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Michael Ashkin

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PAGE TITLE
Michael Ashkin | michaelashkin.com Reviews
<META>
DESCRIPTION
There are no vacant lots.
<META>
KEYWORDS
1 michael ashkin
2 recent work
3 constructed photographs
4 long branch
5 industrial paintings
6 constructions
7 cities
8 here and centralia
9 adjnabistan
10 untitled photos
CONTENT
Page content here
KEYWORDS ON
PAGE
michael ashkin,recent work,constructed photographs,long branch,industrial paintings,constructions,cities,here and centralia,adjnabistan,untitled photos,models,garden state photos,proof range,video,centralia,writing,2005 adjnabistan description,essays
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Michael Ashkin | michaelashkin.com Reviews

https://michaelashkin.com

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Michael Ashkin

http://www.michaelashkin.com/constructed_photographs.php

Architecture is for Creeps (installation). WORK 2006 - 2009. Prisons, Plazas, and Props. WORK 2000 - 2005. WORK 1993 - 1999. 2010 There will be two of you. 2003 Notes Toward Desolation. 2015 October, Frieze. 2015 April, The Great Leap Sideways. 2015 January, Photo Eye. 2014 November, PDN. 2007 January, The New York Times. 2005 June, The New York Times. 2003 June, The New York Sun. 2004 Issue 87 Camera Austria. 2003 April, Art on Paper. 2003 February, Artforum. 2003 January, Time Out. 2001 Spring, Purple.

2

Michael Ashkin

http://www.michaelashkin.com/secession.php?p=1.1.4.4

Architecture is for Creeps (installation). WORK 2006 - 2009. Prisons, Plazas, and Props. WORK 2000 - 2005. WORK 1993 - 1999. 2010 There will be two of you. 2003 Notes Toward Desolation. 2015 October, Frieze. 2015 April, The Great Leap Sideways. 2015 January, Photo Eye. 2014 November, PDN. 2007 January, The New York Times. 2005 June, The New York Times. 2003 June, The New York Sun. 2004 Issue 87 Camera Austria. 2003 April, Art on Paper. 2003 February, Artforum. 2003 January, Time Out. 2001 Spring, Purple.

3

Michael Ashkin

http://www.michaelashkin.com/adjnab.php?p=1.1.1.2.1

Architecture is for Creeps (installation). WORK 2006 - 2009. Prisons, Plazas, and Props. WORK 2000 - 2005. WORK 1993 - 1999. 2010 There will be two of you. 2003 Notes Toward Desolation. 2015 October, Frieze. 2015 April, The Great Leap Sideways. 2015 January, Photo Eye. 2014 November, PDN. 2007 January, The New York Times. 2005 June, The New York Times. 2003 June, The New York Sun. 2004 Issue 87 Camera Austria. 2003 April, Art on Paper. 2003 February, Artforum. 2003 January, Time Out. 2001 Spring, Purple.

4

Michael Ashkin

http://www.michaelashkin.com/longbranch.php

Architecture is for Creeps (installation). WORK 2006 - 2009. Prisons, Plazas, and Props. WORK 2000 - 2005. WORK 1993 - 1999. 2010 There will be two of you. 2003 Notes Toward Desolation. 2015 October, Frieze. 2015 April, The Great Leap Sideways. 2015 January, Photo Eye. 2014 November, PDN. 2007 January, The New York Times. 2005 June, The New York Times. 2003 June, The New York Sun. 2004 Issue 87 Camera Austria. 2003 April, Art on Paper. 2003 February, Artforum. 2003 January, Time Out. 2001 Spring, Purple.

5

Michael Ashkin

http://www.michaelashkin.com/ppps.php?p=1.1.1.1

Architecture is for Creeps (installation). WORK 2006 - 2009. Prisons, Plazas, and Props. WORK 2000 - 2005. WORK 1993 - 1999. 2010 There will be two of you. 2003 Notes Toward Desolation. 2015 October, Frieze. 2015 April, The Great Leap Sideways. 2015 January, Photo Eye. 2014 November, PDN. 2007 January, The New York Times. 2005 June, The New York Times. 2003 June, The New York Sun. 2004 Issue 87 Camera Austria. 2003 April, Art on Paper. 2003 February, Artforum. 2003 January, Time Out. 2001 Spring, Purple.

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stantaft.com stantaft.com

Blog « Stan Taft

http://www.stantaft.com/blog

As a point of reference, all work on the site is of the period 1985 to the present. The design of this website is the extraordinary work of James Dunckley of Dunckley Design, LLC. Michael W. Barnard. Peter D. Gerakaris.

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Leslie Brack

http://www.lesliebrack.com/links.html

Glass, 8 x 6, oil on canvas, 2009. The Mood Back Home.

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links

http://www.markmasyga.com/links/mm_links.htm

2d (2010 - present). 2d (2001 - 2009). The Edward F. Albee Foundation. City Without Walls gallery. The Necessity for Ruins. Peeps: A Candy-Coated Tale.

rachelselekman.com rachelselekman.com

Links | Rachel Selekman

http://www.rachelselekman.com/links-2

Works On Paper Archive. Site-Specific, Installations & Commissions. News & Recommendations. The Museum of Modern Art. BRIC Arts Media Brooklyn. SAIC Fiber and Materials Studies MFA Alumni site. Go to artists registry, then search for my name). Chris Hanson and Hendrika Sonnenberg. Dorsky Gallery Curatorial Projects. New York Foundation for the Arts. The Maryland Institute College of Art. The School of the Art Institute of Chicago (SAIC). Grand Army Plaza Green Market. Theatre of the Oppressed NYC.

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