modernismpost.blogspot.com

The Modernism Post

How does the urban landscape incorporate representations of the world in modernist cinema? Wednesday, July 8, 2009. 1927); Dziga Vertov's The Man With The Movie Camera. 1929); Merian C. Cooper's King Kong. 1933); and King Vidor's The Fountainhead. 1949) - terminating just prior to the cultural explosion that redefined politics and modernity. Which presents its audience with several minutes' worth of deserted rural and urban landscapes before the first living inhabitants are meekly introduced. This em...

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The Modernism Post | modernismpost.blogspot.com Reviews

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How does the urban landscape incorporate representations of the world in modernist cinema? Wednesday, July 8, 2009. 1927); Dziga Vertov's The Man With The Movie Camera. 1929); Merian C. Cooper's King Kong. 1933); and King Vidor's The Fountainhead. 1949) - terminating just prior to the cultural explosion that redefined politics and modernity. Which presents its audience with several minutes' worth of deserted rural and urban landscapes before the first living inhabitants are meekly introduced. This em...

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5 the fountainhead

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9 labels eames

10 eames house

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The Modernism Post | modernismpost.blogspot.com Reviews

https://modernismpost.blogspot.com

How does the urban landscape incorporate representations of the world in modernist cinema? Wednesday, July 8, 2009. 1927); Dziga Vertov's The Man With The Movie Camera. 1929); Merian C. Cooper's King Kong. 1933); and King Vidor's The Fountainhead. 1949) - terminating just prior to the cultural explosion that redefined politics and modernity. Which presents its audience with several minutes' worth of deserted rural and urban landscapes before the first living inhabitants are meekly introduced. This em...

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modernismpost.blogspot.com

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The Modernism Post: How does the urban landscape incorporate representations of the world in modernist cinema?

http://modernismpost.blogspot.com/2009/07/how-does-urban-landscape-incorporate.html

How does the urban landscape incorporate representations of the world in modernist cinema? Wednesday, July 8, 2009. 1927); Dziga Vertov's The Man With The Movie Camera. 1929); Merian C. Cooper's King Kong. 1933); and King Vidor's The Fountainhead. 1949) - terminating just prior to the cultural explosion that redefined politics and modernity. Which presents its audience with several minutes' worth of deserted rural and urban landscapes before the first living inhabitants are meekly introduced. This em...

2

The Modernism Post: April 2009

http://modernismpost.blogspot.com/2009_04_01_archive.html

Space, time and lack of continuum in Piccadilly. Saturday, April 11, 2009. But this climax occurred way too soon (oh grow up), the remainder of Piccadilly. Failing to match the kinetic energy of these first few scenes and becoming, like Claire said. And their message of transience provide an egress back to the physical world. Of course, this effect may have been a little lost on me and anyone else who did not go out to see Piccadilly. Posted by Chris Hayes. Mona Lisa in motion. Wednesday, April 8, 2009.

3

The Modernism Post: Abridge too far?

http://modernismpost.blogspot.com/2009/06/abridge-too-far.html

Friday, June 5, 2009. When I read The Fountainhead. I was sceptical of how well it would lend itself to the process of adaptation. Squeezing a 700-page novel into a 150-page screenplay requires that it be amputated in several places, and this does not bode well for a story that strikes for sublimity largely in the extremities. Certainly, many of the cinematic cues in the novel were transferred beautifully to the film through lighting, costume, and other mise en scène. Ry; but it was The Fountainhead.

4

The Modernism Post: The ice breaker

http://modernismpost.blogspot.com/2009/03/ice-breaker.html

Tuesday, March 17, 2009. A few movies have recently attempted to tackle the issue of racism by using an exaggerated scope to compensate for an inability to form a decent argument. Oscar-winner. Figured that a bunch of short stories with one-dimensional morals amounts to a multi-dimensional discourse, and coattail-rider. That are intended to actually address a real problem these modernist modes seem like an excuse for fruitlessness. Okay, I admit to trying to invoke the ire of disagreement a bit there (&#...

5

The Modernism Post: Still Life With Eames

http://modernismpost.blogspot.com/2009/06/still-life-with-eames.html

Still Life With Eames. Sunday, June 14, 2009. Angst-ridden teens and angry arts students alike often enjoy criticising the establishment via reference to nicely packaged Chuck Palahniuk quotes like "the things you own end up owning you." This always reminds me of Tom Robbins' novel Still Life With Woodpecker. Which says almost exactly the same thing but with a far more romantic flavour: "As any half-awake materialist well knows, that which you hold also holds you" (p169). Celebrating the consumerist mono...

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The Modernism Post

How does the urban landscape incorporate representations of the world in modernist cinema? Wednesday, July 8, 2009. 1927); Dziga Vertov's The Man With The Movie Camera. 1929); Merian C. Cooper's King Kong. 1933); and King Vidor's The Fountainhead. 1949) - terminating just prior to the cultural explosion that redefined politics and modernity. Which presents its audience with several minutes' worth of deserted rural and urban landscapes before the first living inhabitants are meekly introduced. This em...

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