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Unquiet Thoughts | Mignarda's musings on lutes and lute songs in the 21st century

Mignarda's musings on lutes and lute songs in the 21st century

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Unquiet Thoughts | Mignarda's musings on lutes and lute songs in the 21st century | mignarda.wordpress.com Reviews

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Mignarda's musings on lutes and lute songs in the 21st century

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Saturday morning quotes 5.9: Amateurs again | Unquiet Thoughts

https://mignarda.wordpress.com/2015/07/18/saturday-morning-quotes-5-9-amateurs-again

Mignarda's musings on lutes and lute songs in the 21st century. Saturday morning quotes 5.9: Amateurs again. July 18, 2015. Yea, so that thou haue any skill in [playing the lute] be not ashamed at the request of honest friends to shew thy cunning: but if thou chancest to get an habit of perfection, prophane not the Goddesse, with making thy selfe cheape for a sleight gaine. 1610 (after Besard, 1603). The lute appeals to those with a scientific bent because of its unique design elements and its geometric ...

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Saturday morning quotes 5.12: Aesthetics – part III | Unquiet Thoughts

https://mignarda.wordpress.com/2015/08/07/saturday-morning-quotes-5-12-aesthetics-part-iii

Mignarda's musings on lutes and lute songs in the 21st century. Saturday morning quotes 5.12: Aesthetics part III. August 7, 2015. 8211; Johann Georg Sulzer (1720 1779), Allgemeine Theorie der schönen Künste. When it comes to the question of musical aesthetics, we mentioned in an earlier post. Medieval ideas of aesthetic value were influenced by the writing of St. Thomas Aquinas, and concepts of beauty were integrated with those of utility. Since religious practice was a significant part of daily...John ...

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The Willow Song | Unquiet Thoughts

https://mignarda.wordpress.com/2011/08/09/the-willow-song

Mignarda's musings on lutes and lute songs in the 21st century. August 9, 2011. The ‘Willow Song’ has a life of its own as one of the more familiar Elizabethan ballads, mainly through its dramatic quotation in Shakespeare’s play,. And Christopher Goodwin and Ian Payne have pieced together fragments from other miscellaneous early sources, even creating choral and consort versions of the song, as described in Lute News. The Anatomy of Melancholy. But to leave all declamatory speeches in praise of divine mu...

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Saturday morning quote #13: Playford & the Tudors | Unquiet Thoughts

https://mignarda.wordpress.com/2011/08/12/saturday-morning-quote-13

Mignarda's musings on lutes and lute songs in the 21st century. Saturday morning quote #13: Playford and the Tudors. August 12, 2011. John Playford (1623 1686) is probably best known today as publisher of. The English Dancing Master. Playford also published instrumental tutors for the viol, violin and cittern, as well as several books of songs by William and Henry Laws, John Blow, and Henry Purcell, a series we know and love in their facsimile editions. He also published. 1654) which was later revised as.

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Unquiet Thoughts | Mignarda's musings on lutes and lute songs in the 21st century | Page 2

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Mignarda's musings on lutes and lute songs in the 21st century. July 16, 2016. Saturday morning quotes 6.9: The anti-lute. Occasionally even the most confirmed advocate of early music tires of a serious life in the slow lane and longs for a bit of fun. And what could be more fun than a dose of accordion music? Probably the primary difference between a lutenist and a musician who plays the accordion is that one of the two actually works for serious money. 8211; Lawrence Welk. Able to negotiate a vast repe...

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Duo Seraphim: Lute songs and solos for Advent and Christmastide | Mignarda

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Duo Seraphim: Lute songs and solos for Advent and Christmastide. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. There is no Rose. Ne timeas, Maria. Let all mortal flesh keep silence. Josef liber, Josef mein. Es ist ein Ros entsprungen. The Christ Child Lullaby (Taladh Chriosta). Richard Banks at Christmascdreviews.com. Released October 1, 2008. Donna Stewart, voice. Ron Andrico, lute. Recorded by Chad Crum at The Music Tank, Trumansburg, NY.

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Plein Air Italy: Italia di Nuovo

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Chronicling the experience of painting and drawing on site in Italy. Thursday, August 16, 2012. At the Forum of Nerva. It is thrilling to be back in Italy, even in what is proving to be a record hot summer. Yesterday (Ferragosto) I was in the full sun along the via dei Fori Imperiali- saved by watermelon! The Trophies of Marius. Outside Porta S. Donato. October 15, 2012 at 10:54 AM. Enjoying your painting posts! Have a great day! Subscribe to: Post Comments (Atom). On site in Italy. If you're thinking of...

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Plein Air Italy: Painting, Actually

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Chronicling the experience of painting and drawing on site in Italy. Saturday, March 24, 2012. The flowering plein air phenomenon is a wonderful thing. Some ambiguity hovers around what it means to work en plein air. Work from Rome and Lazio that shows my brushwork, which is for me the essential aspect of what it means to paint—as opposed to render—what one sees. As Diderot said:. 8212;Denis Diderot, "Salon de 1763". Columns Near the Theater of Marcellus, Rome. Ponte Sisto, Rome. April 2, 2012 at 3:48 AM.

