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Miskatonic Institute of Horror Studies | miskatonicinstitute.com Reviews

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LINKS TO THIS WEBSITE

spectacularoptical.ca spectacularoptical.ca

Q&A: “MEATHEAD GOES HOGWILD” « Spectacular Optical

http://www.spectacularoptical.ca/2015/07/qa-meathead-goes-hogwild

Miskatonic Institute of Horror Studies. Q&A: “MEATHEAD GOES HOGWILD”. July 24, 2015. Esinam Beckley: Where did the general idea for MHGHW come about? EB: How long had you guys been developing the idea for MHGHW and what was the reaction to pitching a story like this? Zach Harris: There was no actual pitch for the movie to anyone. We pitched it on the internet with Kickstarter. We made a video. Sean Pierce: We were excited by the idea of using a character who uses base emotional things to kind of explore ...

spectacularoptical.ca spectacularoptical.ca

THIS MUSIC BEARS TRACES OF CARNAL VIOLENCE « Spectacular Optical

http://www.spectacularoptical.ca/2011/05/this-music-bears-traces-of-carnal-violence

Miskatonic Institute of Horror Studies. THIS MUSIC BEARS TRACES OF CARNAL VIOLENCE. May 1, 2011. THIS MUSIC BEARS TRACES OF CARNAL VIOLENCE: An interview with THE RITA. Note: the following introduction appeared in an article I wrote for Rue Morgue Magazine, however the interview below is exclusive to Spectacular Optical). THE RITA’s discography reads like a misanthropic agenda:. Thousands of Dead Gods. Headless with Leopard Skin. The Rita performing in Los Angeles. Interview by Kier-La Janisse. Sam McKin...

big-smash.com big-smash.com

Big Smash! - Home

http://www.big-smash.com/big-smash.html

FILMS/TELEVISION watched January 2013. Is the personal website of film writer and programmer Kier-La Janisse. That's me). Here you can read about various screenings, events, film productions, publications and other projects I am involved with. This site is also a gateway to Spectacular Optical Publications. And The Miskatonic Institute of Horror Studies. A community-based scholastic curriculum for genre film students. HOUSE OF PSYCHOTIC WOMEN Art Exhibit in Lisbon. 07/08/2015 12:12 by Kier-La Janisse.

blue-sunshine.com blue-sunshine.com

FRIENDLY BUT DEADLY: THE DIODES ON FILM - Blue Sunshine

http://www.blue-sunshine.com/music-scene-reader/events/friendly-but-deadly-the-diodes-on-film.html

FRIENDLY BUT DEADLY: THE DIODES ON FILM. FRIENDLY BUT DEADLY: THE DIODES ON FILM. With Diodes manager/photographer Ralph Alfonso and Director Aldo Erdic in person! Avec la présence de Ralph Alfonso et Aldo Erdic! Saturday, Dec. 11, 2010. Note early start time: join us afterwards at Sala Rossa for THE KIDS/BRUTAL KNIGHTS/DEKODER show! Ross McLaren Canada 1977 28min. 16mm. CIRCA 77: THE DIODES. Aldo Erdic Canada 2009 28min. Video English. About Aldo Erdic / À propos de Aldo Erdic :. Ralph Alfonso is a beat...

spectacularoptical.ca spectacularoptical.ca

[Fantasia 2013] “THE LAST TYCOON” « Spectacular Optical

http://www.spectacularoptical.ca/2013/07/fantasia-2013-the-last-tycoon

Miskatonic Institute of Horror Studies. Fantasia 2013] “THE LAST TYCOON”. July 24, 2013. I want to start out this review by saying I generally hate writing reviews, or maybe it’s just I hate reading reviews. This may seem like an odd way to begin, but stick around and I promise I’ll tell you all about THE LAST TYCOON in a moment. I love reading criticism and analysis of movies…. So now with that all said, let’s get to THE LAST TYCOON. Honestly, it’s a shame Martin Scorsese or Brian de Palma can&#82...

spectacularoptical.ca spectacularoptical.ca

Pre-Order Spectacular Optical Book Two: “SATANIC PANIC” « Spectacular Optical

http://www.spectacularoptical.ca/2015/06/pre-order-satanic-panic-in-our-webstore

Miskatonic Institute of Horror Studies. Pre-Order Spectacular Optical Book Two: “SATANIC PANIC”. June 21, 2015. Pre-orders for Spectacular Optical’s second book, SATANIC PANIC: POP-CULTURAL PARANOIA IN THE 1980s. Are now online through our webstore here: http:/ www.spectacularoptical.ca/store/product/satanic-panic-pop-cultural-paranoia-in-the-1980s/. The book is $29.95 CAD and orders will begin shipping after August 5th, 2015. SATANIC PANIC Hardcover Collector’s Set now available from FAB Press! Subscrib...

spectacularoptical.ca spectacularoptical.ca

SATANIC PANIC: POP-CULTURAL PARANOIA IN THE 1980s « Spectacular Optical

http://www.spectacularoptical.ca/2015/03/satanic-panic-pop-cultural-paranoia-in-the-1980s

Miskatonic Institute of Horror Studies. SATANIC PANIC: POP-CULTURAL PARANOIA IN THE 1980s. March 31, 2015. Spectacular Optical Announces Upcoming Second Book:. SATANIC PANIC: POP-CULTURAL PARANOIA IN THE 1980s. Offers an unprecedented and in-depth exploration of how a controversial culture war played out during the decade, from the publication of the memoir Michelle Remembers. Spectacular Optical’s inaugural book about cool, tough and sassy kids in cult film and television. David Flint ( Sheer Filth.

spectacularoptical.ca spectacularoptical.ca

“SHE WHO MUST BURN” wins inaugural BARRY CONVEX AWARD « Spectacular Optical

http://www.spectacularoptical.ca/2015/08/she-who-must-burn-wins-inaugural-barry-convex-award

Miskatonic Institute of Horror Studies. 8220;SHE WHO MUST BURN” wins inaugural BARRY CONVEX AWARD. August 4, 2015. The Winner of Spectacular Optical’s 2015 Barry Convex Award for Best Canadian Feature or Co-Production is Larry Kent’s SHE WHO MUST BURN. Larry Kent’s SHE WHO MUST BURN. The Barry Convex Award is a physical statuette featuring artwork by Canadian genre artist Gary Pullin. As well as a $1000 cash prize, funded by the Paul A. Ray Memorial Fund. Created with flickr slideshow. Friend us on Flickr.

spectacularoptical.ca spectacularoptical.ca

Discovering the voice of the Canadian subconscious in “Taking Shelter” « Spectacular Optical

http://www.spectacularoptical.ca/2015/06/discovering-the-voice-of-the-canadian-subconscious-in-taking-shelter

Miskatonic Institute of Horror Studies. Discovering the voice of the Canadian subconscious in “Taking Shelter”. June 27, 2015. 2014) is a collage film constructed by found footage artist Jonathan Culp using over 400 Canadian feature length films made from 1970 to 1989, that is, films made under the Canadian tax shelter, a turbulent era of Canadian film in the 1970s and early ’80s where the government offered significant tax incentives to filmmakers. [i]. In many ways,. For example, consider Todd Solondz’.

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