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Matthias Lohscheidt

Der Greif Schmiede Special Issue #2. 2013, Interactive sound-installation. The work Evolution Of Silence portrays a virtual world populated by artificial creatures. Each creature creates a tone defined by its DNA, and is visually represented by a ray of light inside a holographic projection. The population of these creatures evolves steadily in an evolutionary algorithm. Only the environment with its progressing evolutionary process judges every tone and sets it into a harmonic context. This context ...

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Matthias Lohscheidt | mlohscheidt.de Reviews

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Der Greif Schmiede Special Issue #2. 2013, Interactive sound-installation. The work Evolution Of Silence portrays a virtual world populated by artificial creatures. Each creature creates a tone defined by its DNA, and is visually represented by a ray of light inside a holographic projection. The population of these creatures evolves steadily in an evolutionary algorithm. Only the environment with its progressing evolutionary process judges every tone and sets it into a harmonic context. This context ...

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1 matthias lohscheidt

2 work

3 evolution of silence

4 tunnelstudie 1

5 myopic bounds

6 pyramid cascades

7 der greif

8 following john cage

9 technical information

10 toxiclibs

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matthias lohscheidt,work,evolution of silence,tunnelstudie 1,myopic bounds,pyramid cascades,der greif,following john cage,technical information,toxiclibs,and controlp5,by benedikt groß,by david gann,choreography,dustin klein,dancers,music dramaturgy,light

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Matthias Lohscheidt | mlohscheidt.de Reviews

https://mlohscheidt.de

Der Greif Schmiede Special Issue #2. 2013, Interactive sound-installation. The work Evolution Of Silence portrays a virtual world populated by artificial creatures. Each creature creates a tone defined by its DNA, and is visually represented by a ray of light inside a holographic projection. The population of these creatures evolves steadily in an evolutionary algorithm. Only the environment with its progressing evolutionary process judges every tone and sets it into a harmonic context. This context ...

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mlohscheidt.de

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Matthias Lohscheidt

http://mlohscheidt.de/work/pyramid-cascades

Pyramid Cascades is the result of video-mapping experiments during a semester at ECAL, Lausanne. 3D-objects made of polystyrene and paper, mounted on servo-motors build the projection surface for a beamer. Virtual 2D-pyramids are mapped on these real objects. Via a trackpad the user can interact with the installation. By moving the finger on the trackpad [.]. Der Greif Schmiede Special Issue #2. 2012, Interactive installation 42,5 x 110 cm. Lib For the 2d-physics the as3 port. Of the powerful box2D.

2

Matthias Lohscheidt

http://mlohscheidt.de/work/tunnelstudie-1

This work evolved from a vvvvorkshop by David Gann at HS Augsburg, in 2012. When I had time to work on it again, I added an export mechanism and some parameters, that I could change during the export to create an animation. Der Greif Schmiede Special Issue #2. 2013, video, ratio 1:1, 1:36 min. This work evolved from a vvvvorkshop. At HS Augsburg, in 2012. When I had time to work on it again, I added an export mechanism and some parameters, that I could change during the export to create an animation.

3

Matthias Lohscheidt

http://mlohscheidt.de/work/evolution-of-silence

The work Evolution Of Silence portrays a virtual world populated by artificial creatures. Each creature creates a tone defined by its DNA, and is visually represented by a ray of light inside a holographic projection. The population of these creatures evolves steadily in an evolutionary algorithm. The virtual world provides an inaudible key as an [.]. Der Greif Schmiede Special Issue #2. 2013, Interactive sound-installation. Silence is interpreted as the occurrence of all sounds that arise inside an envi...

4

Matthias Lohscheidt

http://mlohscheidt.de/work/myopic-bounds

The dance theatre Myopic Bounds deals with the corset of conventions, emotions and socialisation that surround us all, and asks questions concerning the need for freedom, limitation, bound and isolation in reference to this corset. How much are we restricted by our outer and inner worlds? How can we develop despite or because of these [.]. Der Greif Schmiede Special Issue #2. How can we develop despite or because of these different bounds that we are moving in? The stage design is built only by diverse l...

