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2 and a quarter

2 and a quarter. I recently finished a 100 Day project where I made a collage every day for a hundred days. I used papers I found on the street or had in my house for materials and each one was roughly 4x6 inches. On the Street: Chelsea, MA. These are a few of the photographs. Chelsea, MA (street portraits Summer 2014). Miami - Part 2. Subscribe to: Posts (Atom). Playing Not So Softly In The Background. Curtis Mayfield, Fela Kuti. Duke Ellington, Dave Alvin, The Mermen. Bud Powell, Thelonious Monk. The D...

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2 and a quarter | mmorelli212.blogspot.com Reviews
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2 and a quarter. I recently finished a 100 Day project where I made a collage every day for a hundred days. I used papers I found on the street or had in my house for materials and each one was roughly 4x6 inches. On the Street: Chelsea, MA. These are a few of the photographs. Chelsea, MA (street portraits Summer 2014). Miami - Part 2. Subscribe to: Posts (Atom). Playing Not So Softly In The Background. Curtis Mayfield, Fela Kuti. Duke Ellington, Dave Alvin, The Mermen. Bud Powell, Thelonious Monk. The D...
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2 and a quarter | mmorelli212.blogspot.com Reviews

https://mmorelli212.blogspot.com

2 and a quarter. I recently finished a 100 Day project where I made a collage every day for a hundred days. I used papers I found on the street or had in my house for materials and each one was roughly 4x6 inches. On the Street: Chelsea, MA. These are a few of the photographs. Chelsea, MA (street portraits Summer 2014). Miami - Part 2. Subscribe to: Posts (Atom). Playing Not So Softly In The Background. Curtis Mayfield, Fela Kuti. Duke Ellington, Dave Alvin, The Mermen. Bud Powell, Thelonious Monk. The D...

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mmorelli212.blogspot.com mmorelli212.blogspot.com
1

2 and a quarter: January 2012

http://mmorelli212.blogspot.com/2012_01_01_archive.html

2 and a quarter. Subscribe to: Posts (Atom). Playing Not So Softly In The Background. Curtis Mayfield, Fela Kuti. Duke Ellington, Dave Alvin, The Mermen. The Clash, Neats, Velvet Underground. Gregory Isaacs, Gil Scott Heron, UB-40, Etta James. Willy DeVille, Wild Magnolias, Bill Evans. Bud Powell, Thelonious Monk. Hayes Carll, Nick Cave and the Bad Seeds. Ryan Adams, James Brown. David Johansen and the Harry Smiths. Ry Cooder, King Curtis, John Hiatt. Photography: The Definitive Visual History by Tom Ang.

2

2 and a quarter: June 2013

http://mmorelli212.blogspot.com/2013_06_01_archive.html

2 and a quarter. I’ve been looking at two recent books of photographs a lot lately, Lee Friedlander’s ‘In the Picture: Self Portraits 1958-2011’ and the just released retrospective ‘Garry Winogrand’. Or this or this or this or that……”. If it’s possible to be stranger, more compulsive and prolific than Winogrand, then Lee Friedlander is that person. His most recent book of self portraits (there are now five! It’s a fantastic book with all the attributes of Friedlander’s long history. A rel...What gives th...

3

2 and a quarter: On the Street: Chelsea, MA.

http://mmorelli212.blogspot.com/2015/07/on-street-chelsea-ma.html

2 and a quarter. On the Street: Chelsea, MA. These are a few of the photographs. Subscribe to: Post Comments (Atom). Playing Not So Softly In The Background. Curtis Mayfield, Fela Kuti. Duke Ellington, Dave Alvin, The Mermen. The Clash, Neats, Velvet Underground. Gregory Isaacs, Gil Scott Heron, UB-40, Etta James. Willy DeVille, Wild Magnolias, Bill Evans. Bud Powell, Thelonious Monk. Hayes Carll, Nick Cave and the Bad Seeds. Ryan Adams, James Brown. David Johansen and the Harry Smiths. At the Fights: Am...

