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jean-louis steinmann
rue du ●●●●●●●mbre 55
ge●●va , CH, 1207
SWITZERLAND
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jean-louis steinmann
rue du ●●●●●●●mbre 55
ge●●va , GE, 1207
SWITZERLAND
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jean-louis steinmann
rue du ●●●●●●●mbre 55
ge●●va , GE, 1207
SWITZERLAND
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jean-louis steinmann
rue du ●●●●●●●mbre 55
ge●●va , GE, 1207
SWITZERLAND
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ACCUEIL | mediateria.com Reviews
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MEDIATERIA se fait une beauté pour la rentrée.
DESCENT & RETURN | M. C.
http://marisacornejo.com/descent-return
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. Decent and return/Homage to Jane Mansfield, carpets, 5 x 6 x 6 mts, Geneva, Switzerland, 2013. Decent and return/Homage to Jane Mansfield, carpets, 5 x 6 x 6 mts, Geneva, Switzerland, 2013. Decent and return/Homage to Jane Mansfield, carpets, 5 x 6 x 7 mts, Mexico DF, 1995. Decent and return/Homage to Jane Mansfield, carpets, 5 x 6 x 7 mts, Mexico DF, 1995.
ME BY OTHERS | M. C.
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DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. Marisa by Alejandro Figueroa, pencil on paper, 41 x 32 cm, 1996. Marisa by Amanda Schmeltz, pencil on paper, 41 x 32 cm, 1996. Marisa by Andres Luebe, pencil on paper, 41 x 32 cm, 1996. Marisa by Antonio Saiz, pencil on paper, 41 x 32 cm, 1996. Marisa by Areli Vargas Rivera, pencil on paper, 41 x 32 cm, 1996. Marisa by Beatriz Buendia, pencil on paper, 41 x 32 cm, 1996. Marisa by Jesus Elizondo...
PATCHWORK | M. C.
http://marisacornejo.com/patchwork
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. Some of the team, Antonio Quiroga, Marisa Cornejo, Macarena Ortuzar, Marisol Vargas and Ximena Zomoza, Santiago, Chile 2003. Daughter Ana Maya who inspired me and dancer, choreographer and author Marcela San Pedro during the production. Patchwork, Memorias del cuerpo, Centro Cultural Matucana 100, Santiago, Chile, January 2004.
IN SITU | M. C.
http://marisacornejo.com/in-situ
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. Goose flight (La partida), series of collages, 29 x 40 cm, Re-visando a Siqueiros, Xilotzingo, Mexico, 1993. La partida/ departure, series of collages, 29 x 40 cm, Re-visando a Siqueiros, Xilotzingo, Mexico, 1993. La partida/ departure, series of collages, 29 x 40 cm, Re-visando a Siqueiros, Xilotzingo, Mexico, 1993. Alfombras, carpets, Hogar dulce hogar, La Panadería, Mexico City, 1995. Módulo...
AURATIC FLOWS I | M. C.
http://marisacornejo.com/auratic-flows-2
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. 8220;I remember by the time we left Belgium for Mexico, expelled from western Europe — coming from communist Bulgaria with obedient militant adults not wanting to declare themselves refugees from the Eastern bloc — we had so much lugagge. My parents by then were so tired of doing and undoing houses, so this time they took 15 suitcases! Extract from Our wounds are our trophies.
LA HUELLA | M. C.
http://marisacornejo.com/news
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. Our wounds are our trophies: h. Ow to memorialize the challenges of exile? Chronology of my life and exile: [1971-1973 Chile];[1973-1976 Argentina]; [1976-1978 Bulgaria];[1978-1980 Belgium];[1980-1998 Mexico];[1998-2002 UK];[2002-2005 Belgium]; [2005-2013 France/Switzerland. Santiago de Chile and Usine Kugler. Nuestras heridas son nuestros trofeos: cómo memorializar los desafíos del exilio?
DRAWINGS | M. C.
http://marisacornejo.com/dessins
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.
ATLAS | M. C.
http://marisacornejo.com/atlas
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. The information of a dream inspired me to do a series of ritualistic nomad performances. I called them La Huella/The Print. And practiced them in Santiago de Chile, Geneva and Plovdiv in 2013 as a means to consciously reconnect the dispersed puzzle of memory. Atlas Mundial, América. Metodología. La primera herida*, el Estadio Nacional, donde la herida más próxima del plan extraccionista/neo...
GOOSE FLIGHT | M. C.
http://marisacornejo.com/goose-flight
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. Goose flight (La partida), series of collages, 29 x 40 cm, Re-visando a Siqueiros, Xilotzingo, Mexico, 1993. A series of collages created from a performance documentation about exile, shamanism and freedom for the exhibition. Xilotzingo, Puebla, México, 1993. This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.
WALLS | M. C.
http://marisacornejo.com/walls
DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. DESCENT & RETURN. JE T’AIME BEAUCOUP. LINKS & PROJECTS. Walls, ink on paper, 21 x 32 cm. Walls, ink on paper, 23 x 30 cm. Walls, ink on paper, 22 x 32 cm. Walls, ink on paper, 20 x 29 cm. Walls, ink on paper, 20 x 29 cm. Walls, ink on paper, 20 x 29 cm. Walls, ink on paper, 20 x 29 cm. Walls, ink on paper, 20 x 29 cm. Walls, ink on paper, 20 x 29 cm. This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.
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