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The chapel saint alexis malaucène

The chapel saint alexis malaucène. Carries on the same themes and even incorporates elements of the first cycle. It consists of three monumental pastel, charcoal and gold leaf drawings on canvas in the choir of the chapel, augmented by a prédelle. Of constantly changing smaller framed pastel drawings and a series of fragmented sculptures, ‘ gisantes. In the nave. This second cycle should reach it’s apogee during 2010/2011, after which it will gradually metamorphose into a third cycle.

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Michael Bastow

Michael Bastow

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Michael Bastow

Michael Bastow

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Michael Bastow

Michael Bastow

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The chapel saint alexis malaucène | michael-bastow.com Reviews

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The chapel saint alexis malaucène. Carries on the same themes and even incorporates elements of the first cycle. It consists of three monumental pastel, charcoal and gold leaf drawings on canvas in the choir of the chapel, augmented by a prédelle. Of constantly changing smaller framed pastel drawings and a series of fragmented sculptures, ‘ gisantes. In the nave. This second cycle should reach it’s apogee during 2010/2011, after which it will gradually metamorphose into a third cycle.

<META> KEYWORDS

1 the second cycle

2 byzantine

3 michael bastow@gmail com

4 chapel

5 first cycle

6 the seven panels

7 details

8 second cycle

9 second cycle photos

10 michael bastow

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The chapel saint alexis malaucène | michael-bastow.com Reviews

https://michael-bastow.com

The chapel saint alexis malaucène. Carries on the same themes and even incorporates elements of the first cycle. It consists of three monumental pastel, charcoal and gold leaf drawings on canvas in the choir of the chapel, augmented by a prédelle. Of constantly changing smaller framed pastel drawings and a series of fragmented sculptures, ‘ gisantes. In the nave. This second cycle should reach it’s apogee during 2010/2011, after which it will gradually metamorphose into a third cycle.

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michael-bastow.com

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the seven panels

http://www.michael-bastow.com/chapelsaintalexis/The_seven_panels.html

FIRST PANEL - CHILDHOOD. Dawn, early morning light, children are playing - it is a time of discovery. SECOND PANEL - ADOLESCENCE. Butterflies emerging from their chrysalises. THIRD PANEL - THE AWAKENING OF DESIRE. The graces - their bodies are strong but their minds are in turmoil. THE FOURTH PANEL - CONCEPTION. Woman in all her pregnant glory - the creator. THE FIFTH PANEL - MATERNITY. Maternity, suckling the child at her breast - plenitude. THE SIXTH PANEL - MATURITY AND LOSS.

2

saint alexis drawings second cycle 2010

http://www.michael-bastow.com/chapelsaintalexis/second_cycle.html

Saint alexis drawings second cycle 2010. He point of departure for Michael Bastow’s second cycle of Saint Alexis drawings was a large charcoal on canvas drawing of a pregnant woman which was shown at the Zwarte Panter gallery in Antwerp in 2008 along with the first cycle of Saint Alexis drawings. This drawing was subsequently worked up with pastel, gold leaf and collaged tracing paper and incorporated into three monumental drawings in the choir of the chapel.

3

details

http://www.michael-bastow.com/chapelsaintalexis/details.html

4

michael bastow

http://www.michael-bastow.com/chapelsaintalexis/Michael_Bastow.html

Orn in England in 1943. Emigrated with his parents to Australia in 1945. Studied architecture at Melbourne University. Returned to England in1968 where he worked as an art director in the film industry. Moved to Belgium in 1974 where he started painting full time. Installed his studio in Paris in 1982 and in Provence in 1995. One man shows in England, Argentina, France, Belgium, Peru, United States of America, and Australia. Shows regularly in France and Belgium since 1979. É en Angleterre en 1943.

5

saint alexis drawings first cycle

http://www.michael-bastow.com/chapelsaintalexis/first_cycle.html

Saint alexis drawings first cycle. Quelle en est la nature? Certaines feuilles de papier deviennent couches minérales, adoucies par des opalescences de papier calque en un jeu de contrastes entre la rugosité de la pierre et le velouté du pastel. La peinture est-elle accrochée au mur ou bien provient-elle de lui? Les Carnets du Ventoux 2006. In charcoal on kraft paper, to which were collaged successive layers of japanese, rag and tracing papers.

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The chapel saint alexis malaucène

The chapel saint alexis malaucène. Carries on the same themes and even incorporates elements of the first cycle. It consists of three monumental pastel, charcoal and gold leaf drawings on canvas in the choir of the chapel, augmented by a prédelle. Of constantly changing smaller framed pastel drawings and a series of fragmented sculptures, ‘ gisantes. In the nave. This second cycle should reach it’s apogee during 2010/2011, after which it will gradually metamorphose into a third cycle.

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