5

Matthias Lohscheidt

http://mlohscheidt.de/work/der-greif-schmiede-special-issue-2

Published in November 2010, the second special issue in cooperation with Schmiede Hallein is in a large 70 x 100 cm format. In order to showcase the diversity of the different Smiths, every cover is a mirror foil with cut-out sunglasses, making the viewer itself become the cover. A special code in the imprint leads to [.]. Der Greif Schmiede Special Issue #2. Der Greif Schmiede Special Issue #2. 2010, Postermagazine, 70 x 100 cm, print run: 500, numbered. Every copy is numbered. Joh Walch, Augsburg.

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Simon Karlstetter

http://simonkarlstetter.de/work/myopic-bounds

The dance theatre Myopic Bounds deals with the corset of conventions, emotions and socialisation that surround us all, and asks questions concerning the need for freedom, limitation, bound and isolation in reference to this corset. How much are we restricted by our outer and inner worlds? How can we develop despite or because of these [.]. Der Greif A Process 2.0. Der Greif A Process. Der Greif Magazine for Photography and Literature. Stiller Flug I – XV. Kartografie 1 & 2. Der Lauf der Dinge.

louiseflanagan.com

Louise Flanagan – Costume Design

http://louiseflanagan.com/page/2

Louise Flanagan – Costume Design. Izena duenak izana du. Auf der Matte bleiben. Beauty and the Beast. Tanzgala – 25 Jahre. Costume design for the dance performance ‘Paradise’. Noverre Gesellschaft – Stuttgarter Ballett Junge Choreographen. 8211; Maged Mohamed. 8211; Hesham Nazih. 8211; Louise Flanagan. 8211; Alicia Amamtriain, Cyril Pierre, Wladimir Faccioni, James Lyttie, Ilya Shcherbakov, Luca Giacclo, Olzhas Tarlanov. 8211; 25th March 2015. 8211; Karl-Heinz Riesch. Auf der Matte bleiben.

louiseflanagan.com

Louise Flanagan – Costume Design

http://louiseflanagan.com/work/repeater-rptr

2014 Costume design for dance-theatre performance ‘Repeater Rptr’ Studio Furio, Stadttheater Landsberg am Lech Choreography – Dustin Klein Music, Dramaturgy - Simon Karlstetter Set design - Matthias Lohscheidt Costume design – Louise Flanagan Text - Anna Gschnitzer Production - Claudio Ricci Dancers - Dustin Klein, Emma Barrowman, Zuzana Zahradniková, Ilia Sarkisov, Stephanie Hancox, Peter Jolesch (from the Bavarian State Ballet) [.]. Louise Flanagan – Costume Design. Izena duenak izana du.

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Studio Furio

http://studiofurio.com/members

Felix von Bredow Schauspiel. Geboren 1986 in Weilheim. Absolvierte seine Ausbildung zum Schauspiel am Max-Reinhardt-Seminar in Wien. Erhielt Rollenunterricht bei Artak Grigorian und Dietmar König. Neben seiner Tätigkeit für Film und Fernsehen ist er seit 2012 als freischaffender Schauspieler in diversen Produktionen und Ensembles tätig. Luis Lüps – Schauspiel. Mehr über Louise Flanagan hier. Jurypreis des Newcomer- Wettbewerbs Töchter und Söhne am Theater Drachengasse zusammen mit tk-bureau, 2011. Stipen...

louiseflanagan.com

Louise Flanagan – Costume Design

http://louiseflanagan.com/work/test

2012 Costume design for dance performance ‘Myopic Bounds’, Stadttheater Landsberg am Lech The dance theatre production ‘Myopic Bounds’ deals with the corset of conventions, emotions and socialisation that surround us all, and asks questions concerning the need for freedom, limitation, bound and isolation in reference to this corset. How much are we restricted by our [.]. Louise Flanagan – Costume Design. Izena duenak izana du. Auf der Matte bleiben. Beauty and the Beast. Tanzgala – 25 Jahre.

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Matthias Lohscheidt

Der Greif Schmiede Special Issue #2. 2013, Interactive sound-installation. The work Evolution Of Silence portrays a virtual world populated by artificial creatures. Each creature creates a tone defined by its DNA, and is visually represented by a ray of light inside a holographic projection. The population of these creatures evolves steadily in an evolutionary algorithm. Only the environment with its progressing evolutionary process judges every tone and sets it into a harmonic context. This context ...

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