weltliteratur.net
This is weltliteratur.net
http://weltliteratur.net/This-is-weltliteratur-net
A Black Market for the Digital Humanities. This is weltliteratur.net. By Frank Fischer, Mathias Göbel and Robert Jäschke. Now this is, believe it or not, the sky over Göttingen #OnThisDay, April 23, 2016, after just some minimal photoshopping (turning light grey into summery light blue):. Göttingen (and Hanover) were the places where we first started to think about a blog called weltliteratur.net. Our first non-meta article will be delivered on Monday, something about Wikidata meeting World Literature, a...
dlina.github.io
THE BIGGEST CHATTERBOX IN GERMAN LITERATURE
https://dlina.github.io/The-Biggest-Chatterbox-in-German-Literature
The Biggest Chatterbox in German Literature. By Dario Kampkaspar, Frank Fischer, Mathias Göbel and Peer Trilcke. Ie, 465 dramas written or published inbetween 1731 and 1929. A complete list of all 9,913 characters contained in our corpus can be found here. Ie, the average cast list of a play has 21 characters). But today we’re not interested in the list as a whole (we’ll get back to that later), but the top 20. Http:/ dlina.github.io/390/. Http:/ dlina.github.io/390/. Faust Der Tragödie erster Teil.
dlina.github.io
OUR TALK AT DH2015 IN SYDNEY (FULL TEXT AND SLIDES)
https://dlina.github.io/Our-Talk-at-DH2015
Our Talk at DH2015 in Sydney (Full Text and Slides). By Peer Trilcke, Frank Fischer, Dario Kampkaspar and Mathias Göbel. That’s right, we transcribed the talk we gave at the DH2015 in Sydney, on 2 July 2015, entitled Digital Network Analysis of Dramatic Texts . Please note that our grammar might appear a bit jetlagged here and there. ;) We were the last group to speak in a very interesting network-analysis centric session chaired by Glenn Roe. Since we used reveal.js. Slide 2/0: Basic Ideas. Which, for h...
dlina.github.io
LONGEST GERMAN-LANGUAGE THEATRE PLAYS
https://dlina.github.io/Longest-German-Language-Theatre-Plays
Longest German-Language Theatre Plays. By Frank Fischer and Mathias Göbel. Ok, time for some Digital Humanities fun facts! We had another meeting today and, as always, were working our way through the vast TextGrid Repository. When we were looking at the files we had the quick idea to make a list of the top 10 longest German-language theatre plays contained in the TextGrid Repository. And here they are, measured by their file size:. Holz, Arno: Ignorabimus (2.1 MB). Immermann, Karl: Alexis (1.49 MB).
dlina.github.io
THE BIRTH AND DEATH OF GERMAN PLAYWRIGHTS
https://dlina.github.io/The-Birth-and-Death-of-German-Playwrights
The Birth and Death of German Playwrights. By Mathias Göbel and Frank Fischer. If your metadata is good, it can help you in many ways, mumbled Captain Obvious when we last met, and we couldn’t agree more. So let’s toy around with some metadata today to get a better impression of what our corpus of roughly half a thousand German-language theatre plays actually contains. You surely have seen the piece in. A Network Framework of Cultural History. And the corresponding lifetime-curve videos. The tl;dr version.
dlina.github.io
WORKING WITH INCONSISTENT METADATA
https://dlina.github.io/Working-With-Inconsistent-Metadata
Working With Inconsistent Metadata. By Frank Fischer and Mathias Göbel. Before, we can’t stop celebrating the fact that there are so many literary corpora on the web today. Just a fortnight ago, Martin Müller released the Shakespeare His Contemporares (SHC) collection. A corpus of early English modern drama, encoded in TEI Simple. We will definitely look into this corpus at a later point, but today we will again be bothering you with the depths of the TextGrid Repository. There are many purposes for doin...
dlina.github.io
COMEDY VS. TRAGEDY: NETWORK VALUES BY GENRE
https://dlina.github.io/Network-Values-by-Genre
Comedy vs. Tragedy: Network Values by Genre. By Peer Trilcke, Frank Fischer, Mathias Göbel and Dario Kampkaspar. As described in a previous post. Gottsched’s Der sterbende Cato from 1731, looks something like this:. Der sterbende Cato /title. As said before, we only inserted a. 101 are marked as tragedy ( Tragödie or Trauerspiel ) and. 92 are marked as comedy ( Komödie or Lustspiel ). In these cases we did a little research to identify all libretti. The result is that. Table 1: Network Measures, by Genre.
dlina.github.io
A (NOT SO) SIMPLE QUESTION AND A SOMEWHAT DIABOLIC ANSWER
https://dlina.github.io/A-Not-So-Simple-Question
A (Not So) Simple Question and a Somewhat Diabolic Answer. By Frank Fischer and Mathias Göbel. How Many Dramatic Pieces Are Contained in the TextGrid Repository? Simple question, seemingly. Before we try to answer it, a little heads-up: This blog post is ridiculously long. It can be regarded a proof-of-concept of what Mareike König. Recently said at the Wissensspeicher conference. In Düsseldorf in the beginning of March: Blogs have no space constraints. ( In this video. 17:45 mins. in. So here we go:.
dlina.github.io
200 YEARS OF LITERARY NETWORK DATA
https://dlina.github.io/200-Years-of-Literary-Network-Data
200 Years of Literary Network Data. By Peer Trilcke, Frank Fischer, Mathias Göbel and Dario Kampkaspar. After creating our corpus. And extracting the structural data. That are of interest to us it’s time to run some statistics. As it is with statistical data, they can evoke manifold interpretations and sometimes have the inclination to speak in riddles. We will certainly need a few more months to make sense of all the values we computed and collected. Ie, the highest degree of an actor of a drama network...
