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Moulton Laboratories

The art and science of sound. Dave receives the Audio Engineering Society's Fellowship Award. Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO. Creating loudspeaker music for a large space. Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays. Power Chords, Polyphonic Trains and Plain Old Phase. Loudspeaker array as a musical composition genre. Composing in surround sound. So What’s So Good About Digital, Anyway?

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The art and science of sound. Dave receives the Audio Engineering Society's Fellowship Award. Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO. Creating loudspeaker music for a large space. Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays. Power Chords, Polyphonic Trains and Plain Old Phase. Loudspeaker array as a musical composition genre. Composing in surround sound. So What’s So Good About Digital, Anyway?
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Moulton Laboratories | moultonlabs.com Reviews

https://moultonlabs.com

The art and science of sound. Dave receives the Audio Engineering Society's Fellowship Award. Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO. Creating loudspeaker music for a large space. Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays. Power Chords, Polyphonic Trains and Plain Old Phase. Loudspeaker array as a musical composition genre. Composing in surround sound. So What’s So Good About Digital, Anyway?

INTERNAL PAGES

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1

Moulton's Takes

http://www.moultonlabs.com/dave_more/some_thoughts_about_our_recent_day

Sonogram of CANON IN DESCENT. Bad Audio and the Meaning of TV At A Time Like This. A piece from 2001. Some Thoughts About Our Recent Day of Horror. Originally published in TV Technology, approx. November 2001. The View From 2009: This one of two forays out of audio to discuss the implications of September 11th. Boy, was I naive! I didn’t understand anything about terrorism or suicide bombings. Well, we’ve all had to learn, I’m afraid. On that awful day, I was busy preparing to attend the Audio Engineerin...

2

Moulton Laboratories

http://www.moultonlabs.com/index.php

The art and science of sound. Dave receives the Audio Engineering Society's Fellowship Award. Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO. Creating loudspeaker music for a large space. Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays. Power Chords, Polyphonic Trains and Plain Old Phase. Loudspeaker array as a musical composition genre. Composing in surround sound. So What’s So Good About Digital, Anyway?

3

Moulton Laboratories :: Privacy

http://www.moultonlabs.com/weblog/privacy

The art and science of sound. Subscriptions to the Moulton Laboratories mailing list are made through a confirmed opt-in process, meaning an email address is subscribed only after we receive confirmation of the request from the member who submitted the address. Subscribers may automatically unsubscribe from the mailing list at any time.

4

Moulton's Takes

http://www.moultonlabs.com/dave_more/year_later_musings_about_9_11

Sonogram of CANON IN DESCENT. A year in review. A Year Later: Musings About 9/11/01, Our World and Our Industry. Originally published in TV Technology, approx. September 2002. A Year Later: Musings About 9/11/01, Our World and Our Industry. It’s been a year now since the terrorist attacks on our country. What’s happened? The truth of these observations seems to hold up over time. So what’s changed, a year later? As an industry capable of recording and telling the complex story of mankind during probably ...

5

Moulton Laboratories :: The Microphone vs. the Ear

http://www.moultonlabs.com/more/microphone_vs_the_ear/P0

The art and science of sound. The Microphone vs. the Ear. 3 Comparing Ear and Mic. 5 More Ear Tricks. 6 What does it mean? Why Recordings Don't Sound Quite Like the Real Thing and Some Things You Can Do About It. An informal introduction to the realities of psychoacoustics. The Microphone vs. the Ear. The sound that is on the tape (physically, of course, there is no sound on the tape, and there never was - only changing magnetic fields). So, accepting the premise of this hype as gospel, we often blam...

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mockingbirdstudio.com mockingbirdstudio.com

Home

http://www.mockingbirdstudio.com/index.html

By internationally renowned, Grammy nominated audio engineer and acoustician David Moulton. With great gear that has won the respect and trust of leading studio engineers, producers and studios world wide: Neumann, Genelec, Drawmer, Mackie, TC Electronics, Eventide, Shure, AKG, Korg. By lifelong musicians that are committed to providing you with a comfortable, relaxed, creative atmosphere that nurtures your best performance and produces final results that exceed your expectations.

mockingbirdstudio.com mockingbirdstudio.com

Rooms

http://www.mockingbirdstudio.com/rooms.html

A live Corner for Strong Drum Sounds. Control Room Designed for the Best Mixing Conditions. A Wenger vocal Booth for Clear Upfront Vocals. The Mocking Bird / Moulton Rooms. In short, we ve built a new studio for you! Our Mocking Bird Moulton Rooms are designed by internationally renowned, Grammy nominated audio engineer and acoustician.

