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Misty Owl | Art and Designs

RABIH MROUE: THE INHABITANTS OF paintings from photo. The adjacent painting work, Noiseless (2008), was for me the most affecting work in the exhibition. In it, Mroue presents a sequence of photos to paintings. But the intent is quite different. This work is unabashedly (rather than unconsciously) patrilineal. In fact, it seems almost explicitly patterned on the Arabic system of patronymics, in which individuals are identified as placeholders in a chain of production and reproduction. June 11, 2016.

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Misty Owl | Art and Designs | mistyowl.com Reviews
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RABIH MROUE: THE INHABITANTS OF paintings from photo. The adjacent painting work, Noiseless (2008), was for me the most affecting work in the exhibition. In it, Mroue presents a sequence of photos to paintings. But the intent is quite different. This work is unabashedly (rather than unconsciously) patrilineal. In fact, it seems almost explicitly patterned on the Arabic system of patronymics, in which individuals are identified as placeholders in a chain of production and reproduction. June 11, 2016.
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Misty Owl | Art and Designs | mistyowl.com Reviews

https://mistyowl.com

RABIH MROUE: THE INHABITANTS OF paintings from photo. The adjacent painting work, Noiseless (2008), was for me the most affecting work in the exhibition. In it, Mroue presents a sequence of photos to paintings. But the intent is quite different. This work is unabashedly (rather than unconsciously) patrilineal. In fact, it seems almost explicitly patterned on the Arabic system of patronymics, in which individuals are identified as placeholders in a chain of production and reproduction. June 11, 2016.

INTERNAL PAGES

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1

AN OWL’S VIEW OF ROUTE 66 | Misty Owl

http://www.mistyowl.com/an-owls-view-of-route-66

AN OWL’S VIEW OF ROUTE 66. A PHOTOGRAPHIC TOUR OF ROUTE 66 TAKEN BETWEEN 1992 AND 2004. Please note, that some of the connecting links may not be connected, so you may have to use your “back” button. These photos were taken during my trips on Route 66. Photo Album and Scrapbook of Route 66 from my trips with MARIAN CLARK, ROUTE 66 AUTHOR AND HISTORIAN. As she gathered information for her Route 66 Cookbooks/Travel guides. This site is dedicated to her for introducing me to the Mother Road.

2

RABIH MROUE: THE INHABITANTS OF paintings from photo | Misty Owl

http://www.mistyowl.com/2016/06/11/rabih-mroue-the-inhabitants-of-paintings-from-photo

RABIH MROUE: THE INHABITANTS OF paintings from photo. The adjacent painting work, Noiseless (2008), was for me the most affecting work in the exhibition. In it, Mroue presents a sequence of photos to paintings. But the intent is quite different. This work is unabashedly (rather than unconsciously) patrilineal. In fact, it seems almost explicitly patterned on the Arabic system of patronymics, in which individuals are identified as placeholders in a chain of production and reproduction. June 11, 2016.

3

Outpost: FABIOLA | Misty Owl

http://www.mistyowl.com/2015/12/24/outpost-fabiola

Los Angeles County Museum of Art. For Fabiola, the recent exhibition at the Los Angeles County Museum of Art. And the doppelganger in tthe case is not the person, but the image. Through the repetition of the collected portraits, Outpost collapses their individual makers into a collective consciousness, shifting the sanctity of hagiography into a commodity of the discarded. Where the rummaged portraits peered out toward the adjacent canonical works by Jacques-Louis David, Jan Steen and Georges de La Tour?

4

Books | Misty Owl

http://www.mistyowl.com/category/books

Bill Burns, Two Boiler Suits and a Playlist: A Primate Guide (yyz Books: 2010). December 7, 2015. No Comments on A Primate Guide. Welcome to my blog. AN OWL’S VIEW OF ROUTE 66.

5

A Primate Guide | Misty Owl

http://www.mistyowl.com/2015/12/07/a-primate-guide

Bill Burns, Two Boiler Suits and a Playlist: A Primate Guide (yyz Books: 2010). December 7, 2015. Laquo; Le son du projecteur. Raquo; Outpost: FABIOLA. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. Welcome to my blog. AN OWL’S VIEW OF ROUTE 66.

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Misty Owl | Art and Designs

RABIH MROUE: THE INHABITANTS OF paintings from photo. The adjacent painting work, Noiseless (2008), was for me the most affecting work in the exhibition. In it, Mroue presents a sequence of photos to paintings. But the intent is quite different. This work is unabashedly (rather than unconsciously) patrilineal. In fact, it seems almost explicitly patterned on the Arabic system of patronymics, in which individuals are identified as placeholders in a chain of production and reproduction. June 11, 2016.

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