4

2 and a quarter: July 2013

http://mmorelli212.blogspot.com/2013_07_01_archive.html

2 and a quarter. Subscribe to: Posts (Atom). Playing Not So Softly In The Background. Curtis Mayfield, Fela Kuti. Duke Ellington, Dave Alvin, The Mermen. The Clash, Neats, Velvet Underground. Gregory Isaacs, Gil Scott Heron, UB-40, Etta James. Willy DeVille, Wild Magnolias, Bill Evans. Bud Powell, Thelonious Monk. Hayes Carll, Nick Cave and the Bad Seeds. Ryan Adams, James Brown. David Johansen and the Harry Smiths. Ry Cooder, King Curtis, John Hiatt. Photography: The Definitive Visual History by Tom Ang.

5

2 and a quarter: 2/1

http://mmorelli212.blogspot.com/2013/01/21_3855.html

2 and a quarter. Subscribe to: Post Comments (Atom). Playing Not So Softly In The Background. Curtis Mayfield, Fela Kuti. Duke Ellington, Dave Alvin, The Mermen. The Clash, Neats, Velvet Underground. Gregory Isaacs, Gil Scott Heron, UB-40, Etta James. Willy DeVille, Wild Magnolias, Bill Evans. Bud Powell, Thelonious Monk. Hayes Carll, Nick Cave and the Bad Seeds. Ryan Adams, James Brown. David Johansen and the Harry Smiths. Ry Cooder, King Curtis, John Hiatt. My Brilliant Friend by Elena Ferrante. W Euge...

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springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: May 2012

http://springhillstudio.blogspot.com/2012_05_01_archive.html

Saturday, May 5, 2012. So what is the true value of a work of art? Is it based on content, context and or technique? No it's not. Content, context and technique is not the final measure of value in a work of art, even though as an idealist, I believed it to be so. An experience I had with one of my students, reveals to me why art work based on content, in the "right" context with flawless technique is ignored or meets with only minimal attention. The content was fantasy bordering on soft-core pornography...

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: You Are Here

http://springhillstudio.blogspot.com/2012/08/you-are-here.html

Saturday, August 4, 2012. Subscribe to: Post Comments (Atom). New England, United States. The Art Institute of Boston, MFA. View my complete profile. Eastern Seeds, Western Soil: A Path to Transcendence MFA Thesis 2009. Abstract Expressionism and Agnes Martin. WACK: Art and the Feminist Revolution. From Mexico to Afghanistan. Taoism and Ink Brush Painting. The Reenchantment of Art. The Second Residency Reflections. Vast, vast the autumn clouds rise. Silently, silently the night grows cold. Geode" 2 of 3.

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: December 2014

http://springhillstudio.blogspot.com/2014_12_01_archive.html

Saturday, December 27, 2014. Why I love Design. Design causes us to think, feel and respond. It presents us with new ideas,. Perspectives and causes growth. It purposefully changes consciousness. I love the challenge of integrating imagery and typography to a formative. Aesthetic with the expressed purpose of communicating and intentionally. As visual creatures humans have created a unique practice using type. And image with design. Informed design is a powerful visual methodology. Subscribe to: Posts (A...

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: May 2014

http://springhillstudio.blogspot.com/2014_05_01_archive.html

Wednesday, May 28, 2014. I have published a book with 96 of my ink brush paintings. Please take a look. It was a challenge to self publish on Blurb. But well worth the effort. Ink Brush Paintings of Rebecca Moran. Subscribe to: Posts (Atom). New England, United States. The Art Institute of Boston, MFA. View my complete profile. I have published a book with 96 of my ink brush pa. Eastern Seeds, Western Soil: A Path to Transcendence MFA Thesis 2009. Abstract Expressionism and Agnes Martin. Geode" 2 of 3.

