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michael kress

Frames of Language and Semiotics – works by Michael Kress. FANS ARE ARTISTS / ARTISTS ARE FANS. Mit Lawrence und Lennon und den Vier Musketieren durch die Wüste ins Kino. How to rock a family and a city. Spatial Conversations in Rio. Notes on the Yokohama-Conversation-Project. The man who swept the desert. Quasi Pinneberg, privat …. The Fields Are Soft And Green – (The Innocence of the Artist). Frames of Language and Semiotics – works by Michael Kress. Spatial Conversations in Rio. Cinema; Michael Kress.

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michael kress | michaelkress.de Reviews
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Frames of Language and Semiotics – works by Michael Kress. FANS ARE ARTISTS / ARTISTS ARE FANS. Mit Lawrence und Lennon und den Vier Musketieren durch die Wüste ins Kino. How to rock a family and a city. Spatial Conversations in Rio. Notes on the Yokohama-Conversation-Project. The man who swept the desert. Quasi Pinneberg, privat …. The Fields Are Soft And Green – (The Innocence of the Artist). Frames of Language and Semiotics – works by Michael Kress. Spatial Conversations in Rio. Cinema; Michael Kress.
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michael kress | michaelkress.de Reviews

https://michaelkress.de

Frames of Language and Semiotics – works by Michael Kress. FANS ARE ARTISTS / ARTISTS ARE FANS. Mit Lawrence und Lennon und den Vier Musketieren durch die Wüste ins Kino. How to rock a family and a city. Spatial Conversations in Rio. Notes on the Yokohama-Conversation-Project. The man who swept the desert. Quasi Pinneberg, privat …. The Fields Are Soft And Green – (The Innocence of the Artist). Frames of Language and Semiotics – works by Michael Kress. Spatial Conversations in Rio. Cinema; Michael Kress.

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desert – michael kress

http://michaelkress.de/tag/desert

Project Reader / PDF eBook / vorerst in deutsch: MIT LAWRENCE UND LENNON UND DEN VIER MUSKETIEREN DURCH DIE WÜSTE INS KINO Mit Texten von Dr. Heidi Salaverria und Michael Kress YO AQABA thematisiert den medialen Blick auf Raum, der als Landschaft im Bild und als Location im Film gesetzt wird. Der Raum ist hier ein Raum der Imagination. Mit verschiedenen Ansätzen […]. Cinema; Michael Kress. How I won the war. Spatial Conversations in Rio. Notes on the Yokohama-Conversation-Project. Cinema; Michael Kress.

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Art – michael kress

http://michaelkress.de/tag/art

Produktions Notizen zum Dokumentar-Film-Projekt (2012-16) Ein Lied singen vergessen im Schatten des eisigen Krieges – nur in seiner Zeit gesungen – klanglos ertönt – in Ideologien verhallt. B52 crashed 1966/01/17 Im Jahr 1966 wird aus einem unbedeutenden kleinem Dorf im Südosten von Andalusien eine viel untersuchte und ebenso verleugnete Gegend, die als schwerster nuklearer Fall-Out in West-Europa, mitten im kalten […]. Cinema; Michael Kress. How I won the war. Spatial Conversations in Rio.

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Freizeitanzug für Soloszenen – michael kress

http://michaelkress.de/cornelia-sollfrank-freizeitanzug-fuer-soloszenen

Cornelia Sollfrank in Kultur und Gespenster,. WIRKLICH WAHR II, Heft Nr. 4, Frühjahr 2007. 8222;Freizeitanzug für Soloszenen“, 2007. 02 bis 14. April 2007, Feat. Teleton and Julius Steinhoff Video Still, Vector Graphic Animation on Dieter Roth Solozenen. Mit freundlicher Genehmigung der Dieter Roth Foundation Hamburg. 8222;Was ich sehe, ist nicht da“. Oder wie Michael Kress aus Pornobildern einen Freizeitanzug schneidert. Inzwischen ist sie ein Geheimtipp, die Website Die Mädchen von nebenan. Beim Anblic...

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The Fields Are Soft And Green – (The Innocence of the Artist) – michael kress

http://michaelkress.de/the-fields-are-soft-and-green-the-innocence-of-the-artist

The Fields Are Soft And Green – (The Innocence of the Artist). The Fields Are Soft And Green – (The Innocence of the Artist) Funasaka 2012, 1080p Video. Video Still showing the artist holding a night watch for the curator. Performing a conversation with Tatsuya Fujii, curator of Nishinomiya-Funasaka Biennale 2012. A 48-year-old artist travels to Japan.He brings a long the memory of a song he loved when he left his childhood. Looking back to his adolescence it remembers him to a Novel by a german author.

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OUT NOW! – michael kress

http://michaelkress.de/coming-soon

Project Reader / PDF eBook / vorerst in deutsch:. MIT LAWRENCE UND LENNON UND DEN VIER MUSKETIEREN DURCH DIE WÜSTE INS KINO. Mit Texten von Dr. Heidi Salaverria und Michael Kress. YO AQABA thematisiert den. Medialen Blick auf Raum, der als. Landschaft im Bild und als Location. Im Film gesetzt wird. Der Raum ist hier ein Raum der Imagination. Mit verschiedenen Ansätzen wird. Ein medialer Synkretismus beschrieben,. Der den Schein’ des Raumes als. Formation einer eigenen Scriptierung eines medialen Selbst.

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hyperculturalpassengers.org hyperculturalpassengers.org

LINKS – HYPER CULTURAL PASSENGERS

http://hyperculturalpassengers.org/links

FRISE – Künstlerhaus Hamburg. ZOU-NO-HANA TERRACE – Yokohama. Heidi Salaverría – Philosopher – Hamburg. UTE – Verein für den engagierten Umgang mit Behinderung. Torsten P. Bruch – Artist. Michael Kress – Artist. Launchpad Gallery – Yokohama. Tim Schwartz – Artist – LA. 6018North Chicago’s Home for Experimental Arts and Culture. Call for Hyper Cultural Messengers. Connecting Doubts Philosophical Introduction. の日記 by 藤原ちから Blog by Chiara Fujiwara. Two Streets – Micheal Olokodana and Till Krause.

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Frames of Language and Semiotics – works by Michael Kress. FANS ARE ARTISTS / ARTISTS ARE FANS. Mit Lawrence und Lennon und den Vier Musketieren durch die Wüste ins Kino. How to rock a family and a city. Spatial Conversations in Rio. Notes on the Yokohama-Conversation-Project. The man who swept the desert. Quasi Pinneberg, privat …. The Fields Are Soft And Green – (The Innocence of the Artist). Frames of Language and Semiotics – works by Michael Kress. Spatial Conversations in Rio. Cinema; Michael Kress.

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