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Art Theory at the Behest of a Crappy Economy(by Megan Laurine)
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Art Theory at the Behest of a Crappy Economy | meganlaurine.wordpress.com Reviews
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Andy Warhol: Analysis of Foot and Tire, 1963-1964. | Art Theory at the Behest of a Crappy Economy
https://meganlaurine.wordpress.com/2010/02/05/andy-warhol-analysis-of-foot-and-tire-1963-1964
Art Theory at the Behest of a Crappy Economy. Andy Warhol: Analysis of Foot and Tire, 1963-1964. February 5, 2010. Figure 1. Foot and Tire, 1963-64, silkscreen ink on linen. From 1964-1965. [1]. The punctum of this work, unlike its fellows, is a representation of subtle morbidity rather than a blatant confrontational account of tragic human loss. [2]. This work, in particular, focuses more on the massive force being applied to the figure, rather than spotlighting a mangled corpse as with many of the other.
Disclaimer: | Art Theory at the Behest of a Crappy Economy
https://meganlaurine.wordpress.com/about
Art Theory at the Behest of a Crappy Economy. The writings exhibited herein are excerpts from my personal body of work generated in response to specific artists and their subsequent examples of fine art–some of which are revised versions of essays submitted during my undergraduate education. Given my amateur status as an Art Historian, I make no generalizations as to whether my theories are entirely correct, and I welcome any constructive criticisms that one has to offer. Leave a Reply Cancel reply.
February | 2010 | Art Theory at the Behest of a Crappy Economy
https://meganlaurine.wordpress.com/2010/02
Art Theory at the Behest of a Crappy Economy. Andy Warhol: Analysis of Foot and Tire, 1963-1964. February 5, 2010. Figure 1. Foot and Tire, 1963-64, silkscreen ink on linen. From 1964-1965. [1]. The punctum of this work, unlike its fellows, is a representation of subtle morbidity rather than a blatant confrontational account of tragic human loss. [2]. This work, in particular, focuses more on the massive force being applied to the figure, rather than spotlighting a mangled corpse as with many of the other.
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Art Theory at the Behest of a Crappy Economy
Art Theory at the Behest of a Crappy Economy. Andy Warhol: Analysis of Foot and Tire, 1963-1964. February 5, 2010. Figure 1. Foot and Tire, 1963-64, silkscreen ink on linen. From 1964-1965. [1]. The punctum of this work, unlike its fellows, is a representation of subtle morbidity rather than a blatant confrontational account of tragic human loss. [2]. This work, in particular, focuses more on the massive force being applied to the figure, rather than spotlighting a mangled corpse as with many of the other.
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