mikefijal.blogspot.com

Mike Fijal

Sunday, February 21, 2010. I travelled to Cartagena, Columbia in the winter of 2006 and had a very exciting time in that very **** city. I recorded an evening street party with my videocam and used two loops of the sounds of clapping and singing as a rhythmic base to my classical "spanish" guitar and trumpet. Friday, January 1, 2010. We never used written music in our recording sessions. It was purely improvised space jazz. Tokyo Time was recorded without editing or any overdubbing or additions:. After a...

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Sunday, February 21, 2010. I travelled to Cartagena, Columbia in the winter of 2006 and had a very exciting time in that very **** city. I recorded an evening street party with my videocam and used two loops of the sounds of clapping and singing as a rhythmic base to my classical spanish guitar and trumpet. Friday, January 1, 2010. We never used written music in our recording sessions. It was purely improvised space jazz. Tokyo Time was recorded without editing or any overdubbing or additions:. After a...

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Mike Fijal | mikefijal.blogspot.com Reviews

https://mikefijal.blogspot.com

Sunday, February 21, 2010. I travelled to Cartagena, Columbia in the winter of 2006 and had a very exciting time in that very **** city. I recorded an evening street party with my videocam and used two loops of the sounds of clapping and singing as a rhythmic base to my classical "spanish" guitar and trumpet. Friday, January 1, 2010. We never used written music in our recording sessions. It was purely improvised space jazz. Tokyo Time was recorded without editing or any overdubbing or additions:. After a...

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mikefijal.blogspot.com

1

Mike Fijal: Tokyo Time

http://mikefijal.blogspot.com/2010/01/tokyo-time.html

Friday, January 1, 2010. We never used written music in our recording sessions. It was purely improvised space jazz. Tokyo Time was recorded without editing or any overdubbing or additions:. Subscribe to: Post Comments (Atom). Thoughts on making music. View my complete profile.

2

Mike Fijal: February 2010

http://mikefijal.blogspot.com/2010_02_01_archive.html

Sunday, February 21, 2010. I travelled to Cartagena, Columbia in the winter of 2006 and had a very exciting time in that very sexy city. I recorded an evening street party with my videocam and used two loops of the sounds of clapping and singing as a rhythmic base to my classical "spanish" guitar and trumpet. Subscribe to: Posts (Atom). Thoughts on making music. View my complete profile.

3

Mike Fijal: December 2009

http://mikefijal.blogspot.com/2009_12_01_archive.html

Friday, December 18, 2009. We continued to collaborate, sharing music files back and forth through the internet. In this collaboration he first sent me a track of his playing an Oud (an Arabic instrument). I responded with a lot of improvised phrases on my flugel which he arranged and produced back in his studio in Japan to come up with this very spacey peace piece:. Tuesday, December 15, 2009. Music in the trenches. Wednesday, December 2, 2009. His name is Ed Patterson, an established "Roots" guitarist ...

4

Mike Fijal: November 2009

http://mikefijal.blogspot.com/2009_11_01_archive.html

Sunday, November 29, 2009. I continued doodling with the jazz tune thing and came up with a somewhat spaced out composition that had a 14 bar form and a few unstandard chord changes. This tune I managed to record with Andrew Glover on keyboard, Gregg Dunstan on bass, and Tom Foster on drums. I played my flugelhorn, which quickly became my favourite horn. I love the mellow spacey sound. Saturday, November 21, 2009. Artists" doodle. Musicians noodle. But can a musician be an artist? On November 10th, I was...

5

Mike Fijal: January 2010

http://mikefijal.blogspot.com/2010_01_01_archive.html

Friday, January 1, 2010. We never used written music in our recording sessions. It was purely improvised space jazz. Tokyo Time was recorded without editing or any overdubbing or additions:. Subscribe to: Posts (Atom). Thoughts on making music. View my complete profile.

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Sunday, February 21, 2010. I travelled to Cartagena, Columbia in the winter of 2006 and had a very exciting time in that very sexy city. I recorded an evening street party with my videocam and used two loops of the sounds of clapping and singing as a rhythmic base to my classical "spanish" guitar and trumpet. Friday, January 1, 2010. We never used written music in our recording sessions. It was purely improvised space jazz. Tokyo Time was recorded without editing or any overdubbing or additions:. After a...

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