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Last Mix [Rec]3 | Sound Notes
https://notessonores.wordpress.com/2012/01/03/last-mix-rec3
Here the configuration of the Player A of my last mix as assistant-recording mixer, Rec3 Genesis. With a DFC, the re-recording mixer Marc Orts. And the sound designer Gabriel Gutiérrez. We’ve had 4 Pro Tools. 2 players, 1 with Avid Video Satellite system and 1 recorder. 3 thoughts on “ Last Mix [Rec]3. 13 July 2012 at 19:36. And how was structured PLAYER B? Backgrounds, music…. 8 December 2012 at 16:12. Was structured on this way:. 6 50 Groups (with Mono, Stereo, 5.0 tracks…). 8 December 2012 at 16:26.
notessonores.wordpress.com
blog recorders | Sound Notes
https://notessonores.wordpress.com/gravadors-del-bloc
One thought on “ blog recorders. 2010 in review « Notes Sonores. 2 January 2011 at 17:07. 8230;] Gravadors del Bloc […]. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.
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Shortfilm Mix | Sound Notes
https://notessonores.wordpress.com/2011/09/22/shortfilm-mix
Me (sound editor) and Joan Olivé. Re-recording mixer) mixing “Leyenda” in Sonoblok studios in Barcelona with a DFC console. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.
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Sound Notes | Notes Sonores | Page 2
https://notessonores.wordpress.com/page/2
We did foley effects for this movie. My favorite dubbing/ADR preamp. Is my favorite mic preamp for studio specially to record duubing and ADRs. I have experience recording with Millenia Hv-3C and Avalon AD2022. Millennia has a fantastic dinamic range, unsurped ambience retrieval and no uncolored timbral. Millenia’s gain is 1.5 per stemp with 3 banks and Avalon its 4dbs with one bank. Although Avalon is a fantastic preamp too! Both have a good sound! What do you think? What its your experience? The mic wa...
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Two movies | Sound Notes
https://notessonores.wordpress.com/2011/08/13/two-movies
Two movie trailers. Mientras duermes. Sleep Tight) by Jaume Balagueró and Eva. By Kike Maillo. I have worked as sound editor assistant and re-recording mixer assistant. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Next post →.
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Eva in Sitges Film Festival | Sound Notes
https://notessonores.wordpress.com/2011/10/06/eva-in-sitges-film-festival
Eva in Sitges Film Festival. Oriol Tarragó …. Sound designer. Marc Orts …. sound re-recording mixer. Laura Díez … dialogue editor. Jordi Rossinyol Colomer … sound recordist. Marta Cunill …. assitant sound. Marc Bech …. assistant sound editor / assistant re-recording mixer. Albert Pipió, Rodrigo Villanueva …. adr recordist. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
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Apocalyptic Barcelona | Sound Notes
https://notessonores.wordpress.com/2011/09/16/apocalyptic-barcelona
I participate in this teaser as a foley and ADR recordist/editor. It has performed in the Toronto Film Festival to find money and soon it will be in Sitges Film Festival. The last days, click to see) by Alex Pastor. Will shoot in the spring of 2012. The sound designer is Oriol Tarragó. We use Neumann U87, Avalon AD2022 preamp and Pro Tools HD. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Next post →.
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Tim Prebble’s Career advice | Sound Notes
https://notessonores.wordpress.com/2011/10/09/tim-prebbles-career-advice
Tim Prebble’s Career advice. An extract. Complete here. 8220;It is not how good you are, it is how good you can be in the time available”. So here is a typical path to becoming a film sound designer:. Step 1. do some film and audio education (one to three years). Step 2. do work experience (one week to one year). Step 3. attain trainee position (six months to one year). Step 4. become assistant sound editor on TV series (one to three years). Step 7. become sound editor for film (three to five years).
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Animation Foley Effects | Sound Notes
https://notessonores.wordpress.com/2011/09/10/animation-foley-effects
We have already finish an animation movie called “Copito de nieve” (Spain). We used Neumann U87 for the interiors and for the gestures and the animal hair, Sennheiser MK40 to recording steps on grass, and Sanken CS3e to record steps on the street floor. Avalon AD2022 preamp and Pro Tools HD recorder. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.
