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Michael Moore | Currently lacking in general aim or purpose.

Currently lacking in general aim or purpose.

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Michael Moore | Currently lacking in general aim or purpose. | michaelmoo.re Reviews
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Michael Moore | Currently lacking in general aim or purpose. | michaelmoo.re Reviews

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Currently lacking in general aim or purpose.

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The Work Of Art In The Age Of Peer-To-Peer File Sharing: theorising the artwork in digitally shared music. – Michael Moore

http://michaelmoo.re/the-work-of-art-in-the-age-of-peer-to-peer-file-sharing-theorising-the-artwork-in-digitally-shared-music

The Work Of Art In The Age Of Peer-To-Peer File Sharing: theorising the. In digitally shared music. October 5, 2014. February 19, 2015. Is implicit in the displacement of aura, suggesting new ways of figuring the artwork in a digital ontology. The paper then explores the possibility that peer-to-peer online digital music sharing justifies the displaced aura through politicisation in disruptive sharing practices, figuring new modes of approaching politicisation in the digital and neoliberal age. Benjamin ...

2

Michael – Michael Moore

http://michaelmoo.re/author/michael

The Work Of Art In The Age Of Peer-To-Peer File Sharing: theorising the. In digitally shared music. October 5, 2014. February 19, 2015. Is implicit in the displacement of aura, suggesting new ways of figuring the artwork in a digital ontology. The paper then explores the possibility that peer-to-peer online digital music sharing justifies the displaced aura through politicisation in disruptive sharing practices, figuring new modes of approaching politicisation in the digital and neoliberal age. Contrast ...

3

Examining the radical in retrospect: the Heiliger Dankgesang of Beethoven’s String Quartet in A-minor, Op. 132. – Michael Moore

http://michaelmoo.re/examining-the-radical-in-retrospect-the-heiliger-dankgesang-of-beethovens-string-quartet-in-a-minor-op-132

Examining the radical in retrospect: the. Of Beethoven’s String Quartet in A-minor, Op. 132. October 4, 2014. October 5, 2014. When Beethoven returned to the composition of string quartets in 1822 it followed a twelve-year absence of the form from his work. The eight years following the composition of the. Sonata, Op. 106, of 1818, would see Beethoven’s work at its most rhetorical, inward looking, and abstract; a new direction from the. A parallel to the. To examine the radical in the. And the meaning in...

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The Work Of Art In The Age Of Peer-To-Peer File Sharing: theorising the. In digitally shared music. October 5, 2014. February 19, 2015. Is implicit in the displacement of aura, suggesting new ways of figuring the artwork in a digital ontology. The paper then explores the possibility that peer-to-peer online digital music sharing justifies the displaced aura through politicisation in disruptive sharing practices, figuring new modes of approaching politicisation in the digital and neoliberal age. Contrast ...

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