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Plein Air Italy: Revisiting Civita Castellana

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Chronicling the experience of painting and drawing on site in Italy. Sunday, December 4, 2011. Castellaccio, from the Ponte Clementino. Regarding materials, the two tufa subjects are on prepared archival canvas boards, both primed with a burnt siena/umber ground; the one behind the Forte Sangallo is on stretched canvas, primed with a higher key ochre ground. Vignale, near Corot's old hotel. Behind the Forte Sangallo (morning). Subscribe to: Post Comments (Atom). On site in Italy. View my complete profile.

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EMULATION: August 2014

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To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. Emulation and the “Grand Manner”. Or, Why Realism Isn’t the Only (or Best) Way To Be “Classical”. I Quattro Compagni Martiri, S. Cresci in Valcava, Borgo S. Lorenzo, FI. I recently had the pleasure of painting a modest fresco for a rural church in Tuscany. That went from bad to worse, to a second (and ultimately only) giornata. Century music whe...

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EMULATION: March 2015

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To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. Recently the artist Nelson Shanks revealed a secret in the shadows of his painting of Bill Clinton:. Http:/ www.npr.org/blogs/thetwo-way/2015/03/02/390196140/clintons-portrait-has-hint-of-lewinskys-blue-dress-artist-says. 8221; Too true, indeed. Realism has killed portraiture. But like most people today (obviously not attuned to his canonical au...

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EMULATION: October 2013

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To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. Emulation X.1 The Theater of Aspirations. The Carracci and their Models I. Annibale Carracci, Pietà. Those on the way) was competitive among the students, but also competitive with respect to the past and present; Agostino designed their impresa. Whose motto Contentione Perfectus. T]he stylistic polemic in which the Carracci were engaged did not...

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EMULATION: March 2014

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To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. Back to the Opera. Haymarket Opera company’s Actéon. Altar dedicated to Diana on the rightmost periaktos. Once again I had the pleasure of painting sets for a Haymarket Opera company. Production, this time of Charpentier’s Actéon. With a pastoral prelude of Le Jugement de Pan. And an interspersed divertissement. The urge to breathe fresh contemp...

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EMULATION: July 2014

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To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. Disruption and the Can(n)on. A bit of filler blog until I have some art to post…. From The New Yorker. Recently, which, like a stopped clock, is occasionally correct:. 8220;The Disruption Machine. What The Gospel Of Innovation Gets Wrong.”. June 23, 2014. Less recently, and slightly less often wrong:. Stories, but one can’t have dumb or me...

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EMULATION: September 2014

http://emulatio.blogspot.com/2014_09_01_archive.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. The Baroque, Then and Now. Since I’m a painter as well as an architect, the frescoes in particular of South German eighteenth-century churches interested me, and while there is much that they have in common, particular artists brought unique styles and interpretations to their subjects. From the sort of purple sfumato. St Lorenz, apse. At the ag...

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Magnum Mysterium: Advent and Christmas music for lute and voice. John Dowland. A Pilgrimes Solace. Adoro Te: Gregorian chant hymns and Marian antiphons. Donna Stewart, Mignarda. Sfumato: Musica per voce e liuto del Rinascimento Italiano. Harmonia Caelestis: 16th century Spanish Motets for Voice and Lute. Au Pres de Vous: French chansons of the 16th century. La Rota Fortuna: Chansons and lute solos in honor of Francesco Spinacino, fl. 1507. Divine Amarillis: Airs De Court 1570-1640. Danby, New York.

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Bios: About the artists. Magnum Mysterium: Advent and Christmas music for lute and voice. Adoro Te: Gregorian Chant Hymns and Marian Antiphons. John Dowland: A Pilgrimes Solace. Sfumato: Musica per voce e liuto del Rinascimento Italiano. Harmonia Caelestis: 16th century motets by Spanish composers. Au Pres de Vous: French chansons of the 16th century. Duo Seraphim: Lute songs and solos for Advent and Christmastide. La Rota Fortuna: Chansons and lute solos in honor of Francesco Spinacino, fl. 1507. Americ...

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Unquiet Thoughts | Mignarda's musings on lutes and lute songs in the 21st century

Mignarda's musings on lutes and lute songs in the 21st century. April 7, 2018. Saturday morning quotes 7.3: Improv. Improvising on the lute. 8230;[T]he modern reconstructionist movement has produced many scrupulous realizers of musical notation but has yet to produce a single genuine master of improvisation, which we all know to be nine-tenths of the Renaissance and Baroque musical icebergs. 8211; Richard Taruskin, On Letting the Music Speak for Itself: Some Reflections on Musicology and Performance ,.

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