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IN OTHER BODIES - THE CHAIR: How do you define a chair? IN OTHER BODIES approaches the essence of an object; namely the phenomenon chair. It does this to. THE DESK: How can an object; a furniture, in itself perform an act of resistance; an articulation of norm criticality? What responsibility does a designer. TWIG VASE: A project about visiting something familiar, but filling it with a different content. My starting point was a product with low value, which has.

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IN OTHER BODIES - THE CHAIR: How do you define a chair? IN OTHER BODIES approaches the essence of an object; namely the phenomenon chair. It does this to. THE DESK: How can an object; a furniture, in itself perform an act of resistance; an articulation of norm criticality? What responsibility does a designer. TWIG VASE: A project about visiting something familiar, but filling it with a different content. My starting point was a product with low value, which has.

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minnamagnusson | minnamagnusson.com Reviews

https://minnamagnusson.com

IN OTHER BODIES - THE CHAIR: How do you define a chair? IN OTHER BODIES approaches the essence of an object; namely the phenomenon chair. It does this to. THE DESK: How can an object; a furniture, in itself perform an act of resistance; an articulation of norm criticality? What responsibility does a designer. TWIG VASE: A project about visiting something familiar, but filling it with a different content. My starting point was a product with low value, which has.

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minnamagnusson.com

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Minna Magnusson

http://www.minnamagnusson.com/the-desk

How can an object;. A furniture, in itself perform an act of resistance; an articulation of norm criticality? What responsibility does a designer have when creating objects that are inevitably placed within power structures such as race, gender and class? Spaces and objects carry history. Descended directions that generate patterns, layers of inclusions and exclusions. Bodies in and around those ‘trail behind’, perform alike, excecute habitual acts. The desk carries out.

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Minna Magnusson

http://www.minnamagnusson.com/ABOUT

Minna Magnusson is a creative designer. With a wide experience of the creative world. Originally within product-, furniture- and spacial design, but later also in service- and interaction design, art direction and concept development within experience design, communications and PR. Interaction Design Intern @ Doberman 2016. Freelance Creative @ Juno Public Relations 2015. Set Designer @ Minnesota Communication 2014/2015. Interior Stylist Assistant @ Saša Antić 2014. Internship @ MYCKET 2013.

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Minna Magnusson

http://www.minnamagnusson.com/IN-OTHER-BODIES

How do you define a chair? IN OTHER BODIES approaches the essence of an object; namely the phenomenon chair. It does this to try to gain insight into how we orient ourselves towards the chair and how a possible disorientation might look like. By using the methods and theories of phenomenology - can we get a clearer picture of how a disorientation of the chair may affect how we understand various bodily experiences of every day phenomenons? When does a chair stop being a chair and why?

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Minna Magnusson

http://www.minnamagnusson.com/PRESS

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Minna Magnusson

http://www.minnamagnusson.com/NEWS

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IN OTHER BODIES - THE CHAIR: How do you define a chair? IN OTHER BODIES approaches the essence of an object; namely the phenomenon chair. It does this to. THE DESK: How can an object; a furniture, in itself perform an act of resistance; an articulation of norm criticality? What responsibility does a designer. TWIG VASE: A project about visiting something familiar, but filling it with a different content. My starting point was a product with low value, which has.

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