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Selected Works - Matilde Meireles

Sound and Conflict Research. Extended phonography (Ph.D.). Por trás duma performance: O Tufo da Mafalafa (performance). Sound and Conflict Research. X Marks the Spot / Café Royal Books: Repro Show. Phragmites australis / Paragon Studios Project Space. Site-specific performance for Old School #38. Around a house in three parts. Moving Still: 1910 Avenida Atlântica, Rio de Janeiro, Brazil. On or Under the Surface of Land. Som da Maré – um projecto participativo de arte sonora. Between Here And There.

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Selected Works - Matilde Meireles | matildemeireles.com Reviews

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Sound and Conflict Research. Extended phonography (Ph.D.). Por trás duma performance: O Tufo da Mafalafa (performance). Sound and Conflict Research. X Marks the Spot / Café Royal Books: Repro Show. Phragmites australis / Paragon Studios Project Space. Site-specific performance for Old School #38. Around a house in three parts. Moving Still: 1910 Avenida Atlântica, Rio de Janeiro, Brazil. On or Under the Surface of Land. Som da Maré – um projecto participativo de arte sonora. Between Here And There.

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2 selected works

3 site specific

4 field recording

5 collaborations

6 projects by bunú

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8 research

9 publications

10 bunú

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Selected Works - Matilde Meireles | matildemeireles.com Reviews

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Sound and Conflict Research. Extended phonography (Ph.D.). Por trás duma performance: O Tufo da Mafalafa (performance). Sound and Conflict Research. X Marks the Spot / Café Royal Books: Repro Show. Phragmites australis / Paragon Studios Project Space. Site-specific performance for Old School #38. Around a house in three parts. Moving Still: 1910 Avenida Atlântica, Rio de Janeiro, Brazil. On or Under the Surface of Land. Som da Maré – um projecto participativo de arte sonora. Between Here And There.

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rio.matildemeireles.com

Almost sound diary*

Field recording as a way to encounter and articulate place. Field recording as a way to encounter and articulate place. Matilde Meireles, 2013. 8216;Almost Sound Diary’ collects a series of experiences gathered during a two month residency period in Rio de Janeiro, Brazil. The project explores the intimate connection between daily life and sound by inviting people I met while in Rio to collaboratively instigate different forms of listening and recording. Out and about in Copacabana. A walk in Santa Teresa.

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matildemeireles.com

1

Correspondence – Transition #2 - Matilde Meireles

http://matildemeireles.com/portfolio/correspondence2

Correspondence – Transition #2. 14 min. multichannel concert version of ‘Correspondence’. Aidan Deery and Matilde Meireles). Presented at ‘Sound Documents’ Curated by Pedro Rebelo. 5th of March in the Sonic Lab, Sonic Arts Research Centre Belfast:.

2

Sitespecific - Matilde Meireles

http://matildemeireles.com/portfolio-type/site-specific

On or Under the Surface of Land. Som da Maré – um projecto participativo de arte sonora. Between Here And There. Research residency at UFRJ – Rio de Janeiro. X Marks the Spot. Sounds of the City.

3

On or Under the Surface of Land - Matilde Meireles

http://matildemeireles.com/portfolio/on-or-under-the-surface-of-land

On or Under the Surface of Land. On or Under the Surface of Land. 16’20” min Soundscape composition. Aidan Deery and Matilde Meireles). On or Under the Surface of Land. Was presented live at the Sonorities Festival of Contemporary Music at ‘Unrehearsed An Eveningful of Sound’ curated by Tullis Rennie. Friday 24 April, 9:35pm, Sonic Lab, Sonic Arts Research Centre, Belfast. Binaural recording of the live performance at Sonorities. Please listen back with headphones:.

4

28˚ - Matilde Meireles

http://matildemeireles.com/portfolio/28

20 minute live instrumental improvisation with pre-recorded soundscape. 28º by Foirm Fada. The sound was recorded with binaural microphones. To listen back, please use headphones. Matilde introduced us to a recording she made in Mirepoix, Ariège, France in September 2012:. Great setting. A perfect day, great temperature, sky turning red and the amazingly loud sound of the birds going wild coming from nowhere to be seen. It was a very spontaneous recording. Dave Stockard – percussion.

5

Correspondence - Matilde Meireles

http://matildemeireles.com/portfolio/correspondence

42 min Soundscape composition. Aidan Deery and Matilde Meireles). An except of Correspondence. As included in the Sonic Terrain Compilation for the World Listening Day 2014, ‘ Transition.

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xmsbelfast.com

X MARKS THE SPOT | ABOUT

http://xmsbelfast.com/about

X MARKS THE SPOT / a playful way of mapping Belfast through sound / 2012-ongoing close. Durational site-specific sound mapping platform. Has it ever happened to you while passing by a familiar place that you noticed or heard something for the first time? Something that was always there but because you were not attentive enough it passed unnoticed? So… If you are keen on participating and know the whereabouts of one or more boxes, here’s what to do! 2 Describing the surroundings of area around the box.