ultramegasound.blogspot.com ultramegasound.blogspot.com

UltraMegaSound: January 2009

http://ultramegasound.blogspot.com/2009_01_01_archive.html

Loudness Is My Favorite Drug. Friday, January 30, 2009. Friday, Jan 23, 11:53 pm. And he IS allowed to put the world down. No one is in fact allowed to carry it by themselves. It relieves us all of a sacred duty and the joy of doing it together. The sound of Phish is sound of the Super-Conscious starting the first run of it's life on a water slide. Use your head, take control; use your head. NO GODS! Amebix sounds like the eruptions of. Rise into the light, and set a flame to the night. Summon cities, ho...

cphonicmastering.com cphonicmastering.com

Mastering engineer-mixing engineer-music producer Kevin McNoldy

http://cphonicmastering.com/about/bio/kevin-mcnoldy-bio.php

Online mastering and mixing. An early start in music. Music producer / recording engineer / mixing engineer / mastering engineer Kevin McNoldy. From Berklee to Music Row. Berklee College of Music. Where Kevin earned his degree in Music Production and Engineering. His love for sound brought him to Berklee College of Music. Where he earned his degree in music production and engineering under the tutelage of education / production luminaries such as Dave Moulton. On the outskirts of Music Row. Kevin produce...

nubeazulstudio.blogspot.com nubeazulstudio.blogspot.com

Nube Azul recording studio 2.0: Canzone dello studio

http://nubeazulstudio.blogspot.com/2007/12/canzone-dello-studio.html

Nube Azul recording studio 2.0. Voy a ver si me encuentro dentro de mi piel. Y comprendo porqué nada puedo entender. Me resulta tan raro todo lo normal,. Me tropiezo, me caigo y vuelvo a tropezar. Creí que me había equivocado, luego pensé…. Que estoy bien aquí en mi nube azul. Todo es como yo lo he inventado. Y la realidad trozos de cristal. Que al final hay que pasar descalzo. Por favor no me empuje, me puedo caer. Yo en mi nube estoy tan bien. No me va a convencer. Que me ofrecen veneno cuando tengo sed.

nubeazulstudio.blogspot.com nubeazulstudio.blogspot.com

Nube Azul recording studio 2.0: The Dark side of the sound

http://nubeazulstudio.blogspot.com/2010/10/dark-side-of-sound.html

Nube Azul recording studio 2.0. The Dark side of the sound. Nube Azul 2.o presenta…. The Dark side of the sound. Le giornate dell’autoproduzione Nube Azul 2.0. 1500 – Worskhop “Dal materiale audio all’ Album CD ” 2h. 1715 – Workshop “Audio editing: dalla lavorazione alla creazione” 2h. 1900 – Nube Azul chill-out aperitif. Degustazioni dell’altro mondo). Sabato 23 ottobre 2010. 15-21 pm @ Nube Azul 2.0. Via delle Noci 1, Montelibretti (Roma). Nube Azul 2.0 recording studio. Tel: 328.76.39.516. Per l'autof...

nubeazulstudio.blogspot.com nubeazulstudio.blogspot.com

Nube Azul recording studio 2.0: AUTOPRODUZIONE musicale 2.0

http://nubeazulstudio.blogspot.com/2010/10/autoproduzione-musicale-20.html

Nube Azul recording studio 2.0. AUTOPRODUZIONE musicale 2.0. Nube Azul 2.o presenta…. AUTOPRODUZIONE musicale 2.0. Sabato 16 ottobre 2010. 20 euro (sconto 25% per i membri dei gruppi che hanno registrato in passato in studio). Comprende: 8 ore di workshop caffè/tè break fotocopie e materiale didattico esercitazioni su hardware/software eventuale accompagnamento a/r stazione di Montelibretti (25. min da Roma Tiburtina). Min 5 – max 10. 1100 – Workshop “Acustica degli ambienti musicali”. 1300 – Pranzo.

nubeazulstudio.blogspot.com nubeazulstudio.blogspot.com

Nube Azul recording studio 2.0: Scheda tecnica:

http://nubeazulstudio.blogspot.com/2007/12/scheda-tecnica.html

Nube Azul recording studio 2.0. Digitale a 16 bit- 96 khz. Mic 2k ohm, line 10k ohm. Audio Compact Disc 16 bit. Digital Audio Workstation (DAW). Sala unica regia/ripresa da 16 mq circa. Microfonaggio, presa diretta, misto. Tecniche di ripresa stereo:. XY o MS, AB, ORTF. Ramper (rullante 14” a 12 bande, tom 12” e 13”, timpano 16”, grancassa, charleston, ride 22”, crash 16”, crash 18” ).Pelli: Remo. Chitarra1: fender 50 watt 2 ch con pedaliera, Chitarra2: Peaney 50 watt, basso: AshDown five15 100 watt).

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The art and science of sound. Dave receives the Audio Engineering Society's Fellowship Award. Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO. Creating loudspeaker music for a large space. Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays. Power Chords, Polyphonic Trains and Plain Old Phase. Loudspeaker array as a musical composition genre. Composing in surround sound. So What’s So Good About Digital, Anyway?

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