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SCRIPTED - Exhibition 2004

By Sylvia G. Borda. Communication is framed by both cultural framing and cultural shock. In the first instance set standards within a community indicate how a word should be comprehended; however, in the second instance, cultural re-adoption deflects the word into a system of meaning dissociated from its original connotation and context. The exhibition currently on display at Gallery 69, titled SCRIPTED plays on two syntaxes and promises. The term. For this exhibition, artists were asked to respond to th...

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SCRIPTED - Exhibition 2004 | motionbeyond.com Reviews

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By Sylvia G. Borda. Communication is framed by both cultural framing and cultural shock. In the first instance set standards within a community indicate how a word should be comprehended; however, in the second instance, cultural re-adoption deflects the word into a system of meaning dissociated from its original connotation and context. The exhibition currently on display at Gallery 69, titled SCRIPTED plays on two syntaxes and promises. The term. For this exhibition, artists were asked to respond to th...

<META> KEYWORDS

1 introduction

2 artists

3 paulina balcazar

4 erica may chan

5 jenny gofman

6 irfan aaaron kaljanac

7 eva lau

8 carol lee

9 shirley li

10 stephanie lim

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introduction,artists,paulina balcazar,erica may chan,jenny gofman,irfan aaaron kaljanac,eva lau,carol lee,shirley li,stephanie lim,jennifer pighin,joanne pope,kirsten pudas,swetha ranasuriya,kc solano,anni terret,jonathan tsang,alex ushijima,ann wong

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SCRIPTED - Exhibition 2004 | motionbeyond.com Reviews

https://motionbeyond.com

By Sylvia G. Borda. Communication is framed by both cultural framing and cultural shock. In the first instance set standards within a community indicate how a word should be comprehended; however, in the second instance, cultural re-adoption deflects the word into a system of meaning dissociated from its original connotation and context. The exhibition currently on display at Gallery 69, titled SCRIPTED plays on two syntaxes and promises. The term. For this exhibition, artists were asked to respond to th...

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motionbeyond.com

1

SCRIPTED - Exhibition 2004

http://www.motionbeyond.com/artists_AUshijima.html

Any of several treelike Asian herbs of the genus. Having a terminal crown of large, entire leaves and a hanging cluster of fruits. The elongated, edible fruit of these plants, having a thick yellowish to reddish skin and white, aromatic, seedless pulp. An Asian-Canadian who has lost their heritage. Yellow on the outside, white on the inside. (. Makoto Honda in Toronto). Ldquo;banana.”. Ldquo;banana.”. Ldquo;Yellow Peril,”. Ldquo;Dragon Lady,” “Charlie Chan,”. Ldquo;Lotus Blossom.”. Hellip; who are likely...

2

SCRIPTED - Exhibition 2004

http://www.motionbeyond.com/artists_AWong.html

The idea of division of space can be extended to the concept of cultural semiotics with reference to the Tartu School model of semiotics. This untitled e-mail art piece is a screen shot of the familiar hotmail inbox with texts that is designed to be read up-side-down. The artwork's meaning unfolds from the viewers' participation to decode the message and its content.

3

SCRIPTED - Exhibition 2004

http://www.motionbeyond.com/artists_SLi.html

In today’s society, the guideline between right and wrong is slowly disappeared. All issues are becoming controversial. There are no more clear and definite answers to all matters. People lost directions and wonder what positions they should stand. Hence all the matters fall into the gray areas. For this artwork, I have included an introductory animation followed by a welcoming screen with words of “Welcome to today’s society. Frustrated or Not? In order to reveal the message of right and wrong, a semiot...

4

SCRIPTED - Exhibition 2004

http://www.motionbeyond.com/artists_SRanasuriya.html

Hand Made Synthesis Analysis,. When we say that something is handmade, what are we speaking about? Are we engaged in a dialogue that sees machines as a more precise worker while the human as variable, hence the term “human error? Rdquo; The words Synthesis and Analysis are an expression of how the object is a synthesis of hand made and possibly machine made. Shall we play, mate? Shall we play, mate? Is laid out as a game in which the audience must match a quote that appears on the right of the screen to a.

5

SCRIPTED - Exhibition 2004

http://www.motionbeyond.com/artists_KSolano.html

IconGenerator v.2.3. The IconGenerator v.2.3 sits on a table, open for inspection. The compartments in the plastic container hold pencil crayons, glue, scissors, and paper; large white squares on the top compartment and tiny greed, red, blue, and black ones in the lower one. The title and the signs surrounding the piece imply an expensive technological object but what is presented is the opposite. Ldquo;identities are forged through the marking of difference,”. Qtd in Shah, 2003) having an original icon ...

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sylviagraceborda.com

Sylvia Grace Borda - A Fine Artist

http://www.sylviagraceborda.com/resume.html

Sylvia G. Borda. Is an Associate Researcher at the Department of Art History, Visual Art and Theory at the University of British Columbia, and an Instructor at Emily Carr Institute of Art and Design. Her interests lie in working in both photography and new media art production. PhD candidate, South Bank University, London, UK. The crisis in digital representations and reproductions - How is content deployment of culture on-line achieved? 1999 Graphic Design Certification, Vancouver Community College.

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motionbeyond.com

SCRIPTED - Exhibition 2004

By Sylvia G. Borda. Communication is framed by both cultural framing and cultural shock. In the first instance set standards within a community indicate how a word should be comprehended; however, in the second instance, cultural re-adoption deflects the word into a system of meaning dissociated from its original connotation and context. The exhibition currently on display at Gallery 69, titled SCRIPTED plays on two syntaxes and promises. The term. For this exhibition, artists were asked to respond to th...

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