obraimperfeita.blogspot.com

IMPRECISÕES: Helen Keller - o som e o tacto

http://obraimperfeita.blogspot.com/2012/02/helen-keller-o-som-e-o-taco.html

Já não sou eu, mas outro que mal acaba de começar. ." Samuel Beckett. Domingo, 12 de fevereiro de 2012. Helen Keller - o som e o tacto. Ana Vieira da Silva. Enviar a mensagem por e-mail. Dê a sua opinião! Subscrever: Enviar comentários (Atom). Ana Vieira da Silva. Ver o meu perfil completo. A minha Lista de blogues and sites. A música portuguesa a gostar dela própria. Dia Art Foundation NYC. Mais olhos que barriga. NYRBlog - The New York Review of Books. RICARDO JACINTO: SELECTED WORKS. The way life is.

obraimperfeita.blogspot.com

IMPRECISÕES: 18-12-2011 - 25-12-2011

http://obraimperfeita.blogspot.com/2011_12_18_archive.html

Já não sou eu, mas outro que mal acaba de começar. ." Samuel Beckett. Sábado, 24 de dezembro de 2011. Ana Vieira da Silva. Enviar a mensagem por e-mail. Dê a sua opinião! Ana Vieira da Silva. Enviar a mensagem por e-mail. Dê a sua opinião! Quinta-feira, 22 de dezembro de 2011. A Base de Toda a Metafísica. E agora, cavalheiros, eu vos deixo. Que fique nas vossas mentes. E nas vossas memórias. Como princípio e também como fim. De toda a metafísica. Tal qual o professor aos estudantes. Com absoluta clareza,.

diogoalvim.com

ABOUT | DIOGO ALVIM

http://diogoalvim.com/about

Is a composer of instrumental and electroacoustic music. He was born in Lisbon in 1979 where he studied harpsichord at the Lisbon National Conservatoire, graduated in architecture (FA-UTL 2004) and composition (ESML 2009). His Masters in composition (ESML 2011) focused on the relations between music and architecture. In 2016 he finished a PhD in Composition/ Sonic Arts at SARC. Sonic Arts Research Center), Queen’s University Belfast, with funding from the. Fundação para a Ciência e Tecnologia. Notation i...

obraimperfeita.blogspot.com

IMPRECISÕES: the space between

http://obraimperfeita.blogspot.com/2012/03/space-between.html

Já não sou eu, mas outro que mal acaba de começar. ." Samuel Beckett. Sábado, 3 de março de 2012. Ana Vieira da Silva. Enviar a mensagem por e-mail. Dê a sua opinião! Subscrever: Enviar comentários (Atom). Ana Vieira da Silva. Ver o meu perfil completo. A minha Lista de blogues and sites. A música portuguesa a gostar dela própria. Dia Art Foundation NYC. Mais olhos que barriga. NYRBlog - The New York Review of Books. RICARDO JACINTO: SELECTED WORKS. On The Other Side Of The World. The city sunset over me.

obraimperfeita.blogspot.com

IMPRECISÕES: 29-01-2012 - 05-02-2012

http://obraimperfeita.blogspot.com/2012_01_29_archive.html

Já não sou eu, mas outro que mal acaba de começar. ." Samuel Beckett. Domingo, 29 de janeiro de 2012. Rostos pendurados nas mãos. Ana Vieira da Silva. Enviar a mensagem por e-mail. Dê a sua opinião! E se, na realidade, fossemos todos livros? Se vivêssemos no meio dos parágrafos, pendurados nas virgulas e nos pontos finais ou, mesmo, encurralados nas interrogações? Mais fácil seria, com certeza! Os bons livros nunca dormem. De noite ou de dia, quando temos insónias ou sonhos saborosos, estão sempre lá.

obraimperfeita.blogspot.com

IMPRECISÕES: 05-02-2012 - 12-02-2012

http://obraimperfeita.blogspot.com/2012_02_05_archive.html

Já não sou eu, mas outro que mal acaba de começar. ." Samuel Beckett. Domingo, 5 de fevereiro de 2012. Nalgum lugar em que eu nunca estive, alegremente além. De qualquer experiência, teus olhos têm o seu silêncio:. No teu gesto mais frágil há coisas que me encerram,. Ou que eu não ouso tocar porque estão demasiado perto. Teu mais ligeiro olhar facilmente me descerra. Embora eu tenha me fechado como dedos, nalgum lugar. Nada que eu possa perceber neste universo iguala. Ana Vieira da Silva. Like a good book.

diogoalvim.com

PLAY | DIOGO ALVIM

http://diogoalvim.com/portfolio/play

PLAY is a site-specific project developed in collaboration with sound artist Matilde Meireles. And experimental film maker Richard O’Sullivan. It took place at the Physical Education Centre, Queen’s University Belfast as part of the Belfast Festival on the 24th and the 25th October 2014. Please contact me if you want to see the full documentation video. Music for Glimpse – 5 Room Puzzle. SITE-SPECIFIC PROJECT FOR OLD SCHOOL#38. Translation) for the Royal String Quartet. KEEP AN EAR TO THE GROUND.

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Selected Works - Matilde Meireles

Sound and Conflict Research. Extended phonography (Ph.D.). Por trás duma performance: O Tufo da Mafalafa (performance). Sound and Conflict Research. X Marks the Spot / Café Royal Books: Repro Show. Phragmites australis / Paragon Studios Project Space. Site-specific performance for Old School #38. Around a house in three parts. Moving Still: 1910 Avenida Atlântica, Rio de Janeiro, Brazil. On or Under the Surface of Land. Som da Maré – um projecto participativo de arte sonora. Between Here And There.

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