matthewbenington.com

Matthew Benington

Matthew.benington@network.rca.ac.uk. Hide Unstable Monument; The Apocryphal Archive of displacement. 300 x 220 x 250.Etched steel with hand painted bitumen acid resist, timber frame structure, bedsheets. Hide Unstable Monument; The Apocryphal Archive of displacement. 300 x 220 x 250.Etched steel with hand painted bitumen acid resist, timber frame structure, bedsheets. Etching from a found Bulgarian photo album. Etching on steel, 4.5 M X 2.25. TIG welded negative cabinets, glass, screenprinted bitumen on ...

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Matthew Benington | matthewbenington.com Reviews

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Matthew.benington@network.rca.ac.uk. Hide Unstable Monument; The Apocryphal Archive of displacement. 300 x 220 x 250.Etched steel with hand painted bitumen acid resist, timber frame structure, bedsheets. Hide Unstable Monument; The Apocryphal Archive of displacement. 300 x 220 x 250.Etched steel with hand painted bitumen acid resist, timber frame structure, bedsheets. Etching from a found Bulgarian photo album. Etching on steel, 4.5 M X 2.25. TIG welded negative cabinets, glass, screenprinted bitumen on ...

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2 photography

3 installation

4 moving image

5 cv/contac

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Matthew Benington | matthewbenington.com Reviews

https://matthewbenington.com

Matthew.benington@network.rca.ac.uk. Hide Unstable Monument; The Apocryphal Archive of displacement. 300 x 220 x 250.Etched steel with hand painted bitumen acid resist, timber frame structure, bedsheets. Hide Unstable Monument; The Apocryphal Archive of displacement. 300 x 220 x 250.Etched steel with hand painted bitumen acid resist, timber frame structure, bedsheets. Etching from a found Bulgarian photo album. Etching on steel, 4.5 M X 2.25. TIG welded negative cabinets, glass, screenprinted bitumen on ...

INTERNAL PAGES

matthewbenington.com

1

Matthew Benington

http://www.matthewbenington.com/Fish.html

Untitled. 102 x 80. Digital print, Canon OCE. The title would. 100 x 70. Deselect. 70 x 200.

2

Matthew Benington

http://www.matthewbenington.com/Interpretfreely.html

Reality, worn so thin one could see the light through it. Digital print (clockwise from left to right, Benington Chernobyl, Irma Roentgen's hand, a Nagasaki, trace, Roger Corman's Man with the X-Ray eyes, and Wilhelm Roentgen. R 56 x 29.7 feather, wet process print, ducktape. MET Evidence bag 1317412. As if painting could really change what happened. 200 x 140. Gouache, corrosive oil paint, greyscale digital print. Turkey, CMYK screenprint, 60 x 30. N, digital collage.

3

Matthew Benington

http://www.matthewbenington.com/folliesnsculpture.html

Fake ruins; 'reality has worn so thin that one can see the light through it.'. This gesture has it's origins in mediteranean Apotropaic magic; the warding away of evil. I had to keep this hand elevated for months after a skateboarding accident nearly cost me two fingers, the wires through the center and ring finger ensured the gesture was fixed. When i found out one of the Hardin brother's who built the folly had lost a hand it had to go up. Open castle 002, 01. 270 x 500. Mixed media.

4

Matthew Benington

http://www.matthewbenington.com/Hidepage.html

5

Untitled Document

http://www.matthewbenington.com/cv2014.html

Matt Benington CV 2014:. Hide, solo show at 45 Kedleston Walk, Bethnal green. Fete Worse than Death, Red Gallery Rivington Street. Suspended Sentence, Turners Warehouse, Penzance. Silence and I' 23rd Interim Exhibition, Hanmi Gallery, Maple Street London. Retrospective archaelogy of a Future Disaster which Crack(ed)s the present. Curator. Stanley Picker Gallery Project space. Headhunted,' Matthew Benington. Bucca Gallery, Newlyn. London Print Fair, Royal Academy, 'Casual ties' Box set. Being Present,.

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fieldnotes.org.uk

Matthew Benington | F I E L D N O T E S

https://fieldnotes.org.uk/matthew-benington

Notes on Public Art (Now). Notes on Richard Baines. Notes on Matthew Benington. Notes on Field Notes. They Told Me a Tale and The History Laboratory. Tell us a little bit about your practice, are there particular themes or ideas which run through your work? Do you often work in response to an existing object or site? What was it about working in response to Penryn Museum’s collection that made you interested to take on the project? I enjoyed many aspects of the museums collection, a few examples would be...

greycollectivelondon.wordpress.com

About | Grey Collective

https://greycollectivelondon.wordpress.com/about

RCA alumni artist collective. Was formed and consists of artists who met during their MA studies at the Royal College of Art. Grown out of a shared desire to continue in critical and contextual discourse, GC has been developed in order to provide a resource for artists to continue to show and discuss their work in a supportive environment. This is a list of artists that make up Grey Collective with links to their websites:. Alice Hartley – www.alice-hartley.tumblr.com. Francesca Horne – www.fra...Frank L...

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Matthew Benington

Matthew.benington@network.rca.ac.uk. Hide Unstable Monument; The Apocryphal Archive of displacement. 300 x 220 x 250.Etched steel with hand painted bitumen acid resist, timber frame structure, bedsheets. Hide Unstable Monument; The Apocryphal Archive of displacement. 300 x 220 x 250.Etched steel with hand painted bitumen acid resist, timber frame structure, bedsheets. Etching from a found Bulgarian photo album. Etching on steel, 4.5 M X 2.25. TIG welded negative cabinets, glass, screenprinted bitumen on ...

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Sunday, August 28, 2011. Candlelight Processional at Epcot 2011. So for the Holiday season this year, one of the events I will be performing in will be the Candlelight Processtional at Epcot! Andlelight Processional is not to be missed. A mass choir, joined by a 50-piece live orchestra and a celebrity narrator, tell the story of Christmas in words and music, in a very moving performance. Performances are held at the America Gardens Theatre. am so excited to actually be singing in Orlando! I am very excit...

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Matthew Benjamin Cole | Duke University

My name is Matthew Cole and I am currently a Ph.D. candidate in Political Science at Duke University. I received my B.A. from Carleton College in 2005 and began my studies at Duke in the same year. My scholarly work investigates modern and contemporary streams of continental political philosophy, critical theory, and political ethics, with a focus on competing accounts of modernity and its prospects, and, increasingly, the complementary inquiries present in the literature and speculative fiction of the 20.

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