mixed-media-recordings.blogspot.com

Recording Mixed-Media Music

Monday, 8 September 2014. In june Bob Whitney and I recorded the Cameo Quartet for this project. They played really well and Bob was his usual excellent self. He was always one step ahead of a quite fast moving session and we couldn’t have been so productive without his valuable input. While we were checking levels and tweaking mic positions Bob and I were struck by how easy recording can be when done in a good space. Bob and I were talking about various engineers over lunch and their approaches and ...

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Recording Mixed-Media Music | mixed-media-recordings.blogspot.com Reviews

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Monday, 8 September 2014. In june Bob Whitney and I recorded the Cameo Quartet for this project. They played really well and Bob was his usual excellent self. He was always one step ahead of a quite fast moving session and we couldn’t have been so productive without his valuable input. While we were checking levels and tweaking mic positions Bob and I were struck by how easy recording can be when done in a good space. Bob and I were talking about various engineers over lunch and their approaches and ...

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2 the recording session

3 bibliography

4 sound recording practice

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Recording Mixed-Media Music | mixed-media-recordings.blogspot.com Reviews

https://mixed-media-recordings.blogspot.com

Monday, 8 September 2014. In june Bob Whitney and I recorded the Cameo Quartet for this project. They played really well and Bob was his usual excellent self. He was always one step ahead of a quite fast moving session and we couldn’t have been so productive without his valuable input. While we were checking levels and tweaking mic positions Bob and I were struck by how easy recording can be when done in a good space. Bob and I were talking about various engineers over lunch and their approaches and ...

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mixed-media-recordings.blogspot.com

1

Recording Mixed-Media Music: The Recording Session

http://mixed-media-recordings.blogspot.com/2014/09/the-recording-session.html

Monday, 8 September 2014. In june Bob Whitney and I recorded the Cameo Quartet for this project. They played really well and Bob was his usual excellent self. He was always one step ahead of a quite fast moving session and we couldn’t have been so productive without his valuable input. While we were checking levels and tweaking mic positions Bob and I were struck by how easy recording can be when done in a good space. Bob and I were talking about various engineers over lunch and their approaches and ...

2

Recording Mixed-Media Music: Why Classical Stereo Techniques?

http://mixed-media-recordings.blogspot.com/2014/06/why-classical-stereo-techniques_22.html

Sunday, 22 June 2014. Why Classical Stereo Techniques? In my previous post I talk about what kind of sonic imagery is present in the piece. It is essentially stereo:. The tape is in stereo, exploring depth and having a sense of width. The clarinets sit symmetrically and therefore can be captured evenly in stereo. Capturing the piece in stereo makes sense because:. Stereo techniques capture depth, to a greater or lesser extent depending on the technique. Microphones do not simply pick up sound. They a...

3

Recording Mixed-Media Music: June 2014

http://mixed-media-recordings.blogspot.com/2014_06_01_archive.html

Sunday, 22 June 2014. Why Classical Stereo Techniques? In my previous post I talk about what kind of sonic imagery is present in the piece. It is essentially stereo:. The tape is in stereo, exploring depth and having a sense of width. The clarinets sit symmetrically and therefore can be captured evenly in stereo. Capturing the piece in stereo makes sense because:. Stereo techniques capture depth, to a greater or lesser extent depending on the technique. Microphones do not simply pick up sound. They a...

4

Recording Mixed-Media Music: Compositional Materials in Fata Morgana

http://mixed-media-recordings.blogspot.com/2014/06/compositional-materials-in-fata-morgana.html

Saturday, 21 June 2014. Compositional Materials in Fata Morgana. Is my own piece and I know it reasonably well (! I have many preconceptions about recording it. Most of which are probably fairly close to the mark but are worth exploring further. These include:. Expecting classical micing techniques to produce the best results. Close mics may add extra detail and intimacy, highlighting any breathiness present. The General Images in the Piece:. In this piece spatial width is important, but it is not discre...

5

Recording Mixed-Media Music: September 2014

http://mixed-media-recordings.blogspot.com/2014_09_01_archive.html

Monday, 8 September 2014. In june Bob Whitney and I recorded the Cameo Quartet for this project. They played really well and Bob was his usual excellent self. He was always one step ahead of a quite fast moving session and we couldn’t have been so productive without his valuable input. While we were checking levels and tweaking mic positions Bob and I were struck by how easy recording can be when done in a good space. Bob and I were talking about various engineers over lunch and their approaches and ...

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mixed-media-recordings.blogspot.com

Recording Mixed-Media Music

Monday, 8 September 2014. In june Bob Whitney and I recorded the Cameo Quartet for this project. They played really well and Bob was his usual excellent self. He was always one step ahead of a quite fast moving session and we couldn’t have been so productive without his valuable input. While we were checking levels and tweaking mic positions Bob and I were struck by how easy recording can be when done in a good space. Bob and I were talking about various engineers over lunch and their approaches and ...

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