Have Chosen the Other Title.
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