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: March 2011

http://springhillstudio.blogspot.com/2011_03_01_archive.html

Saturday, March 26, 2011. Ink Brush Painting on Exhibit at Eastern Connecticut State University. Clusters", Sumi ink on Shuen. Lately, I've been working on a group of large ink brush paintings. I have figured out how to get the small 3"x3" ink brush paintings to work at the size of 27"x 27". Subscribe to: Posts (Atom). New England, United States. The Art Institute of Boston, MFA. View my complete profile. Ink Brush Painting on Exhibit at Eastern Connectic. Abstract Expressionism and Agnes Martin. Oil and...

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: August 2012

http://springhillstudio.blogspot.com/2012_08_01_archive.html

Saturday, August 4, 2012. Subscribe to: Posts (Atom). New England, United States. The Art Institute of Boston, MFA. View my complete profile. Eastern Seeds, Western Soil: A Path to Transcendence MFA Thesis 2009. Abstract Expressionism and Agnes Martin. WACK: Art and the Feminist Revolution. From Mexico to Afghanistan. Taoism and Ink Brush Painting. The Reenchantment of Art. The Second Residency Reflections. Vast, vast the autumn clouds rise. Silently, silently the night grows cold. Geode" 2 of 3. Arthur ...

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: July 2011

http://springhillstudio.blogspot.com/2011_07_01_archive.html

Thursday, July 7, 2011. The purpose of painting. Since I was invited to jury a show, I've been thinking about what makes a good painting, or what makes one painting better than another one. To answer this question, I believe you have to know the goal of the work or the purpose of the painting, before you can make a judgment. In comparing apples and oranges, which fruit is better? So, what IS really the purpose of painting? Why DO we paint? What are their reasons? To make us see anew? Is the representatio...

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: Creating work that sells

http://springhillstudio.blogspot.com/2014/10/creating-work-that-sells.html

Saturday, October 4, 2014. Creating work that sells. My painting subject is usually abstract landscapes. This past summer I worked in traditional water color media and created a "sale-able" piece for an auction to help the homeless. I purposefully drew it realistically and painted in every detail, true to form. I enjoyed doing it and it turned out well. I went down to the local big box art supply store and picked out a frame suitable for the kind of work it was. Maybe the trick is to do both. Taoism and ...

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: True Value

http://springhillstudio.blogspot.com/2012/05/true-value.html

Saturday, May 5, 2012. So what is the true value of a work of art? Is it based on content, context and or technique? No it's not. Content, context and technique is not the final measure of value in a work of art, even though as an idealist, I believed it to be so. An experience I had with one of my students, reveals to me why art work based on content, in the "right" context with flawless technique is ignored or meets with only minimal attention. The content was fantasy bordering on soft-core pornography...

springhillstudio.blogspot.com springhillstudio.blogspot.com

Catch and Release: October 2014

http://springhillstudio.blogspot.com/2014_10_01_archive.html

Saturday, October 4, 2014. Creating work that sells. My painting subject is usually abstract landscapes. This past summer I worked in traditional water color media and created a "sale-able" piece for an auction to help the homeless. I purposefully drew it realistically and painted in every detail, true to form. I enjoyed doing it and it turned out well. I went down to the local big box art supply store and picked out a frame suitable for the kind of work it was. Maybe the trick is to do both. I can feel ...

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2 and a quarter

2 and a quarter. I recently finished a 100 Day project where I made a collage every day for a hundred days. I used papers I found on the street or had in my house for materials and each one was roughly 4x6 inches. On the Street: Chelsea, MA. These are a few of the photographs. Chelsea, MA (street portraits Summer 2014). Miami - Part 2. Subscribe to: Posts (Atom). Playing Not So Softly In The Background. Curtis Mayfield, Fela Kuti. Duke Ellington, Dave Alvin, The Mermen. Bud Powell, Thelonious Monk. The D...

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